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NEW: The Beau Street, Bath Hoard by Verity Anthony, Richard Abdy and Stephen Clews. Hardback; 205x290mm; 338 pages; 36 figures; 57 plates containing images of 1524 coins (75 pages in colour). 578 2019 Archaeopress Roman Archaeology 59. Available both in printed and e-versions. Printed ISBN 9781784915940. £60.00 (No VAT). Epublication ISBN 9781784915957. £16.00 (Exc. VAT) Institutional Price £60.00 (Exc. UK VAT) Book contents pageBuy Now

The Beau Street Hoard is one of the most remarkable archaeological discoveries ever to be made in Bath: the Roman town of Aquae Sulis. The discovery captured the public imagination and it became the focus for a major scientific investigation and a significant learning and public engagement programme. Carefully excavated by professional archaeologists the hoard was recovered intact and removed to the British Museum for more detailed examination and study. It was found to have been deposited in a cist in at least eight bags. Micro-investigation of the hoard in a conservation laboratory and further scientific analysis revealed more fascinating details and information reported on here. The Beau Street, Bath Hoard provides a thorough and complete publication and analysis of the hoard, which is one of the largest yet found in a Roman town in Britain. The high quality of the recovery and investigation process means that it makes a significant contribution to both archaeological and numismatic studies.

About the Authors
Verity Anthony is Visitor Experience and Collections Manager at Cornwall’s Regimental Museum. Prior to that she has worked in collections roles at the Museum of London and at The Roman Baths, where she played a major part in the Beau Street Hoard project.

Richard Abdy has been curator of Roman coins at the British Museum for many years, with particular interest in the middle and later imperial periods of the Roman Empire. He is in the process of publishing RIC II.3 on the coinage of Hadrian and has had long experience of recording Roman coin hoards through work on Treasure cases in England.

Stephen Clews is the Manager of the Roman Baths and Pump Room in Bath, where he has worked on the re-development and re-display of the site and its collections for more than thirty years. He also enjoys an occasional glass of spa water.
NEW: Dating Urban Classical Deposits: Approaches and Problems in Using Finds to Date Strata by Guido Furlan. Paperback; 205x290mm; xiv+288 pages; 153 figures, 6 tables (71 pages in colour). 576 2019. Available both in print and Open Access. Printed ISBN 9781789692525. £48.00 (No VAT). Epublication ISBN 9781789692532. Book contents pageDownload

Dating Urban Classical Deposits: Approaches and problems in using finds to date strata considers the issues surrounding the dating of archaeological strata on the basis of the assemblages recovered from them. This process is one of the most common processes in archaeology, yet it is still poorly structured theoretically, methodologically and operatively. No manuals specifically tackle the issue as a whole and consideration of useful theoretical and methodological tools is fragmentary. This book has been developed to try to correct this failing; it is based on the idea that for dating a given layer through the materials recovered from it, the embedding process of the materials must be modelled.

The book reviews the present state of archaeological practice and follows this with a theoretical discussion of the key concepts involved in the issue of dating deposits; the main methodological tools which can be employed (quantitative, qualitative and comparative) are then discussed in detail. The text presents a problem-oriented taxonomy of deposits, with depositional models for assessing how different assemblages can be analysed for dating; each type of deposit is accompanied by case studies where the methodological tools used are explained. Finally, a structured working method is proposed.

The topic of dating deposits crosses the chronological and spatial borders of many archaeologies, but the book focusses on Classical cities (particularly Roman), as they present specific traits (continuous occupation, high rates of residuality, high impact architecture, waste management etc.) making them unique fields for study.

About the Author
Guido Furlan is a post-doctoral researcher at the University of Padova, where he achieved his doctorate in 2015. His current research focuses on Roman archaeology and post-excavation methodologies. He was involved, among others, in the investigation of the forum of Nora (Sardinia) until 2008, and in the excavation of the House of Titus Macer, Aquileia, from 2009 to 2013. He is currently working on the theatre of the ancient city.
NEW: Pottery from Roman Malta by Maxine Anastasi with contributions by David Cardona and Nathaniel Cutajar. Paperback; 205x290mm; viii+176 pages; 87 figures, 7 tables. 574 2019. Available both in print and Open Access. Printed ISBN 9781789693294. £35.00 (No VAT). Epublication ISBN 9781789693300. Book contents pageDownload

Much of what is known about Malta’s ancient material culture has come to light as a result of antiquarian research or early archaeological work—a time where little attention was paid to stratigraphic context. This situation has in part contributed to the problem of reliably sourcing and dating Maltese Roman-period pottery, particularly locally produced forms common on nearly all ancient Maltese sites. This book presents a comprehensive study of Maltese pottery forms from key stratified deposits spanning the first century BC to mid-fourth century AD. Ceramic material from three Maltese sites was analysed and quantified in a bid to understand Maltese pottery production during the Roman period, and trace the type and volume of ceramic-borne goods that were circulating the central Mediterranean during the period. A short review of the islands’ recent literature on Roman pottery is discussed, followed by a detailed contextual summary of the archaeological contexts presented in this study. The work is supplemented by a detailed illustrated catalogue of all the forms identified within the assemblages, presenting the wide range of locally produced and imported pottery types typical of the Maltese Roman period.

About the Author
Maxine Anastasi is a Lecturer at the Department of Classics and Archaeology, University of Malta. She was awarded a D.Phil. in Archaeology from the University of Oxford for her thesis on small-island economies in the Central Mediterranean. Her research primarily focuses on Roman pottery in the central Mediterranean, with a particular emphasis on Maltese assemblages.
NEW: From Hispalis to Ishbiliyya: The Ancient Port of Seville, from the Roman Empire to the End of the Islamic Period (45 BC – AD 1248) by Carlos Cabrera Tejedor. Paperback; 205x290mm; xx+216 pages; 170 figures, 5 tables (92 plates in colour). (Print RRP £45.00). 534 2019. ISBN 9781789690583. £45.00 (No VAT). Book contents pageBuy Now

From Hispalis to Ishbiliyya: The ancient port of Seville, from the Roman Empire to the end of the Islamic period (45 BC - AD 1248) focuses on the history and development of the ancient port of Seville, which is located in the lower Guadalquivir River Basin, Spain. This unique study is important because, despite its commercial importance, little has been known about the port, and so the purpose was to examine the topography, layout, and facilities of the ancient port of Seville, their history and development from approximately the 1st c. BC to about the 13th c. AD. This longue durée study was conducted adopting a holistic and interdisciplinary approach by examining a diverse range of information (historical, archaeological and scientific), a maritime archaeological perspective as well as a diachronic study of three different historical periods (Roman, Late Antique, Islamic). As a result, it has been possible to offer a description of the construction, development, and demise of the port. The study was one of the first comprehensive studies of an ancient port in Spain and one of the first to be conducted in a combined holistic and diachronic manner in Europe. This methodology has produced significant results not obtained with other simpler approaches, thus serving as a model for studies of other archaeological sites, especially those in relation with maritime or riverine culture.

About the Author
Carlos Cabrera Tejedor is a maritime archaeologist with a diverse and multi-disciplinary background and an interest in shipbuilding and ports. He started as a conservator, completing two bachelor’s degrees, one in Fine Arts Restoration and the other in Archaeological Conservation. He also completed a Master of Arts degree in Nautical Archaeology from Texas A&M University, worked as a project director and research associate at the Institute of Nautical Archaeology (INA), and a received a DPhil in Archaeology at the University of Oxford.

Regarding the study of ancient ships, Dr Cabrera conducted the study of the Mazarrón 1 shipwreck, a 7th century BC Phoenician boat excavated in Spain that constitutes the only known example of hull-remains from that century. He also completed a post-doctoral research study, at the University of Oxford, on the hull of Ship 11, a 5th – 4th century BC ritual vessel excavated in the Grand Canal of Thonis-Heracleion (Egypt) associated with the Mysteries of Osiris and his Temple. Included among Dr Cabrera’s on-going international collaborations is a project with the Soprintendenza Archeologia, Belle Arte e Paesaggio per le Province di Pisa, where he is responsible for studying and publishing the naval architecture of a number of Roman vessels excavated at the Pisa-San Rossore train station, Pisa (Italy).
NEW: Imágenes, lengua y creencias en Lusitania romana edited by Jorge Tomás García and Vanessa Del Prete. Paperback; 203x276mm; illustrated throughout (51 pages in colour). 94 2019. Available both in print and Open Access. Printed ISBN 9781789692945. £48.00 (No VAT). Epublication ISBN 9781789692952. Book contents pageDownload

This publication considers the visual, linguistic and religious culture of the Roman province of Lusitania. Roman influence was especially notable in religion and artistic manifestations. It was in the cities where the Lusitanians acquired Roman civilization: they learned Latin, the Frankish language of the peninsula; they were introduced to the Roman administration and religion; and in the third century, when Rome converted to Christianity, so did the Lusitanians. The Latin language was imposed as the official language, functioning as a binding factor and communication between different peoples. Being a fairly large area and lacking a unified state that promoted a particular language in administration or education, different languages coexisted simultaneously in Hispania. The subjects continued to use their native languages, although official business was conducted in Latin or Greek. Indigenous religions persisted, although sacrifices were offered everywhere for the emperor and the gods of the Roman pantheon. Visual culture also reflected the hybrid character of provincial civilization. Images of a Roman style and subject matter circulated widely, and yet the craftsmen and consumers of the provinces maintained their own traditions, adopting Roman techniques and tastes as they pleased. The papers in this volume establish a broad and generous view of the relationship between images, languages and religious culture within Lusitanian society.

La presente publicación pretende suponer un acercamiento transversal y generoso a la cultura visual, lingüística y religiosa de la provincia romana de Lusitania. La influencia romana fue especialmente notable en la religión y en las manifestaciones artísticas. Las ciudades fueron una de las instituciones más importantes impuestas a Lusitania durante la ocupación romana. Fue en las ciudades donde los lusitanos adquirieron la civilización romana: aprendieron latín, la lengua franca de la península; fueron introducidos a la administración y religión romanas; y en el siglo III, cuando Roma se convirtió al cristianismo, también lo hicieron los lusitanos. La lengua latina se impuso como la lengua oficial, funcionando como factor vinculante y comunicación entre los diferentes pueblos. Al ser un área bastante grande, y al carecer de un estado unificado que promoviera un idioma determinado en la administración o la educación, en Hispania convivieron diferentes lenguas simultáneamente. Los sujetos siguieron usando sus idiomas nativos, aunque los negocios oficiales se realizaron en latín o griego. Las religiones indígenas persistieron, aunque los sacrificios se ofrecían en todas partes para el emperador y los dioses del panteón romano. La cultura visual también reflejó el carácter híbrido de la civilización provincial. Las imágenes del estilo y el mensaje romanos circulaban ampliamente y, sin embargo, los artesanos y los consumidores de las provincias mantenían sus propias tradiciones, adoptando las técnicas y los gustos romanos como les convenía. Este y otros problemas están recogidos en los capítulos de esta obra, que permite establecer una mirada amplia y generosa sobre la relación entre las imágenes, la lengua y la visión religiosa y cultural de la sociedad lusitana. Los autores de este volumen tratan así de entender este panorama tan complejo, utilizando con gran énfasis las imágenes y el lenguaje, fuentes de relevancia para acometer una visión transversal de la cultura y religión de Lusitania.

About the Editors
Jorge Tomás García PhD (Murcia, 2010) is Professor of Ancient Art at the Autonomous University of Madrid (Art History Department).

Vanessa Del Prete Mainer PhD (Madrid, 2016), is Chief Editor of the academic journal Gods and Men (interdisciplinary studies regarding the sciences of religions), launched in 2018.
NEW: KOINON: The International Journal of Classical Numismatic Studies Volume II, 2019 edited by Nicholas J. Molinari (General Editor). 2 2019. Available both in printed and e-versions. Printed ISBN 9781789693553. £35.00 (No VAT). Institutional Price £50.00 (No VAT). Epublication ISBN 9781789693560. £25.00 (Exc. VAT) Institutional Price £65.00 (Exc. UK VAT) Book contents pageBuy Now

As the name indicates, KOINON is a journal that encourages contributions to the study of classical numismatics from a wide variety of perspectives. The journal includes papers concerning iconography, die studies, provenance research, forgery analysis, translations of excerpts from antiquarian works, specialized bibliographies, corpora of rare varieties and types, ethical questions on laws and collecting, book reviews, and more. The editorial advisory board is made up of members from all over the world, with a broad range of expertise covering virtually all the major categories of classical numismatics from archaic Greek coinage to late Medieval coinage.

Table of Contents
An Introductory Note from the General Editor, with Recourse to Plato and Eukleidas

GREEK NUMISMATICS
Numismatic evidence (or not) for the aphippodroma horse race at Larisa – Rosanagh Mack
A Bacchid at Apollonia: a late survival of an ancient family – David Macdonald
An unusual depiction of Ba‘al Arwad and a hippocampus on coins of Arados during the Persian Period – Martin Rowe
The Macedonian Mint at Susa (319/8-312/1 BC) – Lloyd W. H. Taylor
The Susa wreath group Alexanders: The first step in the transformation of an anchor seal to a dynastic emblem – Lloyd W. H. Taylor
A discussion on provenance research with some early provenances uncovered – John Voukelatos

ROMAN NUMISMATICS
The Youthful God revisited: Veiovis on Roman Republican denarii – Tyler Holman
An enigmatic denarius of M. Herennius – Phillip Davis
Some further ideas on a double-obverse bronze of the Constantinian period from the Antioch excavations – Shawn Caza
Back in the saddle again: a re-examination of the FEL TEMP REPARATIO Falling horseman type – Shawn Caza

BYZANTINE AND RELATED COINAGES
The ‘Sirmium Group’ – an overview – Dirk Faltin

MEDIEVAL AND EARLY MODERN COINAGE
Numismatic letterforms of ‘A’ in medieval Europe: A classification system – David B. Spenciner and Marina V. Spenciner
Did Louis X of France mint deniers tournois? (Notes on a few deniers tournois à la croisette) – Andrei Bontas

A CATALOG OF NEW VARIETIES
NEW: The Ovoid Amphorae in the Central and Western Mediterranean Between the last two centuries of the Republic and the early days of the Roman Empire edited by Enrique García Vargas, Rui Roberto de Almeida, Horacio González Cesteros and Antonio Sáez Romero. Paperback; 210x297mm; xii+414 pages; illustrated throughout in colour and black & white (65 pages in colour). 572 2019 Roman and Late Antique Mediterranean Pottery 13. Available both in printed and e-versions. Printed ISBN 9781789692969. £65.00 (No VAT). Epublication ISBN 9781789692976. £16.00 (Exc. VAT) Institutional Price £65.00 (Exc. UK VAT) Book contents pageBuy Now

The production of amphorae and the export of commodities transported in them was a key activity for the Mediterranean world in Antiquity. Consequently, their study is of enormous value for analysing the agricultural and fishing economy, and also the commercial mechanism of that period. Through the typological and chronological analysis of these ceramic containers, a high degree of knowledge has been achieved, especially for the production of the different Mediterranean societies from the second millennium BC to the Middle Ages.

In The Ovoid Amphorae in the Central and Western Mediterranean between the last two centuries of the Republic and the early days of the Roman Empire, several series of amphorae created in the Late Republican Roman period (2nd and 1st centuries BC) have been studied – a group of material until now little studied. All of these groups of containers share a common feature in the shape of their bodies which is generally ovoid. The fact that they were conceived and developed in the economic and political context in which Rome expanded throughout the Mediterranean, transferring to its new territories its production and commercialization procedures, bears witness to the almost total integration of the Mediterranean markets.

This publication is based on the proceedings of the workshop held at Seville University in December 2015. The book brings together contributions on the main production areas of these ovoid amphorae from the Atlantic to the Greek mainland / North Peloponnese, analysing in detail the origins, evolution and disappearance of their main series. It also includes case studies that are particularly relevant in relation to their distribution, consumption patterns, contents and relationship with other groups of amphorae manufactured in the Roman Imperial era. The aim of this publication has been to present an updated and complete synthesis of the so-called ovoid amphorae, from an interdisciplinary, international and diachronic standpoint.

About the Editors
Enrique García Vargas (PhD History, University of Seville) is Lecturer at the University of Seville. Currently, he co-leads the Tomares Treasure Project, on a huge coin hoard buried near Seville during the first decades of the 4th century AD.

Rui Roberto de Almeida holds a Master’s degree in Archaeology and is currently developing his PhD research and thesis on maritime food trade from the Guadalquivir valley to Lusitania during the Roman era (I century BC - VI AD)’.

Horacio González Cesteros (PhD Archaeology, University of Tarragona and the Catalan Archaeological Institute) is a member of the research staff of the Austrian Archaeological Institute.

Antonio Sáez Romero (PhD Archaeology, University of Cadiz) is Assistant Professor at the University of Seville (Spain) and has been part or directed several research projects in Gibraltar, Portugal, Morocco, Italy and Greece.
NEW: Maritime-Related Cults in the Coastal Cities of Philistia during the Roman Period Legacy and Change by Simona Rodan. Paperback; 175x245mm; ii+212 pages; 40 figures (26 pages in colour). 571 2019 Archaeopress Roman Archaeology 60. Available both in printed and e-versions. Printed ISBN 9781789692563. £35.00 (No VAT). Epublication ISBN 9781789692570. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

Maritime-Related Cults in the Coastal Cities of Philistia during the Roman Period questions the origins and the traditions of the cultic rites practised during Roman times along the southern shores of the Land of Israel. This area was known since biblical times as ‘Peleshet’ (Philistia), after the name of one of the Sea Peoples that had settled there at the beginning of the Iron Age. Philistia’s important cities Jaffa, Ashkelon, Gaza and Rafiah were culturally and religiously integrated into the Graeco-Roman world. At the same time, each city developed its own original and unique group of myths and cults that had their roots in earlier periods. Their emergence and formation were influenced by environmental conditions as well as by ethno-social structures and political circumstances. Philistia’s port cities served as crossroads for the routes connecting the main centres of culture and commerce in ancient times. Most of their cults were closely associated with the sea, and reflect the existential dependency of the inhabitants on the sea that supplied them with sustenance and livelihood and was regarded as a divine beneficent power. The myths also echo the lives of the sailors, their beliefs and fears derived from encountering the dangers of the sea: storms, floods, reefs and giant fish portrayed as monsters. The population of the cities was of mixed and varied ethnic and cultural origins. This was the result of the waves of conquests and migrations over the ages, yet each city was noted for its unique ethnic components. The book also deals with the political circumstances, which had a decisive impact on the formation of religious life and cultic rites in all four cities. It sheds new light to the understanding of the events and historical processes in the region.

About the Author
Simona Rodan is a historian whose field of research are the beliefs, customs and cultic practices in the ancient Mediterranean world, and their reflection in literature and art from the ancient period to the modern times. She holds a PhD in Maritime Civilizations from the University of Haifa. Rodan is the author of The Goddess of Luck, the City and the Sea: The Cult of Tyche and Fortuna in the Coastal Cities of Eretz Israel (2014) (in Hebrew) and Aegean Mercenaries in Light of the Bible: Clash of Cultures in the Story of David and Goliath (2015).
FORTHCOMING: Scambi e commerci in area vesuviana I dati delle anfore dai saggi stratigrafici I.E. (Impianto Elettrico) 1980-81 nel Foro di Pompei edited by Darío Bernal-Casasola and Daniela Cottica. Paperback; 210x297mm; x+344 pages; 79 figures, 71 plates (90 pages in colour). (Print RRP £55.00). 590 2019 Roman and Late Antique Mediterranean Pottery 14. ISBN 9781789693232. Book contents pageBuy Now

Transport amphorae are one of the best archaeological indicators for evaluating the economy and trade of societies in the ancient world. Scambi e commerci in area vesuviana: i dati delle anfore dai saggi stratigrafici I.E. (Impianto Elettrico) 1980-81 nel Foro di Pompei, produced by researchers from the University of Cadiz and the Ca' Foscari University of Venice, includes the study of nearly five hundred of these commercial containers, recovered during the pioneering stratigraphic excavations carried out in 1980-1981 at the Forum of Pompeii, called conventionally "Impianto Elettrico".

The work represents the first Pompeian monograph dedicated exclusively to the analysis of the amphoric evidence brought to light by archaeological excavation activities in the city buried by the eruption of Vesuvius and analyses in diachronic perspective the main productions in circulation between the VI / V BC and the year 79 AD. The chapters of the volume offer the reader data relating to archaic amphorae, Greek amphorae and Italic wine amphorae from the Republican era, which draw a commercial panorama of great vitality. The African amphorae, following Punic traditions, are then reviewed; then follow the Punic-Gaditan garum amphorae, identified for the first time in the Vesuvian area in this study; le Dressel 21-22, containers for the Italic fish-salting trade and, finally, the productions of the late Republican and Julio-Claudian period. The volume is completed by a series of complementary archaeometric studies carried out on some of the amphorae (paleocontent organic residue analysis and petrographic characterization of the fabrics).

All this material, analyzed with an integrated and interdisciplinary approach, allows us to draw multiple conclusions, fundamental to understanding the rich and articulated daily history of Pompeii, its merchants and its inhabitants (the consumers to whom the amphorae were intended) but also useful to better define the Economic History of some of the circum-Mediterranean regions (from Gades to the Aegean) with which Pompeii had strong trade ties in Antiquity, as evidenced by the amphorae presented here.

About the Editors
Darío Bernal-Casasola is Professor of Archaeology at the University of Cádiz.

Daniela Cottica is currently Senior Lecturer in Classical Archeology at the Ca 'Foscari University of Venice.

Italian Description:
Scambi e commerci in area vesuviana: i dati delle anfore dai saggi stratigrafici I.E. (Impianto Elettrico) 1980-81 nel Foro di Pompei rappresenta la prima monografia pompeiana dedicata esclusivamente all’analisi delle testimonianze anforiche portate alla luce da attività di scavo archeologico nella città sepolta dall’eruzione del Vesuvio, ed analizza in prospettiva diacronica tutte le produzioni in circolazione tra il VI/V secolo a.C. e l’anno 79 d.C. I quattordici capitoli del volume offrono al lettore i dati relativi alle anfore arcaiche, non abbondanti ma molto significative per le fasi più antiche dell’insediamento, e alle anfore greche, specialmente rodie di epoca ellenistica, che si distinguono per l’abbondanza di esemplari bollati. Sono poi presentate le anfore vinarie italiche di epoca repubblicana, che disegnano un panorama commerciale di grande vitalità, nel quale la Campania gioca un ruolo preminente, intrecciando le sue produzioni con quelle di altre aree della penisola. Si passano quindi in rassegna le anfore africane, o di tradizione punica, caratterizzate da una complessa seriazione tipologica che ben illustra gli intensi rapporti commerciali con il nordafrica e l’isola di Ibiza; seguono poi le anfore punico-gaditane da garum, identificate per la prima volta in area vesuviana proprio in questo studio, e le Dressel 21-22, contenitori per il commercio italico di salagione di recente caratterizzazione e, infine, le produzioni del periodo tardo-repubblicano e g
FORTHCOMING: Kom al-Ahmer – Kom Wasit I: Excavations in the Metelite Nome, Egypt ca. 700 BC – AD 1000 edited by Mohamed Kenawi. Hardback; xxviii+350 pages; 358 figures, 52 tables. (Print RRP £65.00). 575 2019. ISBN 9781789692983. Book contents pageBuy Now

With contributions by Cristina Mondin, Michele Asolati Louise Bertini, Audrey Eller, Urška Furlan, Ole Herslund, Israel Hinojosa Baliño, Marie-Caroline Livaditis, Giorgia Marchiori, Marcus Müller, Benjamin T. Pennington and Amy Wilson.

In 2012, fieldwork began at two large sites in the Beheira Province in the western Nile Delta: Kom al-Ahmer and Kom Wasit (ancient Metelis). Being close to the important ports of Thonis-Heracleion, Alexandria, and Rosetta meant that they had been ideally placed to take advantage of the trade between the Mediterranean and Egypt. The sites are being thoroughly investigated to reveal their archaeological significance.

Kom al-Ahmer – Kom Wasit I Excavations in the Metelite Nome, Egypt presents the results of the Italian archaeological mission between 2012 and 2016. It provides details of the survey and excavation results from different occupation phases. A complete town beneath the Nile silt was revealed using a combination of modern scientific techniques. Hellenistic houses and a temple enclosure wall were investigated at Kom Wasit; while at Kom al-Ahmer, a Late Roman house, an amphora storage building, a cistern and an early Islamic cemetery were revealed.

Dating from the Late Dynastic to the Early Islamic period, the remains found at Kom al-Ahmer and Kom Wasit demonstrate for the first time the rich archaeological heritage of this region.

About the Editor
Mohamed Kenawi is a Researcher and Training Manager at the School of Archaeology, University of Oxford, for the Endangered Archaeology of the Middle East and North Africa project. He was Head Researcher (2011–16), followed by Acting Director (2016–17), of the Hellenistic Centre of Bibliotheca Alexandrina, Alexandria. He taught at the American University in Cairo and at Catania University. He has participated in various archaeological missions in Libya, Italy, and Egypt, among them those at Kom al-Ahmer/Kom Wasit, Athribis, Dionysias, and Manqbad. He currently collaborates on projects with Padua University and Tübingen University. He has published various articles about his research, in addition to his monograph, Alexandria’s Hinterland: Archaeology of the Western Nile Delta, Egypt (2014). He published a co-authored book with G. Marchiori entitled Unearthing Alexandria’s Archaeology: the Italian Contribution (2018). He is Egypt Coordinator for the Manar al-Athar open access photo-archive.
FORTHCOMING: Les pratiques funéraires en Pannonie de l’époque augustéenne à la fin du 3e siècle by András Márton. Paperback; 205x290mm; 556pp; 322 figures, 382 maps (Print RRP: £70.00). 588 2019 Archaeopress Roman Archaeology . ISBN 9781789693355. Buy Now

Les pratiques funéraires en Pannonie de l’époque augustéenne à la fin du 3e siècle aims to give an overview of Roman burial practices in Pannonia during the Early Roman period. Among the different approaches proposed by R. Reece for the study of Roman cemeteries, this work focuses on the grave treatment and grave furnishing. The funerary practices are thus apprehended through the study of tomb structure, the selection and treatment of grave goods and human remains.

The book proposes a synthesis of the published finds to serve as a base for future research. The analysis consists of a documentary review (presented in the catalogue and numerous tables) as complete as possible from the published data, accompanied by a detailed analysis of the information available today to highlight the trends regarding the entire province but also the peculiarities that can be distinguished at the regional level. The analysis is supported by many graphics and maps. Many general trends, common to the western provinces of the Roman Empire, were detected but also many particularities linked to the economic and social situation of the communities, the different components of the population of Pannonia and the political and military history of the province.

About the Author
András Márton was born in Budapest. He holds masters degrees in History, and Archaeology (specializing in Roman provincial and Classical archaeology) from the Eötvös Lorand University, Budapest and a PhD from the Université de Bretagne Occidentale, Brest. He currently lives in France and is involved with research programmes at the Louvre and the Museum of Fine Arts, Lyon. His research interests are pottery studies and ancient funerary practices.
FORTHCOMING: Ceramics and Atlantic Connections: Late Roman and Early Medieval Imported Pottery on the Atlantic Seaboard Proceedings of an International Symposium at Newcastle University, March 2014 edited by Maria Duggan, Mark Jackson and Sam Turner. Paperback; 210x297mm;150pp (Print RRP: £30.00). 583 2019 Roman and Late Antique Mediterranean Pottery 15. ISBN 9781789693379. Buy Now

The Atlantic Seaboard has attracted increasing interest as a zone of economic complexity and social connection during Late Antiquity and the early medieval period. A surge in archaeological and, in particular, ceramic research emerging from this region over the last decade has demonstrated the need for new models of exchange between the Mediterranean and Atlantic, and for new understandings of links between sites along the Western littoral of Europe. Ceramics and Atlantic Connections: Late Roman and Early Medieval Imported Pottery on the Atlantic Seaboard stems from the Ceramics and Atlantic Connections symposium, hosted by the School of History, Classics and Archaeology, Newcastle University, in March 2014. This represents the first international workshop to consider late Roman to early medieval pottery from across the Atlantic Seaboard. Reflecting the wide geographical scope of the original presentations by the invited speakers, these nine articles from ceramic specialists and archaeologists working across the Atlantic region, cover western Britain, Ireland, western France, north-west Spain and Portugal.

The principal focus is the pottery of Mediterranean origin which was imported into the Atlantic, particularly East Mediterranean and North African amphorae and red-slipped finewares (African Red Slip and Late Roman C and D), as well as ceramics of Atlantic production which had widespread distributions, including Gaulish Dérivées-de-Sigillées Paléochrétiennes Atlantique/DSPA, céramique à l’éponge’ and ‘E-ware’. Following the aims of the Newcastle symposium, the papers examine the chronologies and relative distributions of these wares and associated products, and consider the compositions of key Atlantic assemblages, revealing new insights into the networks of exchange linking these regions between c. 400-700 AD. This broad-scale exploration of ceramic patterns, together with an examination of associated artefactual, archaeological and textual evidence for maritime exchange, provides a window into the political, economic, cultural and ecclesiastical ties that linked the disparate regions of the Late Antique and early medieval Atlantic. In this way, this volume presents a benchmark for current understandings of ceramic exchange in the Atlantic Seaboard and provides a foundation for future research on connectivity in this zone.

About the Editors


Maria Duggan works on European Late Antique and early medieval archaeology, particularly focusing on late Roman and Byzantine pottery and long-distance exchange and contact. She is currently a British Academy Postdoctoral Fellow at Newcastle University and the British School at Athens, conducting research on the imported ceramic assemblage from Tintagel, Cornwall.

Mark Jackson is Senior Lecturer in Archaeology at Newcastle University. He teaches and researches Late Antique, Byzantine and early Islamic archaeology in the Mediterranean and has a particular research interest in ceramics.

Sam Turner works on medieval archaeology and the cultural heritage of landscapes, with particular interests in Britain, Europe and the Mediterranean. He has worked at Newcastle University since 2004, where he is now Professor of Archaeology and Director of the interdisciplinary McCord Centre for Landscape.
FORTHCOMING: The Busy Periphery: Urban Systems of the Balkan and Danube Provinces (2nd – 3rd c. AD) by Damjan Donev. Paperback; 205x290mm; 400pp; 106 figures, 21 tables, 123 maps (Print RRP: £54.00). 582 2019 Archaeopress Roman Archaeology . ISBN 9781789693492. Buy Now

The Busy Periphery: Urban Systems of the Balkan and Danube Provinces (2nd – 3rd c. AD) aims to reconstruct the urban geography of the Balkan and Danube provinces at the time of the Severan dynasty. The focus of the research presented here had four basic parameters: the origin and socio-economic character of the settlements, their size, their micro-location, and the size of their administrative territories. The principal goal of the exercise was to map the variable developments of the urban network, both between and within the sub-regions that constituted that part of the Roman Empire.

This line of inquiry helped bridge the gap between the regional and the general. In the process of explaining the apparent gaps in the urban map of the study region, and the differential growth of the towns and settlements, the author faces the question of the role of the town in Roman provincial society – and economy in general – and the basic prerequisites for the emergence and prosperity of towns.

About the Author
Damjan Donev completed his Master’s degree at the Department of Archaeology and Art History, Bilkent University, and earned his PhD at Leiden University. His geographical focus is the Balkan Peninsula, and his research interests include regional studies (with a special emphasis on settlement patterns), hierarchies, territoriality, methods of field survey and remote sensing.
FORTHCOMING: Settlements and Necropoleis of the Black Sea and its Hinterland in Antiquity Select Papers from the Third International Conference ‘The Black Sea in Antiquity and Tekkeköy: An Ancient Settlement on the Southern Black Sea Coast’, 27-29 October 2017, Tekkeköy, Samsun edited by Gocha R. Tsetskhladze and Sümer Atasoy. Paperback; 205x290mm; xii+278 pages; 299 figures, 13 tables. 573 2019. ISBN 9781789692068. Buy Now

Settlements and Necropoleis of the Black Sea and its Hinterland in Antiquity publishes a selection of some two dozen of the papers presented at an international conference held in October 2017 at Tekkeköy in Samsun, ancient Amisos, on the Turkish Black Sea coast. The archaeology sessions included presentations not only about the Tekkeköy/Samsun region but other parts of the Black Sea by participants from Bulgaria, France, Georgia, Romania, Russia, Turkey and the United Kingdom. The selection offered here includes almost all of the contributions on archaeology and ancient history. The conference spread its wings to include folklore, museology and tourism, but we felt that a more focused publication was necessary. The event was the child of Ondokuzmayıs University in Samsun (whose Archaeology Department regularly organises symposia on the Black Sea), the municipal authorities of Tekkeköy and the Governor of Samsun, brought to fruition by the personal initiative of the Mayor of Tekkeköy and the Governor).

The papers are based not only on archaeological sources but make use of epigraphy and ancient written material. They cover all shores of the Black Sea, studying (once again), the establishment dates of some Greek Colonies, East Greek transport amphorae, the Black Sea on the Tabula Peutingeriana, the history of Tekkeköy, a Sinopean from Tomis, imports at Açic Suat (Caraburun), arrowhead and dolphin-shaped monetary signs from Berezan, the pre-Roman economy of Myrmekion, the necropolis of Porthmion, Artyushchenko-1 settlement on the Taman Peninsula, South Pontic imports at Classical sites in Ajara, recent excavations in Gonio-Apsarus, the Alaca Höyük Chalcolithic culture in coastal settlements, the Baruthan Tumuli at Amisos, iron finds from the Fatsa Cıngırt Kayası excavations, new excavations at Amastris, ancient Sebastopolis, politics and diplomacy in Paphlagonia, the Great Göztepe tumulus in Paphlagonia, Amasya-Oluz Höyük, the Iron Age sites of Zile district, Byzantine finds at Komana, glass bracelets from Samsun Museum, and dating the Kavak Bekdemir Mosque in Samsun.

About the Editors
Prof. Gocha Tsetskhladze (PhD Moscow, DPhil Oxford) is a classical archaeologist who specializes in ancient Greek colonisation and the archaeology of the Mediterranean, the Black Sea, Caucasia, Anatolia, and Central and Eastern Europe in the 1st millennium BC. For more than 20 years he has excavated several Greek colonial sites around the Black Sea (in Georgia, Russia, and the Ukraine). He is currently affiliated with the University of Nottingham, as well as the International Hellenic University in Thessaloniki and the University of Bucharest.

Prof. Emeritus Sümer Atasoy (PhD Istanbul) is a classical archaeologist and a specialist in museum studies and cultural heritage. He has excavated many sites in Anatolia, including Amisos/Samsun, one of the principal Greek colonies on the southern Black Sea coast. For more than ten years he has been director of excavations at Tios, the only Greek colony in the southern Black Sea not to have been overbuilt.
FORTHCOMING: Urbanisation in the Time of Claudius in the Western Provinces of the Empire by Erika Cappelletto. Paperback; 205x290mm; 314pp; illustrated throughout in colour and black & white. (Print RRP £50.00). 487 2018 Archaeopress Roman Archaeology . ISBN 9781789690507. Buy Now

This volume analyses Claudius’ activities in the provinces of the western Empire in order to get an idea of his political attitude in a broader context and see how his interests in the provinces influenced the urban works.

The first aim of the project was to find structures, urban development and changes in the cities which were directly connected to Claudius; the second was to reflect on planning issues and strategies adopted by the emperor. A comprehensive examination of new buildings, or additions to prior ones (with statues, for example), was conducted in order to understand the underlying intentions, as well as how, and in which way, the prototypes in Italy influenced construction in the provinces. The final aim was connected to Venturi’s work, who deals with Claudius’ activities in Italy and in particular at Rome and Ravenna. The question was whether the trends found by Venturi can also be applied to the provinces. As a result of these investigations, the author has been able to propose new trends which might explain the emperor’s political actions.

About the Author
ERIKA CAPPELLETTO received a degree from the University of Venice with a thesis about the representation of spinning implements on gravestones. She gained her Masters from the same university with a study of the black glazed pottery from Pompeii. During this period, she participated in different projects in Italy and studied for six months at Ankara with the Erasmus project. Later, she moved to Heidelberg where she completed her PhD. She has participated in international projects and conferences, frequented workshops and undertaken an internship in digital archaeology (3d reconstruction and modelling). She currently works in cultural heritage in Germany.
Culture and Society at Lullingstone Roman Villa by Caroline K. Mackenzie. Paperback; 205x255 pages; viii+50 pages; 40 figures (colour throughout). 563 . Available both in printed and e-versions. Printed ISBN 9781789692907. £14.99 (No VAT). Epublication ISBN 9781789692914. £9.99 (Exc. VAT) Institutional Price £14.99 (Exc. UK VAT) Book contents pageBuy Now

Culture and Society at Lullingstone Roman Villa paints a picture of what life might have been like for the inhabitants of the villa in the late third and fourth centuries AD. The villa today, in the Darent Valley, Kent, has an unusual amount of well-preserved evidence for its interior decoration and architecture. Seventy years on from the commencement of the excavation of the site, this study draws on the original reports but also embraces innovative approaches to examining the archaeological evidence and sheds new light on our understanding of the villa’s use. For the first time, the site of Lullingstone Roman Villa is surveyed holistically, developing a plausible argument that the inhabitants used domestic space to assert their status and cultural identity.

An exploration of the landscape setting asks whether property location was as important a factor in the time of Roman Britain as it is today and probes the motives of the villa’s architects and their client. Lullingstone’s celebrated mosaics are also investigated from a fresh perspective. Why were these scenes chosen and what impact did they have on various visitors to the villa? Comparison with some contemporary Romano-British villas allows us to assess whether Lullingstone is what we would expect, or whether it is exceptional. Examples from the wider Roman world are also introduced to enquire how Lullingstone’s residents adopted Roman architecture and potentially the social customs which accompanied it.

About the Author
Caroline K. Mackenzie read Classics at Pembroke College, Cambridge. As an undergraduate she gained a place to study for a month at the British School at Athens. After Cambridge, she continued her studies at law school where she was awarded a distinction and then practised as a Private Client solicitor in London for over a decade. Caroline subsequently pursued a teaching career, first as a law lecturer and then as Head of Classics at a preparatory school in Sevenoaks, Kent. In 2018 Caroline was awarded a Master of Arts with distinction in Classical Art and Archaeology at King’s College London.

Caroline’s current work includes private tutoring in Latin and Greek, providing workshops for schools and leading short courses in Classical Art and Archaeology as well as Classical literature. She also teaches on the annual Summer School in Homer at University College London. Caroline writes regularly for Argo, a journal of the Hellenic Society, and various other Classical publications. She has lectured for English Heritage who invited her to deliver a study day including a private tour of Lullingstone Roman Villa. Her website is: www.carolinetutor.co.uk

Reviews
'This book offers a unique interpretation of the Lullingstone Roman Villa in the Darent Valley of Kent, exploring how its inhabitants used space to assert their position in society, as well as their cultural identity. The first section of the book looks at the position of the villa and its ancillary buildings in the wider landscape, focusing on how the hills and views of the river valley might have been used to impress visitors. The second section turns to the interior of the building, particularly the central room and apse, exploring how the position and use of certain mosaics and inscriptions were used to highlight the villa owner's wealth and education, perhaps in an attempt to emulate Roman aristocrats. Richly illustrated with photographs of mosaics and wall-paintings from the villa, as well as reconstruction drawings of how both the interior and exterior may have looked during the Roman period, it takes the reader on an in-depth, but not remote, tour of the villa.' — Kathryn Krakowka, Current Archaeology, November 2019
Stamps on Terra Sigillata Found in Excavations of the Theatre of Aptera by Martha W. Baldwin Bowsky. Paperback; 175x245mm; ii+208 pages; 98 colour figures. 560 2019 Archaeopress Roman Archaeology 54. Available both in printed and e-versions. Printed ISBN 9781789692389. £38.00 (No VAT). Epublication ISBN 9781789692396. £16.00 (Exc. VAT) Institutional Price £38.00 (Exc. UK VAT) Book contents pageBuy Now

Stamps on Terra Sigillata Found in Excavations of the Theatre of Aptera presents a group of stamped fragments of Italian and eastern sigillata found in excavations of the Theatre of Aptera (Crete). A total of 258 stamped sherds have been discovered and identified: 28 already published by the author and another 230 included here. Aptera now yields more stamped fragments of terra sigillata than any other Cretan city to date, including Knossos.

The sigillata stamps from the Theatre of Aptera can be analysed so as to address a series of fundamental questions. Three of these constitute traditional uses of the evidence available from an analysis of terra sigillata: which potters supplied the Theatre of Aptera and its environs; where these potters were active; when these potters were active and therefore what production centres supplied the Theatre of Aptera and its area over time. Two more questions go further, in an effort to take advantage of this kind of material’s ability to testify to patterns of contact and exchange, as well as to details of life within the Roman imperial system: what distribution patterns might have brought terra sigillata to the Theatre of Aptera and its vicinity; and whether we can suggest how terra sigillata was consumed in Aptera’s Theatre and its environs.

Aptera’s Theatre was a venue not only for performances but for drinking, eating, and serving, on the part of theatregoers, spectators, actors and other performers. These activities took place during a period of prosperity for Roman Aptera in the first and second centuries, a period that coincides nicely with the production and distribution of terra sigillata. The people of Aptera and the surrounding area took full advantage of Crete’s strategic position amid crossroads of transit and exchange as well as integration into the Roman economy, to display their prosperity and status in public and in private.

About the Author
Martha W. Baldwin Bowsky is a Professor Emerita of Classical Studies, retired from the University of the Pacific in Stockton, California; she now lives and pursues research from a base in High Point, North Carolina. She graduated from the University of North Carolina at Chapel Hill and The University of Michigan at Ann Arbor. She began her career as an epigraphist when she was involved in field research on Crete in 1979 and 1980, while preparing a doctoral dissertation on the Julio-Claudian governors of the province of Creta-Cyrenae. After a year at the University of California at Davis, she enjoyed a full career of teaching and research at University of the Pacific; she remains an active scholar and participant in international conferences. Throughout her career she has been active in epigraphical research on the archaeological sites and in the storerooms and museums of Crete, with a particular interest in the Roman period on the island. Her focus has turned from top-down studies of provincial administration to bottom-up studies of the material culture of the island as an active participant in the Roman empire. She has authored a significant number of articles both publishing new inscriptions – on stone and on pottery – and also setting these and other Cretan inscriptions into their historical and archaeological contexts.
Porti e approdi fluviali in Italia peninsulare Dall’età romana all’anno Mille by Alessandro Luciano. Paperback; 205x290mm; x+106 pages (122pp); 60 figures (black & white throughout). Italian text. 549 2019. Available both in printed and e-versions. Printed ISBN 9781789692204. £25.00 (No VAT). Epublication ISBN 9781789692211. £16.00 (Exc. VAT) Institutional Price £25.00 (Exc. UK VAT) Book contents pageBuy Now

In the Imperial Age, many ports in Italy had been built in opus coementicium. The most important ones were in Latium (eg. Portus Romae, Antium and Centumcellae), in the Phlegrean Fields (portus Iulius, Misenum, Puteoli and Baiae) and along the northern-Adriatic coast (Classis-Ravenna, Aquileia and Altino). The military fleets of Augustus, in particular, were quartered in the ports of Classis and Misenum.

Most Roman ports were located at river mouths and/or in lagoon areas and were connected with inland areas by rivers or artificial canals. For this reason, port structures (piers and warehouses) were set at some distance from the sea, as in Rome (Emporium of Testaccio along the Tiber), in Pisa-San Rossore and in the Po valley.

In Late Antiquity many of the Roman ports gradually fell into disuse while others continued until the 7th century. In Ravenna, however, a new port settlement, known as Civitas Classis, came into being in the 5th century, after the creation of the suburb of Portus Romae. In the Early Middle Ages, the northern-Adriatic coast became very important in connection with trade with Constantinople. New settlements equipped with timber port structures were created at Comacchio, Cittanova and in the Venetian lagoon. If maritime trade in the Tyrrhenian Sea decreased (although to a lesser extent in Byzantine towns like Naples), river-borne traade was still dynamic and often managed by abbeys and other ecclesiastical institutions. According to historical sources, many river wharves were located along the Po while San Vincenzo abbey managed the Volturno river. The Carolingian river wharves of San Vincenzo were composed of timber, stone and, according to the Roman tradition, concrete structures. A slow recovery of maritime trades is already evident in the Carolingian Age.

This book analyses the Roman and early medieval ports of Italy and the building techniques used in their structures; it displays the elements of continuity and discontinuity revealed during these centuries.

About the Author
ALESSANDRO LUCIANO was born in 1980 and works at the National Archaeological Museum of Naples (MANN). He has a degree in Conservation of Cultural Heritage and a doctorate in Ancient Sciences. His main scientific interests relate to the transition between Antiquity and the Middle Ages, with particular regard to port structures, the cult of saints and relics, religious architecture, the evolution of the city of Naples and the processing of bone. He has devoted dozens of publications to specialized and popular journals in the field, presenting the results of his research at national and international conferences. In 2019, he published a historical novel about the last days of the life of Pliny the Elder.

Italian Description
Le coste italiane in epoca imperiale erano costellate di porti in opus coementicium, i più importanti dei quali erano nel Lazio (Portus Romae, Antium e Centumcellae ad esempio), in area flegrea (portus Iulius, Miseno, Puteoli e Baia) e sulla costa alto-adriatica (Classe-Ravenna, Aquileia ed Altino); quelli di Classe e Miseno, in particolare, alloggiavano le flotte militari istituite da Augusto.

I porti romani si trovavano generalmente alle foci di fiumi e/o in aree lagunari, ed erano collegati all’entroterra mediante i fiumi stessi o canali artificiali, ragion per cui non sono mancati rinvenimenti di strutture portuali (come banchine e magazzini) in città non costiere, come a Roma (Emporio del Testaccio lungo il Tevere), a Pisa-San Rossore e nei centri padani.

Nella tarda Antichità molti porti decaddero gradualmente, alcuni sopravvivendo fino al VII secolo. A Ravenna, invece, un nuovo insediamento portuale, noto come Civitas Classis, nacque nel V secolo, dopo che anche Portus si era trasformato in un sobborgo costiero. Nell’Altomedioevo, la costa adriatica divenne strategica in relazione ai commerci con Costantinop
La raccolta e la distribuzione dell’acqua a Ventotene in età romana Ricerche archeologiche nell’isola di Ventotene 2 by Giovanni Maria De Rossi. Paperback; 205x290mm; 360 pages; 608 figures (256 pages in colour). Italian text. (Print RRP £65.00). 527 2019 Archaeopress Roman Archaeology 57. Available both in printed and e-versions. Printed ISBN 9781789691467. £65.00 (No VAT). Epublication ISBN 9781789691474. £16.00 (Exc. VAT) Institutional Price £65.00 (Exc. UK VAT) Book contents pageBuy Now

La raccolta e la distribuzione dell’acqua a Ventotene in età romana is presented in two parts. The first examines the topographical and technical problem of the water supply on the island of Ventotene, where there is an absence of natural springs. The second, consisting of separate entries, analyses the individual components of the water supply system built by the Romans on the island. The Roman installation developed in two phases alongside changes in life at the villa located at Ventotene: the first connected to a residence used for otium, the second to an official site of relegatio ad insulam.

The Roman architect exploited the island’s natural slope to collect rainwater in a large initial reservoir, later known as the ‘Cistern of the Prisoners’, surmounted by a vast catchment basin: from here a conduit departed which, through various branches, reached the ‘heart’ of the villa extending over the promontory of Punta Eolo and the port facilities. The water was channelled from the cistern by an extensive network of tunnels, dug, depending on the height, either wholly or partially into the tufa or built on the surface.

Even during the second phase, when the villa was turned into a large and elaborate residential complex used throughout the year, it could rely only on rainwater as a resource. The Roman architect was thus forced to increase the collection areas, attempting to capture as much water as possible. This was achieved by increasing the number of large initial collection tanks, dislocating them strategically around the island to ensure that each of the sectors with the highest residential density and main infrastructure installations had its own independent resource alongside the standard existing resources. The number of catchment basins also multiplied considerably along the route of the main conduit and its branches.

About the Author
Giovanni Maria De Rossi (Rome 1942), Full Professor of Topography of Ancient Italy at the University of Salerno, has published many articles and books on ancient and medieval topography. He has directed archaeological excavations in Italy, and he conceived and designed the Archaeological park and Historical-Archaeological museum at Ventotene island, where he has been director for over twenty years.

Italian Description
La raccolta e la distribuzione dell’acqua a Ventotene in età romana si compone di due parti. Nella prima viene esaminato il problema topografico e tecnico relativo all’approvvigionamento idrico dell’isola di Ventotene, in rapporto alla sostanziale assenza di sorgenti d’acqua. Nella seconda, composta di schede, si analizzano le singole componenti del sistema idrico costruito dai Romani nell’isola. L’impianto romano va inserito nelle due fasi di vita della villa realizzata a Ventotene: la prima legata a una residenza per l’otium, la seconda a una sede ufficiale per la relegatio ad insulam. L’architetto romano sfruttò il naturale pendio dell’isola per raccogliere acqua piovana in un grande serbatoio iniziale, poi detto “Cisterna dei Carcerati”, sormontato da un vastissimo compluvio di raccolta: da qui partiva un condotto che raggiungeva, con varie diramazioni, il “cuore” della villa distesa sul promontorio di Punta Eolo e gli impianti portuali. Lo smistamento dell’acqua dal serbatoio venne affidato a una capillare rete di cunicoli, scavati, a seconda delle quote, interamente o parzialmente nel tufo oppure costruiti in superficie. Per aumentare notevolmente la quantità d’acqua messa a disposizione dell’impianto, si realizzarono lungo i condotti abbinamenti formati da compluvi di superficie e cisterne di raccolta. Potendo contare, anche per la seconda fase, in cui però la villa era stata trasformata in un grande e articolato complesso residenziale da utilizzarsi per tutto l’anno, sulla sola risorsa delle piogge, all’architetto romano di turno non rimase che l’espediente di aumentare i punti di raccolta, cercando c
Hadrian’s Wall: A study in archaeological exploration and interpretation by David J. Breeze. Paperback; 175x245mm; vi+190 pages; 125 figures, 4 tables (79 plates in colour). (Print RRP £19.99). 543 2019. Available both in printed and e-versions. Printed ISBN 9781789691672. £19.99 (No VAT). Epublication ISBN 9781789691689. £16.00 (Exc. VAT) Institutional Price £19.99 (Exc. UK VAT) Book contents pageBuy Now

The lectures on which this publication is based were delivered as the Rhind Lectures to the Society of Antiquaries of Scotland in May 2019. The annual Rhind Lectures commemorate Alexander Henry Rhind (1833-1863), a Fellow of the Society renowned for his excavations (finds from which are now in the National Museum of Scotland) and publications. The 2019 lectures were generously sponsored by AOC Archaeology Group.

The first two lectures – chapters in this book – provide the historiographical background to our present understanding of Hadrian’s Wall. They start with John Collingwood Bruce, the leading authority on the Wall, from 1848 until his death in 1892, who gave the Rhind lectures in 1883 and whose influence continues to this day. Research on the Wall in the field and in the study from 1892 to the present day are covered in the second lecture. The third and fourth lectures consider the purpose(s) and operation of Hadrian’s Wall from the first plan drawn up soon after Hadrian became emperor in 117 through to the final days of its existence as a frontier shortly after 400. Five distinct ‘plans’ for the Wall are promulgated. The fifth lecture examines the impact of the frontier on the people living in its shadow and beyond. The last lecture reviews the processes which have brought us to an understanding of Hadrian’s Wall and considers the value of research strategies, with some suggestions for the way forward. The chapters in this book reflect closely the lectures themselves with the main change being the addition of references.

About the Author
DAVID J. BREEZE has been a trustee of the Senhouse Museum Trust since its inception in 1985 and chair of the trust since 2013. He has served as President of the Cumberland and Westmorland Antiquarian and Archaeological Society and as Chairman of the International Congress of Roman Frontier. He was Chief Inspector of Ancient Monuments for Scotland from 1989 to 2005, and subsequently led the team which successfully nominated the Antonine Wall as a World Heritage Site in 2008. David has excavated on both Hadrian’s Wall and the Antonine Wall and written several books on these frontiers, on frontiers elsewhere in the Roman Empire and on the Roman army.
Excavation of Later Prehistoric and Roman Sites along the Route of the Newquay Strategic Road Corridor, Cornwall by Andy M. Jones. Paperback; 205x290mm; 144pp; illustrated throughout in colour and black & white. 526 2019. Available both in printed and e-versions. Printed ISBN 9781789691528. £30.00 (No VAT). Epublication ISBN 9781789691535. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

With contributions by Ryan S Smith, Dana Challinor, Julie Jones, Graeme Kirkham, Anna Lawson-Jones, Henrietta Quinnell and Roger Taylor.

During November and December 2014, the Cornwall Archaeological Unit undertook a programme of archaeological excavation in advance of construction of a road corridor to the south of Newquay. Evidence for Middle Bronze Age occupation took the form of a hollow-set roundhouse; however, the majority of the excavated features have been dated to the Iron Age and Roman periods. The area was enclosed as fields associated with extensive settlement activity throughout the last centuries cal BC into the third century AD.

The excavations revealed the character of settlement-related activity during the later prehistoric and Roman periods. The evidence strongly suggests growing intensification of agriculture, with ditched fields and enclosures appearing in the landscape from the later Iron Age and into the Roman period.

The results shed light on later prehistoric and Roman practices involving the division of the landscape with ditched fields and enclosed buildings. Many of the structures and pits were found to be set within their own ring-ditched enclosures or hollows, and the field system ditches were in some instances marked by ‘special’ deposits. As has previously been demonstrated for Middle Bronze Age roundhouses, structures could be subject to formal abandonment processes. Gullies and hollows were deliberately infilled, so that they were no longer visible at surface. However, unlike the abandoned Bronze Age roundhouses, the later structures appear to have been flattened and not monumentalized. In other words, buildings could be both etched into and subsequently erased from the landscape and thereby forgotten.

This volume takes the opportunity presented by investigations on the Newquay Strategic Road to discuss the complexity of the archaeology, review the evidence for ‘special’ deposits and explore evidence for the deliberate closure of buildings especially in later prehistoric and Roman period Cornwall. Finally, the possible motives which underlie these practices are considered.

About the Author
ANDY M. JONES is Principal Archaeologist with the Cornwall Archaeological Unit. His research interests include the Neolithic, Bronze Age periods, as well as the archaeology of the uplands and coastal areas of western Britain. His recent research includes the log coffin dating project and the publication of the Whitehorse Hill cist, Preserved in the Peat: An Extraordinary Bronze Age Burial on Whitehorse Hill (2016). In 2017 he co-edited An Intellectual Adventurer in Archaeology: Reflections on the work of Charles Thomas. Other recent publications include Settlement and Metalworking in the Middle Bronze Age and Beyond: New evidence from Tremough, Cornwall (2015) and Archaeology and Landscape at the Land’s End, Cornwall (2016).
NVMINA MAGNA: Roma e il culto dei Grandi Dei di Samotracia by Emiliano Cruccas. Paperback; 175x245mm; x+142 pages; 1 table, 73 figures (16 plates in colour). Italian text throughout. 507 2019 Archaeopress Roman Archaeology 56. Available both in printed and e-versions. Printed ISBN 9781789690910. £30.00 (No VAT). Epublication ISBN 9781789690927. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

The cult of the Great Gods of Samothrace, which became popular starting as early as the 7th century BC in the eastern Mediterranean, is characterised by regional differences concerning cultural manifestations and relationships with local deities. Confused and identified with the so-called Cabiri, these deities had their main sanctuaries on the islands of Samothrace and Lemnos and in Thebes, in Boeotia. The connection between these deities and others like Dioscuri, Penates and Lares and their protective function seem to be a key to understanding the complex syncretism that characterises the cult of the Great Gods from the period of Roman conquests in the Eastern world. The literary sources seem to highlight, in fact, in the period in which the interests in the Eastern world are crucial to the foreign policy of Rome, an evident attempt to identify the Kabiroi of Samothrace with typically Roman gods like Lares and Penates. The aim of this book is to underline the main aspects of the cult in light of the influences of Roman cultural and mythological substratum.

Il culto dei Grandi Dei di Samotracia, diffuso nel Mediterraneo orientale a partire almeno dal VII secolo a.C., è caratterizzato da differenze nei diversi bacini geografici, sia per ciò che concerne le manifestazioni culturali, sia per quanto riguarda i rapporti con le divinità locali. Confusi ed identificati con i cosiddetti Cabiri, queste divinità avevano i loro principali santuari sulle isole di Samotracia e Lemno e a Tebe di Beozia. La loro connessione con i Dioscuri, i Penati e i Lari e la loro funzione protettiva sembrano essere la chiave di lettura per comprendere il complesso sincretismo che caratterizza il culto dei Grandi Dei a partire dalla conquista romana del Mediterraneo occidentale. Le fonti letterarie sembrano evidenziare, infatti, nel periodo nel quale le azioni di politica estera di Roma si concentrano in Oriente, una forte volontà di identificare gli dei di Samotracia con divinità tipicamente romane come Lari e Penati. Lo scopo di questo libro è quello di mettere in evidenza i principali aspetti del culto attraverso l’analisi delle influenze del sostrato culturale e mitologico di Roma.

About the Author
EMILIANO CRUCCAS completed his degree (2002) and his specialisation in Classical Archaeology (2006) at the University of Cagliari and received his PhD (2011) from the University of Tübingen. He worked on a two-year contract at the Young Researchers project at the University of Cagliari and holds a three-year postdoctoral grant. He is now (2013-present day) field director for the ISTHMOS excavation project in the Punic-roman city of Nora (south Sardinia).

Emiliano Cruccas ha conseguito presso l’Università di Cagliari la laurea (2002) e la specializzazione in Archeologia Classica (2006). È Dottore di ricerca con una tesi sul culto dei Cabiri e dei Grandi Dei discussa all’Università di Tübingen (2011). Ha svolto ricerca presso l’Università di Cagliari con un contratto di due anni per Giovani Ricercatori e con un assegno di ricerca di tre anni. Attualmente dirige sul campo il progetto di scavo ISTHMOS nella città punico-romana di Nora (sud Sardegna).
The Geography of Gandhāran Art Proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 edited by Wannaporn Rienjang and Peter Stewart. DOI: 10.32028/9781789691863. Paperback; 203x276mm; xii+186 pages; illustrated throughout in colour and black & white (60 plates in colour). (Print RRP £38.00). 533 2019. Available both in print and Open Access. Printed ISBN 9781789691863. £38.00 (No VAT). Epublication ISBN 9781789691870. Book contents pageDownload

Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or ‘school’. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill.

The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or ‘workshops’, particular stone sources, and specific sites is still unclear.

Addressing these and other questions, this second volume of the Gandhāra Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.

About the Editors
WANNAPORN RIENJANG is Project Assistant of the Gandhāra Connections Project at the Classical Art Research Centre, Oxford. She completed her doctoral degree in Archaeology at the University of Cambridge on Buddhist relic cult in Afghanistan and Pakistan. Before starting her PhD, she worked as a research assistant for the Masson Project at the Department of Coins and Medals, the British Museum. Her research interests include the art and archaeology of Greater Gandhāra, Buddhist studies, and working technologies of stone containers and beads.

PETER STEWART is Director of the Classical Art Research Centre and Associate Professor of Classical Art and Archaeology at the University of Oxford. He has worked widely in the field of ancient sculpture. His publications include Statues in Roman Society: Representation and Response (2003) and The Social History of Roman Art (2008). Much of his research concerns the relationship between Gandhāran art and Roman sculpture.
Greco-Roman Cities at the Crossroads of Cultures: The 20th Anniversary of Polish-Egyptian Conservation Mission Marina el-Alamein edited by Grażyna Bąkowska-Czerner and Rafał Czerner. Paperback; 205x290mm; iv+312 pages; illustrated throughout in colour and black & white (128 colour plates). 513 2019. Available both in printed and e-versions. Printed ISBN 9781789691481. £60.00 (No VAT). Epublication ISBN 9781789691498. £16.00 (Exc. VAT) Institutional Price £60.00 (Exc. UK VAT) Book contents pageBuy Now

The ancient town, discovered at the site of today’s Marina el-Alamein, located on the northern coast of Egypt, developed from the 2nd century BC to the 6th century AD, finding itself at the crossroads of several civilisations: Hellenic, later replaced by Roman, and eventually Christian – and always strongly influenced by Egyptian tradition. A variety of cultures have met and appeared, their prominence flourishing and faltering at different times, but they have always co-existed and influenced one another. The syncretism prevailing here is notable in art, architecture, religion and worship.

In 2015, it had been thirty years since the discovery of the remains of the ancient city, which, for many centuries, had been unknown to the world. They were found unexpectedly during the preparatory work for the construction of a modern tourist settlement on the Mediterranean coast, and the significance and extraordinary value of the find was immediately recognised. Now the ancient city, and the historic remains of its buildings, are gradually coming to light.

The Jubilee was twofold, since 2015 marked also the 20th anniversary of the setting up of the Polish-Egyptian Conservation Mission, Marina el-Alamein. During this time, architectural and archaeological research has been carried out at the site, many discoveries have been made, numerous relics of historic building structures have been preserved, and conservation methods have been improved. In the jubilee year, we invited researchers who work on archaeological sites and towns with a similar history and position in the ancient world, art and culture, to take part in a scientific discussion and exchange of experience. The authors of the presented papers are representatives of different disciplines and research methodologies: archaeologists, architects, Egyptologists, specialists in religious studies, historians and conservators. The present volume contains an interdisciplinary review of both the newest and long-term studies and achievements made in various regions of the ancient world.

Greco-Roman Cities at the Crossroads of Cultures: The 20th Anniversary of Polish- Egyptian Conservation Mission Marina el-Alamein presents papers ranging from ancient Mauritania, through Africa, Egypt, Cyprus, Palestine, Syria, as well as sites in Crimea and Georgia. The topography of cities, architecture of public buildings, as well as houses and their décor – architectural, sculptured and painted – are presented. Religious syncretism and the importance of ancient texts are discussed. Studies on pottery are also presented. The volume includes studies on the conservation of architecture, sculpture and painting. Several articles are devoted to the study of Marina el-Alamein; others talk about ancient Alexandria, Deir el- Bahari, Hermopolis Magna, Bakchias, Pelusium, Kom Wasit, Berenike, Ptolemais, Apollonia, Palmyra, Nea Paphos, as well as Chersonesus Taurica and Apsarus.

About the Editors
GRAŻYNA BĄKOWSKA-CZERNER (PhD) is Assistant Professor at the Centre of Comparative Studies of Civilisations of the Jagiellonian University. She specialises in archaeology of the Greco-Roman period in Egypt. Since 2001 she has been working as a permanent member of the Polish-Egyptian Conservation Mission at the archaeological site Marina el-Alamein (Egypt), and since 2004 she has been a member of the Italian Archaeological Mission at Jebel Barkal (Sudan). Greco- Roman art, in particular iconography, are her main areas of interest. She is also involved in the study of ancient gems, as well as the iconography of decorated meroitic pottery.

RAFAŁ CZERNER (Professor) is the head of the Department of History of Architecture, Arts and Technology at the Faculty of Architecture, Wrocław University of Science and Technology (Poland) and the director of the Polish-Egyptian Conservation Mission at the archaeological site Marina el-Alamein (Eg
Funerary Archaeology and Changing Identities: Community Practices in Roman-Period Sardinia by Mauro Puddu. Paperback; 205x290mm; vi+180 pages; 78 figures, 3 tables (31 plates in colour). 472 2018 Archaeopress Roman Archaeology 55. Available both in printed and e-versions. Printed ISBN 9781789690002. £40.00 (No VAT). Epublication ISBN 9781789690019. £16.00 (Exc. VAT) Institutional Price £40.00 (Exc. UK VAT) Book contents pageBuy Now

Funerary Archaeology and Changing Identities: Community Practices in Roman-Period Sardinia examines three inter-woven research questions. The first one concerns a theoretical issue of how identities can be inferred from archaeology; the second asks what were the material relationships between communities of Sardinia and the Roman world’s power and culture when based on the burial evidence on the ground; third question asked was how can the interpretive frameworks of today’s world and symbolic structures affect our understanding of the past. These questions are approached through the detailed analysis of the funerary evidence from mostly unpublished burial sites from southern and central Sardinia that can become a key to an alternative interpretation of the island and of other Roman Provinces. The questions are answered throughout the book by drawing on social studies, particularly post-colonial approaches to the history of the past, interpretive frameworks on the Roman world, and semiotic theories. By in-depth look at the archaeological evidence from Sardinia’s burials, the book retrieves the active and creative role played by the local communities in shaping of the Roman world within the specific material and historical conditions they lived in.

About the Author
MAURO PUDDU has spent most of his years as an archaeologist researching Sardinia. After studying at the Università degli Studi di Cagliari for his BA in Cultural Heritage and his first Masters in Classical Archaeology, he decided to broaden his research horizons taking a second Masters at University College, London, in theoretical Archaeology. During his PhD research at the University of Cambridge, Faculty of Classics he applied the knowledge acquired in Italy and the United Kingdom to study the funerary practices of Roman-period Sardinia. In a decade of research, the author has taken part in numerous successful archaeological projects, among which were the excavation of ‘La Sella del Diavolo’, Cagliari, run by the Soprintendenza archeologica di Cagliari; the Al-Mafjar Project in Jericho, Palestine, run by Birzeit University and the Khalili Research Centre, University of Oxford; and the Interamna Lirenas Project, run by the University of Cambridge. In recent years, during research on future projects and publications, Mauro has been working around London and Cambridge on a vast number of projects, which included the excavation of the Westminster School next to Westminster Abbey.
Performing the Sacra: Priestly roles and their organisation in Roman Britain by Alessandra Esposito. Paperback; 205x290mm; viii+174 pages; 27 figures, 19 tables (21 plates in colour). 523 2019 Archaeopress Roman Archaeology 53. Available both in printed and e-versions. Printed ISBN 9781789690972. £34.00 (No VAT). Epublication ISBN 9781789690989. £16.00 (Exc. VAT) Institutional Price £34.00 (Exc. UK VAT) Book contents pageBuy Now

Performing the Sacra: Priestly roles and their organisation in Roman Britain addresses the range of cultural responses to the Roman conquest of Britain with regards to priestly roles. The approach adopted is based on current theoretical trends focussing on dynamics of adaptation, multiculturalism, and appropriation characterising the continuity and emergence of these roles in the province. The book investigates three main themes: a model of priesthoods organisation in Britain, the embodiment of priestly authorities in a provincial environment, and how the different depositional contexts of priestly regalia contribute to our understanding of these roles. The methodical investigation of published and unpublished objects identifiable as priestly regalia is integrated into an assessment of historical, epigraphic, and iconographic sources mapped via the creation of a Geographic Information System. Highlighting the continuity of use of British priestly regalia between the Iron Age and the Roman period and contextualising this phenomenon in a wider provincial panorama from Spain to Syria, the regalia become crucial to mark the presence of priestly roles and their evolution. The biographical analysis of the regalia, especially when found in structured deposit, allows consideration on the organisation of cults, while their geographical distribution suggests different patterns of priestly organisation across different regions. After crossing this information with the epigraphic evidence for priestly titles, the result is a mosaic of engagements with priestly authority, particularly by elite or near-elite individuals, ultimately illustrating a fluid provincial culture behind the religious organisation of the ritual landscape of Britain.

Reviews

'Making sense of the usually fragmented and ambiguous material is no small task, and presenting such a comprehensive dataset is achievement enough. But the author goes further, highlighting remarkable continuity between the Iron Age and Roman period, and assessing the pattern of deposition as well as use.' - Edward Biddulph, Current Archaeology, September 2019
Rethinking the Concept of ‘Healing Settlements’: Water, Cults, Constructions and Contexts in the Ancient World edited by Maddalena Bassani, Marion Bolder-Boos and Ugo Fusco. Paperback; 205x290mm; iv+176 pages; illustrated throughout in black & white with 15 plates in colour. (Print RRP £35.00). 483 2018 Archaeopress Roman Archaeology 52. Available both in printed and e-versions. Printed ISBN 9781789690378. £35.00 (No VAT). Epublication ISBN 9781789690385. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

Rethinking the Concept of ‘Healing Settlements’: Water, Cults, Constructions and Contexts in the Ancient World brings together papers dealing with therapeutic aspects connected to thermomineral sites both in Italy and in the Roman Provinces, as well as cultic issues surrounding health and healing. The first part of the book consists of contributions that are focused on the numerous problems concerning the exploitation of curative springs and the settlement patterns at spa sites in terms of topography, infrastructure, architecture, cult, society and economy, emphasizing the particularities accompanying the use of beneficial sources and comparing them to that of common freshwaters. The papers in the second part of the volume concentrate on religious aspects connected to health, fertility and healing, focussing especially on sites located at particular natural surroundings such as caves and water sources. Together, the contributions in this book give us an idea of the amount and quality of research currently being undertaken in different parts of the Roman world (and complemented by one paper on the Greek world) on the topic of health and healing associated with cults and salutiferous waters.

About the Author
MADDALENA BASSANI graduated with distinction in Classical Literature with archaeology specialization at Padua University. She is the author of approximately seventy publications and is a member of the editorial boards for Antenor Quaderni, Hesperìa. Studi sulla Grecità d'Occidente and Venetia/Venezia. Quaderni adriatici di storia e archeologia lagunare. In 2014 she obtained the National Scientific Qualification to function as Associate Professor.

MARION BOLDER-BOOS studied Classical Archaeology, Assyriology and Prehistory at the universities of Heidelberg and Cambridge, attaining her MA in 2005 and her PhD in 2010 from Heidelberg University. She has participated in various excavations (Phylakopi in Greece, Magdalensberg in Austria and Carthage in Tunisia) and has publishing on a wide range of subjects, such as Roman sanctuaries and deities, Roman urbanism, history of archaeology, ancient colonisation and Phoenician and Punic archaeology. Since 2006 she has been Assistant Professor in Classical Archaeology at Technical University Darmstadt.

UGO FUSCO has a BA in Classics and a MA in Classical Archaeology from Sapienza University of Rome, as well as a PhD in Classical Archaeology from the University of Pisa. He has excavated in Italy (Volterra, Rome, Veii and Grumento) and abroad (in London), investigating urban and rural sites. He has worked on various themes including: Roman architecture, prosopography, Latin epigraphy, topography of the suburbs of Rome, Roman archaic history and cults relating to water and mystery. He recently expanded his interests to include Greek architecture, considering the subject of double temples in Greece.
Thurrock’s Deeper Past: A Confluence of Time The archaeology of the borough of Thurrock, Essex, from the last Ice Age to the establishment of the English kingdoms by Christopher John Tripp. Paperback; 148x210mm; vi+200 pages; 65 figures, 6 maps (36 plates in colour). 504 2018. Available both in printed and e-versions. Printed ISBN 9781789691115. £25.00 (No VAT). Epublication ISBN 9781789691122. £16.00 (Exc. VAT) Institutional Price £25.00 (Exc. UK VAT) Book contents pageBuy Now

Thurrock’s Deeper Past: A Confluence of Time looks at the evidence for human activity in Thurrock and this part of the Thames estuary since the last Ice Age, and how the river crossing point here has been of great importance to the development of human settlement and trade in the British Isles. It is a book about the archaeology of Thurrock. It takes in all periods and most of the sites which have been excavated in the borough of Thurrock over the last sixty or more years.

The account opens at a time when Britain is still joined to the continent and the inhabitants are using flint tools and weapons. The author follows through the impact of the succeeding ages on the locality: the melting of the ice, the Neolithic period bringing the farming of crops and stockholding, the first appearance of worked metal in the Bronze Age, through the widespread use of iron in the Iron Age; and then the dramatic impact of Rome and its gradual dissolution to the English kingdoms whose traces are still recognisable today. All is set in the context of the author’s lasting interest in the subject, first nurtured at his Tilbury school.

About the Author
Thurrock was home to Chris Tripp for much of his early life. He attended St Chad’s Secondary Modern School in Tilbury and then Palmer’s Sixth Form College. After years spent in retail he became an archaeologist, graduating from the Institute of Archaeology (UCL) in 1986. He took up his first archaeological post in 1990 at the Passmore Edwards Museum, Plaistow, after which he worked for the Museum of London Archaeology Service and the Essex County Field Unit between 1995 and 2002. During this time he gained his masters degree in public archaeology at UCL.

For the next four years Chris worked on various excavations and community archaeology projects including ‘The Dig’ for the Museum of London, and ‘The Big Dig’ for Time Team/Channel 4 among many others. Moving to Dorset in 2006, he continued in archaeology and, inter alia established the ‘Dorset Diggers Community Archaeology Group’ to bring people closer to their local archaeological heritage.

It is in this spirit that he began research for this book in 1997, and his labours have been sustained by his passion for the past of his home borough of Thurrock and of the majestic Thames.
The Hypogeum of the Aurelii A new interpretation as the collegiate tomb of professional scribae by John Bradley. Paperback; 205x290mm; xiv+192 pages; 4 tables, 136 figures (81 plates in colour). (Print RRP £38.00). 486 2019 Archaeopress Roman Archaeology 50. Available both in printed and e-versions. Printed ISBN 9781789690477. £38.00 (No VAT). Epublication ISBN 9781789690484. £16.00 (Exc. VAT) Institutional Price £38.00 (Exc. UK VAT) Book contents pageBuy Now

The Hypogeum of the Aurelii: A new interpretation as the collegiate tomb of professional scribae examines the frescoes of one of the most enigmatic funerary monuments of ancient Rome. The three chambers of the Hypogeum of the Aurelii, so-named from an mosaic inscription in one of the surviving chambers, contain a varied series of images that have long been considered an example of early Christian or Gnostic iconography. One hundred years after the monument’s discovery Dr Bradley challenges earlier theories and concludes that far from having religious significance the pictures reveal a world of professional pride among a group of what we might today call ‘white collar workers’. Although not among the rich and famous of Imperial Rome, the deceased nevertheless rose from a state of slavery to positions within the bureaucracy at the centre of an empire at its height. Although part of a strictly hierarchical, and male-dominated, society the community to which the Aurelii belonged provided an environment of comparative equality: a community that acknowledged the contribution and expertise of both women and children in their profession. The pride in their achievement is reflected in the decoration of the tomb in which they expected to spend eternity. This study, the first in modern times to examine all the extant images in detail, will be of interest, not only to historians of ancient Roman art, but also to social historians who wish to more fully understand the lives of those who helped support the running of an empire.

About the Author
JOHN W. BRADLEY was born in Birmingham in 1956. He graduated with a degree in Construction and Economics before embarking on a thirty year career in the construction industry primarily in London and the Middle East. During the 1990s he was also involved in environmental politics using his background in industry to challenge the conventional rationale behind many of today’s political and economic decisions. Changing profession in 2005 Dr Bradley gained a first-class degree and Masters in Classics at Royal Holloway College, University of London with dissertations on early Christian art and republican Roman religion. In 2011 he commenced his PhD at the same college, initially under the supervision of Professor Amanda Claridge then Dr Zena Kamash. An initial project on the broader aspects of the evolution of art in the catacombs of Rome ultimately focused on the frescoes that make up the subject of this book when existing theories and explanations appeared unsatisfactory. In addition to his interest in the art of ancient Rome his interests include classical music, military history and environmentalism. He has lived in Brentford, west London for thirty years where he shares a home and allotment with his wife Susan.
Human Mobility in Archaeology: Practices, Representations and Meanings Ex Novo: Journal of Archaeology, Volume 3, 2018 edited by Maja Gori, Martina Revello Lami and Alessandro Pintucci. 3 2018. Available both in print and Open Access. Printed ISBN 9781789691214. £45.00 (No VAT). Book contents pageDownload

It has been abundantly demonstrated that theories and paradigms in the humanities are influenced by historical, economic and socio-cultural conditions, which have profoundly influenced archaeology’s representation of migration. This was mostly conceived as the study of the movement of large and homogenous population groups, whose identity was often represented as ethnically characterized. The present-day shift of attention from collective to individual agency and the countless facets of migration goes hand in hand with new socio-political and cultural scenarios such as the extraordinary migratory flows into Europe, shifting boundaries, alternative forms of citizenship and identity, and the emergence of emotive reactionism.

The third issue of Ex Novo gathers multidisciplinary contributions addressing mobility to understand patterns of change and continuity in past worlds; reconsider the movement of people, objects, and ideas alongside mobile epistemologies, such as intellectual, scholarly or educative traditions, rituals, practices, religions and theologies; and provide insights into the multifaceted relationship between mobile practices and their shared meanings and how they are represented socially and politically.

Table of Contents
Maja GORI, Martina REVELLO LAMI & Alessandro PINTUCCI
Editorial: Practices, Representations and Meanings of Human Mobility in Archaeology

Paraskevi ELEFANTI & Gilbert MARSHALL
Mobility during the Upper Palaeolithic Greece: Some Suggestions for the Argolid Peninsula

Maurizio CRUDO
Greek Migrations along the Ionian Coast (Southern Italy)

Anna RAUDINO
Variation in Material Culture: Adoption of Greek Ceramics in an Indigenous Sicilian Site (8th century BC)

Maria ÁLVAREZ-FOLGADO
The Jewish Diaspora in the Roman Empire. Diaspora, Social Agents and Social Networks: Towards the Creation of a New Analytical Toolkit

Domiziana ROSSI
A Road to Fīrūzābād

Marijn STOLK
Exploring Immigrant Identities: The Link between Portuguese Ceramics and Sephardic Immigrants in 17th Century Amsterdam

Jesùs GARCÍA SANCHEZ
From War Material Culture to Popular Heritage, and Beyond. The PSP “Cancelli di Venosa” as paradigms of Object Biography Theory.

Reviews
A. Falcone & A. D’Eredità (eds.) ARCHEOSOCIAL L’Archeologia Riscrive il Web: Esperienze, Strategie e Buone Pratiche, Rende (CS): Dielle Editore, 2018, 195 pp. Reviewed by Paola DI GIUSEPPANTONIO DI FRANCO