​​ We use cookies to enhance your experience on our site. By continuing to use the site you agree to our use of cookies. Privacy & Cookies.​

 
Archaeopress logo
Archaeopress Publishing Ltd, Summertown Pavilion, 18-24 Middle Way, Summertown, Oxford OX2 7LG, England
tel +44 (0) 1865 311914 fax +44 (0) 1865 512231   email: info@archaeopress.com
Monthly AP Alert - join our mailing list today Archaeopress on Facebook Archaeopress on Twitter Archaeopress on Linked In Archaeopress Blog
Home  
|
  Browse by Subject  
|
  Browse by Series  
|
  Catalogues  
|
  Join Our Mailing List  
|
  Visit Our Blog  
|
  Login (Private Customers)  
|
  Login (Institutional Subscriptions)  
|
  View Basket

Search

title, author, ISBN, keyword

Browse for books in the following languages

ARCHAEOPRESS ARCHAEOLOGY
ACCESS ARCHAEOLOGY
ARCHAEOPRESS JOURNALS
DISTRIBUTED
PUBLISHERS
DIGITAL EDITIONS
OPEN ACCESS PLATFORM
Ordering Information
About Us
Publish With Us
Standing Orders
Trade Sales
Contact Us
Request Review Copy
NEW: Anthropomorphic Images in Rock Art Paintings and Rock Carvings edited by Terence Meaden and Herman Bender. 606 2020. Available both in printed and e-versions. Printed ISBN 9781789693577. £55.00 (No VAT). Epublication ISBN 9781789693584. £16.00 (Exc. VAT) Institutional Price £55.00 (Exc. UK VAT) Book contents pageBuy Now

In the realm of rock art, humanlike images appear widely through time and space from the Upper Palaeolithic to the Neolithic and Bronze Ages, and for some continents to later, yet still prehistoric, times. The artworks discussed in Anthropomorphic Images in Rock Art Paintings and Rock Carvings range from paintings, engravings or scratchings on cave walls and rock shelters, images pecked into rocky surfaces or upon standing stones, and major sacred sites (among them Gobekli Tepe, Avebury, Stonehenge, and the Palaeolithic Chauvet Cave) in which the possibility exists of recovery of the meanings intended by the artists and sculptors. Such prospects can relate to known or inferred legends, myths, folklore, rites and ritual, and often allude to matters that recognise the unremitting benefits of human, animal and crop fertility to humankind. Occasionally, relevant art forms are present not in whole but as pars pro toto, in which a part stands for or symbolises the whole. Images or artistic compositions often articulate, in ways more or less manifest, scenes of dramatic action as with hunting and dancing, mating and birthing, ritual and ceremony, some of which may openly or latently express yearnings for the rewards of fruitful fecundity – as with the much-loved worldview known as the hieros gamos or Sacred Marriage.

About the Editors
Terence Meaden has Oxford University degrees in archaeology (MSc) and physics (MA, DPhil). Formerly a physics professor, in retirement he is working full time in fieldwork and landscape archaeology studying aspects of the Neolithic and Bronze Age periods, chiefly in Ireland, Scotland and England. Recent publications include Stonehenge, Avebury and Drombeg Stone Circles Deciphered (2016), contributions to the Edinburgh University Journal of Lithic Studies (2017), and The Origins of the Universe, Earth, Life and Humanity (2018).

Herman Bender is an independent researcher with a background in geology (professional emphasis) and a technical field in industry. An amateur astronomer with decades of experience and approved historical consultant, he has nationally and internationally published in the fields of archeoastronomy, prehistoric trail research, petroform research, applied geophysics, cultural landscape studies and Northern archaic shamanistic traditions.
NEW: The Role of Anglo-Saxon Great Hall Complexes in Kingdom Formation, in Comparison and in Context AD 500-750 by Adam McBride. Paperback; 205x290mm; xvi+350 pages; 228 figures (165 pages in colour). Print RRP (£55.00). 596 2020. Available both in printed and e-versions. Printed ISBN 9781789693874. £55.00 (No VAT). Epublication ISBN 9781789693881. £16.00 (Exc. VAT) Institutional Price £55.00 (Exc. UK VAT) Book contents pageBuy Now

Following the collapse of Roman Britain, early medieval England shows little evidence for complex hierarchy or supra-regional socio-political units for nearly two hundred years, until the turn of the 7th century, when the documented emergence of Anglo-Saxon kingdoms is seemingly confirmed by the sudden appearance of the first high-status settlements – the so-called great hall complexes. This book explores the role of great hall complexes in kingdom formation through an expansive and ambitious study, incorporating new fieldwork, new quantitative methodologies and new theoretical models for the emergence of high-status settlements and the formation and consolidation of supra-regional socio-political units. This study begins with a comparative analysis of all known great hall complexes, through which evidence is presented for a broad chronological development, paralleling and contributing to the development of Anglo-Saxon kingdoms. The wider context of great hall complexes is then explored through a regional case study, charting the development of socio-economic power in the burials and settlements of the Upper Thames Valley, before situating the great hall complexes within this development. Ultimately, an overarching theoretical explanation is proposed for the emergence, development and abandonment of the great hall complexes, linking these sites with the development of a new elite ideology, the integration of new supra-regional communities and the consolidation of the newly formed Anglo-Saxon kingdoms.

About the Author
Adam McBride completed his DPhil in archaeology at the University of Oxford in 2019. During his doctoral studies, Adam collaborated with Helena Hamerow and Jane Harrison on the excavation of a high-status early medieval complex at Long Wittenham, Oxfordshire, UK. Adam previously worked in CRM/commercial archaeology in the Southeast United States, after completing an MPhil at the University of Cambridge.
NEW: Arqueología de la Edad Moderna en el País Vasco y su entorno edited by Idoia Grau Sologestoa and Juan Antonio Quirós Castillo. Paperback; 203x276mm; iv+306 pages; illustrated throughout in colour and black & white (68 pages in colour). 106 2020. Available both in print and Open Access. Printed ISBN 9781789694383. £48.00 (No VAT). Epublication ISBN 9781789694390. Book contents pageDownload

Post-medieval archaeology is currently going through a critical phase of consolidation and disciplinary redefinition across Europe, where mere proposals or ambitions are becoming tangible scientific and disciplinary realities. This renovation is most evident in Southern Europe, where, until recently, these studies have been treated as somewhat marginal. The convergence of new actors and disciplines (historical archaeology, archaeology of the post-medieval centuries, professional archaeology, ethnoarchaeology or archaeological sciences), the promotion of new patrimonialization initiatives, and the creation of new action frameworks as a result of the deep economic crisis of the years 2007-2008 are some of the factors that have shaped current approaches to the archaeology of the Modern Age. Focussing on archaeological studies of the Modern Age located in the Basque Country, Arqueología de la Edad Moderna en el País Vasco y su entorno recognises the main themes investigated (cities, rural spaces, funeral spaces, consumption and production, communications systems, maritime archaeology), detects some of the strengths and weaknesses, and proposes new lines of action and disciplinary consolidation. In short, this volume aims to provide a summary of the current archaeological framework for investigations of the Modern Age in the Basque Country, and to make proposals for developing these practices in the future.

Las arqueologías postmedievales atraviesan en la actualidad una fase critica de consolidación y redefinición disciplinar en casi toda Europa, donde han pasado de ser meras propuestas o ambiciones para convertirse en realidades científicas y disciplinares tangibles. Esta renovación es más evidente en el sur de Europa, donde estos estudios han tenido hasta ahora un peso más bien marginal. La convergencia de nuevos actores y disciplinas (arqueología histórica, arqueología de los siglos postmedievales, arqueología profesional, etnoarqueología o las ciencias arqueológicas), el impulso de nuevas iniciativas de patrimonialización, y la creación de nuevos marcos de actuación como consecuencia de la profunda crisis económica de los años 2007-2008, son algunas de las causas que explican por qué se han ido definiendo con mayor claridad los contornos de la Arqueología de la Edad Moderna. A partir del ejemplo del País Vasco, este volumen realiza un diagnóstico sobre las principales temáticas indagadas (ciudades, espacios rurales, espacios funerarios, consumo y producción, sistemas de comunicaciones, arqueología marítima), detecta algunas de las fortalezas y debilidades de la arqueología de la Edad Moderna y propone nuevas líneas de actuación y de consolidación disciplinar. En definitiva, este libro pretende mostrar qué es la Arqueología de la Edad Moderna en el País Vasco en la actualidad y qué puede llegar a ser.

About the Editors
Idoia Grau Sologestoa is currently a post-doctoral researcher at the Integrative Prehistory and Archaeological Science (IPAS/IPNA) department, University of Basel. Previously, she worked at the universities of Sheffield, Nottingham and the Basque Country. Her main research interest is human and animal relationships in historical periods, from Roman to modern times. She is currently editing a book on innovations in the rural world during the Early Modern Era. ;

Juan Antonio Quirós Castillo is a Professor of Medieval Archaeology at the University of the Basque Country and Honorary Senior Research Associate at the Institute of Archaeology (University College London). He is the director of the Heritage and Cultural Landscapes Research Group of the University of the Basque Country and the Rural Medieval Research Group, CSIC-UPV/EHU. His principal interests lie in the study of the archaeology of landscapes, the archaeology of rural societies, Mediterranean archaeology, the archaeology of architecture, and the study of social c
NEW: Bar Locks and Early Church Security in the British Isles by John F. Potter. Paperback; 203x276mm; xviii+144 pages; 90 figures, 11 tables (includes 96 colour pages). 105 2020. Available both in print and Open Access. Printed ISBN 9781789693980. £40.00 (No VAT). Epublication ISBN 9781789693997. Book contents pageDownload

Bar Locks and Early Church Security in the British Isles examines the evidence for the measures taken to make church buildings secure or defensible from their earliest times until the later medieval period. In particular it examines the phenomenon of ‘bar locks’ which the author identifies in many different contexts throughout England, Wales, Scotland and Ireland.

Bar locks take various forms and can be made of different materials, but they all provide a means of locking a door by placing a bar behind it from the inside which is then secured onto the door frame or housings on adjacent walls. The most dramatic examples are provided by thick wooden bars slotted into recesses incorporated in the adjacent door jambs. The volume describes and lists all the examples identified by the author and also publishes his photographs of the evidence for the first time.

The recognition of the role of bar locks in securing churches led the author to consider further measures which may have been introduced to enhance church security; these measures could Have had major implications for structural change and design in the buildings. These supplementary protective requirements and methods for achieving them are many and various and are also considered in the volume.

About the Author
John F. Potter trained as a geologist (BSc Manchester) specialising in lithostratigraphy (PhD London). He served as Principal of Farnborough College of Technology in Hampshire from 1975 to 1997, was Hon. Secretary of the Institution of Environmental Sciences, and Editor for many years of the international quarterly journal, The Environmentalist. On retirement he was appointed Emeritus Professor at the University of Surrey and joined the University of Reading in order to continue with the church building fabric studies which he started in 1975.
Offa’s Dyke Journal: Volume 1 for 2019 edited by Howard Williams and Liam Delaney. Paperback; 176x250mm; 162 pages; full colour throughout. 1 2019. Available both in print and Open Access. Printed ISBN 9781789695380. £25.00 (No VAT). Book contents pageDownload

This open-access and peer-reviewed academic publication stems from the activities of the Offa’s Dyke Collaboratory, a research network founded in April 2017 to foster and support new research on the monuments and landscapes of the Anglo-Welsh borderlands and comparative studies of borderlands and frontiers from prehistory to the present. The proceedings of a series of academic and public-facing events have informed the character and direction of the Journal. Moreover, its establishment coincides with the Cadw/Historic England/Offa’s Dyke Association funded Offa’s Dyke Conservation Management Plan as well as other new community and research projects on linear earthworks. Published in print by Archaeopress in association with JAS Arqueología, and supported by the University of Chester and the Offa’s Dyke Association, the journal aims to provide a resource for scholars, students and the wider public regarding the archaeology, heritage and history of the Welsh Marches and its linear monuments. It also delivers a much-needed venue for interdisciplinary studies from other times and places.
NEW: Great Cloister: A Lost Canterbury Tale A History of the Canterbury Cloister, Constructed 1408-14, with Some Account of the Donors and their Coats of Arms by Paul A. Fox. Paperback; 205x290mm; iv+694 pages; 759 illustrations, full colour throughout. 595 2019. Available both in printed and e-versions. Printed ISBN 9781789693317. £65.00 (No VAT). Epublication ISBN 9781789693324. £16.00 (Exc. VAT) Institutional Price £65.00 (Exc. UK VAT) Book contents pageBuy Now

Great Cloister: A Lost Canterbury Tale presents a new study of the heraldry, genealogy and history of the Canterbury Cathedral cloister. It is the first comprehensive and complete study of this monument ever undertaken, and it provides a detailed chronology as well as many new insights into the families who were donors. The monument is revealed to have been the personal project of Archbishop Thomas Arundel (d.1414), an individual closely connected with the overthrow of King Richard II. The work as a whole provides considerable insights into the revolution of 1399 and the troubled reign of Henry IV as seen through the lens of individual families.

The cloister, as originally conceived, contained 856 heraldic shields, badges and devices of which 576 were unique. Some 365 families, principalities, religious foundations and other individuals both real and imagined were represented, some with more than one shield or device. More precisely, there were 252 families, 51 peerage families, 3 English royal families (Lancaster, York and Beaufort), 20 principalities, 12 religious foundations, 9 bishops, 7 saints, 3 heroes, 4 cities or towns, 2 priests, 1 monk and 1 for God himself (in the form of the Holy Trinity). The origins and evolution of each shield represented are considered in detail.

About the Author
Dr Paul A. Fox, FHS, FSA is a retired consultant physician, medical researcher and university lecturer. He is the honorary editor of Coat of Arms: Journal of the Heraldry Society, a former Chairman of the Heraldry Society, and an Academician of the Académie Internationale d’Héraldique.
NEW: Iron Age Slaving and Enslavement in Northwest Europe by Karim Mata. Paperback; 203x276mm; vi+58 pages; 13 figures. 104 2019. Available both in print and Open Access. Printed ISBN 9781789694185. £22.00 (No VAT). Epublication ISBN 9781789694192. Book contents pageDownload

Archaeologists have yet to consider seriously the impact of slaving and enslavement on socio-cultural developments in Iron Age Europe. Commonly treated as a mere byproduct of incessant tribal warfare, it is generally held that slavery was not a significant phenomenon in temperate Europe before the Roman era. This is a curious state of affairs considering the clear cross-paradigmatic recognition of competition and conflict as prime movers of historical transformation. How is it that prehistorians see evidence for social stratification and inter-group conflict in so many contexts, yet grant slavery so little attention?

If slaving and enslavement can be shown to have been significant transformative phenomena in Iron Age Europe, how would this affect the interpretation of (old and new) archaeological evidence, and how would this change ideas about broader socio-cultural developments that have long been considered known by those who have looked at these things through the lens of ‘acculturation’ or ‘complexification’?

Comparative research shows how slavery is a multifaceted phenomenon with complex interrelated material, behavioral, and ideological dimensions. Therefore, any meaningful archaeological study has to take a multi-thread approach whereby a wide range of material categories and domains of social practice are examined, contextually, relationally, and comparatively. In taking such an approach, this exploratory study of the dynamics of Iron Age slaving and enslaving in Northwest Europe contributes to a complex but neglected topic.

About the Author
Karim Mata is a scholar-in-residence at the University of Virginia. He attended the Vrije Universiteit Amsterdam (MA) and the University of Chicago (MA, PhD), where he studied the history, archaeology, and anthropology of Northwest Europe and the Mediterranean world. He has developed an interdisciplinary interest for theorizing cultural entanglement, social transformation, motivational worldviews, and ideological discourse. This has shaped his doctoral research on the archaeology of values and social transformation in Iron Age and Roman-period Northwest Europe, as well as subsequent research on transcultural discourse, slavery, and cultural theory.
FORTHCOMING: Archaeology: What it is, where it is, and how to do it (4th Edition) by Paul Wilkinson. Paperback; 190x250mm; 104 pages; illustrated in full colour throughout; additional material online. 612 2020. ISBN 9781789695311. Book contents pageBuy Now

BACK IN PRINT: Archaeology: What It Is, Where It Is, and How to Do It has been written as a practical introduction on the investigation of the material remains of the past which can be interpreted with contemporary historical and literary evidence. The book also explains where to find this evidence and what to do next. Many aspects of archaeological investigation are discussed, including aerial and ground survey, excavation and fieldwork, recording methods, soil sampling and small finds.

‘A very useful basic introduction to archaeology’Mick Aston

‘I wish this book had been available when I started out in archaeology back in the 1960s. It tells you everything you need to know in order to decide what sort of archaeology you’d like to learn more about. It doesn’t just deal with digging; instead it introduces you to aerial photography, geophysics, surveying, recording, finds processing, soil science and how to take samples – in fact all the subjects you’ll need to master if you want to become a field archaeologist. It’s well written and beautifully illustrated in full colour throughout. It would be cheap at twice the price!’Francis Pryor

First published in 2007. 4th edition published in 2020.
FORTHCOMING: Digging into the Dark Ages Early Medieval Public Archaeologies edited by Howard Williams and Pauline Magdalene Clarke. Paperback; 203x276mm; 368 pages; 162 illustrations (138 pages in colour). 108 2020. ISBN 9781789695274. Book contents pageBuy Now

What does the ‘Dark Ages’ mean in contemporary society? Tackling public engagements through archaeological fieldwork, heritage sites and museums, fictional portrayals and art, and increasingly via a broad range of digital media, this is the first-ever dedicated collection exploring the public archaeology of the Early Middle Ages (5th–11th centuries AD).

Digging into the Dark Ages builds on debates which took place at the 3rd University of Chester Archaeology Student Conference hosted by the Grosvenor Museum, Chester, 13 December 2017. It comprises original perspectives from students integrated with fresh research by heritage practitioners and academics. The book also includes four interviews offering perspectives on key dimensions of early medieval archaeology’s public intersections. By critically ‘digging into’ the ‘Dark Ages’, this book provides an introduction to key concepts and debates, a rich range of case studies, and a solid platform for future research.

About the Editors
Professor Howard Williams is Professor of Archaeology at the University of Chester and researches mortuary archaeology, archaeology and memory, the history of archaeology and public archaeology. He regularly writes an academic blog: Archaeodeath.

Pauline Magdalene Clarke graduated with a BA (Hons) degree in Archaeology with History in 2018, and an MA Past Landscapes and Environments in 2019, both from the University of Chester. Her MA dissertation focussed on the taphonomy of plant macrofossils.
FORTHCOMING: St Gregory's Minster, Kirkdale, North Yorkshire: Archaeological Investigations and Historical Context by Philip Rahtz and Lorna Watts. Paperback; 205x290mm; 300pp; 140 figures, 39 tables, 21 plates. (Print RRP: £48.00). 611 2020. ISBN 9781789694826. Buy Now

St Gregory's Minster, Kirkdale, North Yorkshire: Archaeological Investigations and Historical Context is the result of circa 20 years of work on and around the church of St Gregory's Minster, Kirkdale, North Yorkshire. It is primarily concerned with material relating to approximately the late 8th century onwards, detailing the fabric as well as excavations around the church and in the fields immediately adjacent. Associated material culture was sparse but reflected high-status. It is open to doubt whether any building was identified to equate with the earliest Anglo-Saxon artefacts, although these are considered too numerous to have been introduced to the site subsequently. A succession of three church buildings are linked to a putative focus on the north side of the church, to which, it is argued, pre-Conquest elite burials were orientated. A pre-Conquest 'building site' to the north of the churchyard overlays an area of earlier burials.

Against the background of this data, it is argued that the area of Kirkdale may have been linked to the neighbouring Roman villa of Beadlam. The church's dedication to St Gregory is suggested to be important in understanding the milieu of its Christian origins and to its regional significance at one stage of its development. A possible evolution in the character of lordship is explored, from circumstances marked only by high-status objects to conditions that can be linked more securely to a secular family associated with the nearby town of Kirkbymoorside. Finally, Kirkdale's position in the landscape is considered and an explanation sought for the long use of this non-settlement locale.

About the Authors
Professor Philip Rahtz† was founder of the Department of Archaeology at the University of York, where he was primarily interested in equipping students with techniques that would enable them to be able to excavate and produce reports on all periods.

Lorna Watts has worked as a freelance archaeologist since the 1970s.

Provisional Table of Contents

Summary ;
Preface ;
Chapter 1: The Site of Kirkdale ;

Investigations in and around the Church ;
Chapter 2: The West Exterior ;
Chapter 3: The North Exterior ;
Chapter 4: The South Exterior ;
Chapter 5: The Chancel Exterior ;
Chapter 6: The Church Interior ;

Investigations in the locality ;
Chapter 7: Adjacent Fields ;

The Human Bones ;
Chapter 8: Human bones ;

The Artefacts ;
Chapter 9: The Artefacts ;

Synthesis ;
Chapter 10: Overview and Interpretation ;

Notes ;
References
FORTHCOMING: The Rock-Art Landscapes of Rombalds Moor, West Yorkshire Standing on Holy Ground by Vivien Deacon. Paperback; 205x290mm; 230pp; 163 figures; 36 tables (Print RRP: £45.00). 605 2020. ISBN 9781789694581. Buy Now

This landscape study of the rock-art of Rombalds Moor, West Yorkshire, considers views of and from the sites. In an attempt to understand the rock-art landscapes of prehistory the study considered the environment of the moor and its archaeology along with the ethnography from the whole circumpolar region.

All the rock-art sites were visited, and the sites, motifs and views recorded. The data was analysed at four spatial scales, from the whole moor down to the individual rock. Several large prominent and impressive carved rocks, interpreted as natural monuments, were found to feature in the views from many much smaller rock-art sites. Several clusters of rock-art sites were identified. An alignment was also identified, composed of carved stones perhaps moved into position. Other perhaps-moved carved stones were also identified. The possibility that far-distant views might be significant was also indicated by some of the findings.

The physicality of carving arose as a major theme. The natural monuments are all difficult or dangerous to carve; conversely, the more common, simple sites mostly required the carver to kneel or crouch down. This, unexpectedly for British rock-art, raises comparisons with some North American rock-art, where some highly visible sites were carved by religious specialists, and others, inconspicuous and much smaller, were carved by ordinary people.

About the Author
Vivien Deacon is a Research Associate at the Department of Archaeology, University of York. Following a career in the NHS, she did a BA in Archaeology at York and went on to be awarded a PhD in 2018.

Table of Contents (Provisional)
Preface ;
Chapter One: Background to the study ;
Chapter Two: Encountering Rock-art ;
Chapter Three: Landscapes of Rock-art ;
Chapter Four: Rombalds Moor ;
Chapter Five: Methodology ;
Chapter Six: Results I - The Whole Moor ;
Chapter Seven: Results II - Natural Monuments in their Large Locales ;
Chapter Eight: Results III - Small Locales ;
Chapter Nine: Results IV - The individual carved rock ;
Chapter Ten: Discussion ;
Appendices
Public Archaeology: Arts of Engagement edited by Howard Williams, Caroline Pudney and Afnan Ezzeldin. Paperback; 203x276mm; xiv+270 pages; 82 figures, 5 tables (101 pages in colour). 99 2019. Available both in print and Open Access. Printed ISBN 9781789693737. £58.00 (No VAT). Epublication ISBN 9781789693744. Book contents pageDownload

How should communities be engaged with archaeological research and how are new projects targeting distinctive groups and deploying innovative methods and media? In particular, how are art/archaeological interactions key to public archaeology today?

This collection provides original perspectives on public archaeology’s current practices and future potentials focusing on art/archaeological media, strategies and subjects. It stems from the 2nd University of Chester Archaeology Student Conference, held on 5 April 2017 at the Grosvenor Museum, Chester: Archaeo-Engage: Engaging Communities in Archaeology.

About the Editors
Howard Williams is Professor of Archaeology at the University of Chester and researches mortuary archaeology, archaeology and memory, the history of archaeology and public archaeology. He regularly writes an academic blog: Archaeodeath.

Caroline Pudney is a Senior Lecturer in Archaeology at the University of Chester with research interests in Iron Age and Roman Britain, material culture, public archaeology and applied archaeology.

Afnan Ezzeldin graduated with a BA (Hons) Archaeology degree in 2017 from the University of Chester. Subsequently, in 2018, she completed the MA Archaeology of Death and Memory from the University of Chester, with a thesis focused on manga mortuary archaeology.
Les restes humains badegouliens de la Grotte du Placard Cannibalisme et guerre il y a 20,000 ans by Bruno Boulestin and Dominique Henry-Gambier. Paperback; 205x290mm; viii+138 pages; 47 figures, 14 tables (56 pages of colour). 579 2019. Available both in printed and e-versions. Printed ISBN 9781789693690. £35.00 (No VAT). Epublication ISBN 9781789693706. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

Placard is a major Upper Palaeolithic site in France, known from as early as the middle of the nineteenth century. Paradoxically, owing to the antiquity of the poorly-documented early excavations, dozens of thousands of remains that were uncovered then are either unpublished to this day, or have only been the subjects of limited and often obsolete studies. This is the case in particular for the human remains, for which, until recently, the cultural attribution was moreover still under debate. Dating makes it clear they belong to various periods, yet most of them form a homogeneous group remarkable by traces of a specific treatment. Thanks to radiocarbon dating and to data from further excavations carried out some thirty years ago, this group can be dated from the Badegoulian period.

The writers present in this book a detailed study of the Badegoulian human remains. On the basis of quantification and bone modification analyses, they describe and identify the treatments of the dead. Whereas the general treatment pertains to the practice of cannibalism, more specific ones, focused on the head, can be explained by the crafting of trophies. On the whole, these treatments can be interpreted in a consistent manner by one or several episodes of armed conflicts, begging the question of the possible existence of warfare during the Upper Palaeolithic. Thus, despite the antiquity of the discovery, the Badegoulian human bones from le Placard still constitute a unique assemblage that contributes greatly to our knowledge of the behaviours of hunter-gatherer populations in European prehistory.

About the Authors
Bruno Boulestin and Dominique Henry-Gambier are anthropologists at the University of Bordeaux (France), members of the research unit ‘De la Préhistoire à l’Actuel : Culture, Environnement, Anthropologie’ (PACEA, UMR 5199 of the CNRS). They are working on practices surrounding death in ancient societies, from both archaeological, bioarchaeological and socio-anthropological data. B. Boulestin’s work deals more specifically with bone modifications and the treatments of corpses. D. Henry-Gambier is a former Research Director at France's National Scientific Research Centre (CNRS) and is a specialist of Upper Palaeolithic populations.

French Description:
Connu depuis le milieu du 19e siècle, le site du Placard est un site majeur du Paléolithique supérieur français. Paradoxalement, en raison de l’ancienneté des premières fouilles, mal documentées, les dizaines de milliers de vestiges qui y ont été découverts sont pour la plupart inédits ou n’ont fait l’objet que d’études ponctuelles et souvent obsolètes. C’est le cas en particulier des restes humains, dont l’attribution culturelle était par ailleurs jusqu’à récemment discutée. Leur datation montre qu’ils appartiennent à plusieurs époques, mais la plus grande partie d’entre eux constitue un lot homogène qui se distingue par les traces d’un traitement spécifique. Grâce au radiocarbone et aux données provenant de nouvelles fouilles menées il y a une trentaine d’années, ce lot peut être daté du Badegoulien.

Les auteurs livrent ici l’étude détaillée de ces restes humains badegouliens. À partir de l’analyse quantitative et de celle des modifications osseuses, ils décrivent et identifient les traitements des morts. L’un, général, renvoie à la pratique du cannibalisme, tandis que d’autres, particuliers à la tête, peuvent s’expliquer par la fabrication de trophées. Globalement, ces traitements peuvent être interprétés de façon cohérente par un ou plusieurs épisodes de conflits armés, ce qui conduit à s’interroger sur la possible existence de la guerre au Paléolithique supérieur. Ainsi, malgré l’ancienneté de leur découverte, les restes humains badegouliens du Placard forment un ensemble exceptionnel qui apporte une contribution importante à notre connaissance des comportements des populations de chasseurs-cueilleurs de la Préhistoire europé
The Beau Street, Bath Hoard by Verity Anthony, Richard Abdy and Stephen Clews. Hardback; 205x290mm; 338 pages; 36 figures; 57 plates containing images of 1524 coins (75 pages in colour). 578 2019 Archaeopress Roman Archaeology 59. Available both in printed and e-versions. Printed ISBN 9781784915940. £60.00 (No VAT). Epublication ISBN 9781784915957. £16.00 (Exc. VAT) Institutional Price £60.00 (Exc. UK VAT) Book contents pageBuy Now

The Beau Street Hoard is one of the most remarkable archaeological discoveries ever to be made in Bath: the Roman town of Aquae Sulis. The discovery captured the public imagination and it became the focus for a major scientific investigation and a significant learning and public engagement programme. Carefully excavated by professional archaeologists the hoard was recovered intact and removed to the British Museum for more detailed examination and study. It was found to have been deposited in a cist in at least eight bags. Micro-investigation of the hoard in a conservation laboratory and further scientific analysis revealed more fascinating details and information reported on here. The Beau Street, Bath Hoard provides a thorough and complete publication and analysis of the hoard, which is one of the largest yet found in a Roman town in Britain. The high quality of the recovery and investigation process means that it makes a significant contribution to both archaeological and numismatic studies.

About the Authors
Verity Anthony is Visitor Experience and Collections Manager at Cornwall’s Regimental Museum. Prior to that she has worked in collections roles at the Museum of London and at The Roman Baths, where she played a major part in the Beau Street Hoard project.

Richard Abdy has been curator of Roman coins at the British Museum for many years, with particular interest in the middle and later imperial periods of the Roman Empire. He is in the process of publishing RIC II.3 on the coinage of Hadrian and has had long experience of recording Roman coin hoards through work on Treasure cases in England.

Stephen Clews is the Manager of the Roman Baths and Pump Room in Bath, where he has worked on the re-development and re-display of the site and its collections for more than thirty years. He also enjoys an occasional glass of spa water.
Experimental Archaeology: Making, Understanding, Story-telling Proceedings of a Workshop in Experimental Archaeology: Irish Institute of Hellenic Studies at Athens with UCD Centre for Experimental Archaeology and Material Culture, Dublin (Athens, 14th-15th October 2017) edited by Christina Souyoudzoglou-Haywood and Aidan O'Sullivan. Paperback; 205x290mm; vi+106 pages; 96 figures, 1 table (59 pages in colour). (Print RRP £28.00). 570 2019. Available both in printed and e-versions. Printed ISBN 9781789693195. £28.00 (No VAT). Epublication ISBN 9781789693201. £16.00 (Exc. VAT) Institutional Price £28.00 (Exc. UK VAT) Book contents pageBuy Now

Experimental Archaeology: Making, Understanding, Story-telling is based on the proceedings of a two-day workshop on experimental archaeology at the Irish Institute of Hellenic Studies at Athens in 2017, in collaboration with UCD Centre for Experimental Archaeology and Material Culture. Scholars, artists and craftspeople explore how people in the past made things, used and discarded them, from prehistory to the Middle Ages. The papers include discussions of the experimental archaeological reconstruction and likely past experience of medieval houses, and also about how people cast medieval bronze brooches, or sharpened Bronze Age swords, made gold ornaments, or produced fresco wall paintings using their knowledge, skills and practices. The production of ceramics is explored through a description of the links between Neolithic pottery and textiles, through the building and testing of a Bronze Age Cretan pottery kiln, and through the replication and experience of Minoan figurines. The papers in this volume show that experimental archaeology can be about making, understanding, and storytelling about the past, in the present.

Aidan O’Sullivan is a Professor of Archaeology at University College Dublin, Ireland. He is Director of the UCD Centre for Experimental Archaeology and Material Culture and established the School of Archaeology’s MSc in Experimental Archaeology and Material Culture in 2016. His research interests focus on early medieval Ireland, AD 400-1100, in its northwest European context; Experimental Archaeology and Material Culture studies; and Wetland Archaeology and Environments globally. He is the author and co-author of 13 books, including Early Medieval Ireland, AD 400-1100. The evidence from archaeological excavations (Royal Irish Academy, 2013) and co-edited The Oxford Handbook of Wetland Archaeology (Oxford University Press, 2012).

Christina Souyoudzoglou-Haywood is Director of the Irish Institute of Hellenic Studies at Athens (IIHSA) and Adjunct Lecturer in the School of Classics, University College Dublin. Her main research area is the Late Bronze Age of Greece, particularly the western periphery of the Mycenaean world, focusing on the Ionian island of Kephalonia, where she has been conducting a diachronic fieldwalking survey since 2003. For many years Curator of the Classical Museum, UCD, she has published on its history and contents as well as on Greek and Cypriot antiquities in other Irish museum and university collections.
Historic Landscapes and Mental Well-being edited by Timothy Darvill, Kerry Barrass, Laura Drysdale, Vanessa Heaslip and Yvette Staelens. Paperback; xx+282 pages; 70 figures, 7 tables (75 pages in colour). 569 2019. Available both in print and Open Access. Printed ISBN 9781789692686. £40.00 (No VAT). Epublication ISBN 9781789692693. Book contents pageDownload

Using archaeological sites and historic landscapes to promote mental health well-being represents one of the most significant advances in archaeological resource management for many years. Its potential contribution to health-care and wellness initiatives is boundless. Prompted by the Human Henge project working within the Stonehenge and Avebury World Heritage Site, this volume provides an overview of work going on across Britain and the near Continent at many different scales. Contributors share experiences, and discuss the outcomes, implications, and theoretical underpinnings of heritage-based well-being projects.

About the Editors
Timothy Darvill is Head of the Department of Archaeology and Anthropology at Bournemouth University and leads the research on the Human Henge project; Kerry Barrass is a researcher on the project; Laura Drysdale is the Director of the Restoration Trust and project manager of Human Henge; Vanessa Heaslip is a Principal Academic in the Department of Nursing and Social Sciences at Bournemouth University and leads the participant monitoring programme on Human Henge; and Yvette Staelens is a visiting research fellow at Bournemouth University and was the programme facilitator for Human Henge.
La parure en callaïs du Néolithique européen edited by Guirec Querré, Serge Cassen and Emmanuelle Vigier; preface by Yves Coppens. Hardback; 203x276mm; viii+634 pages; illustrated in full colour throughout. Papers in French and English. (Print RRP £130.00). 568 2019. Available both in print and Open Access. Printed ISBN 9781789692808. £130.00 (No VAT). Epublication ISBN 9781789692815. Book contents pageDownload

Callaïs refers to the green stones from which the remarkable ornaments discovered in several Neolithic sites in Western Europe are made. A term used at the beginning of our era by Pliny the Elder and taken up by the first archaeologists of the early 20th century during the first excavations of the large tumuli of the Carnac region (Morbihan), callaïs includes several mineral species, especially variscite and turquoise, both hydrated aluminium phosphates with a green to blue colour. Beads and pendants made of this precious material, combined with other objects such as axes made of alpine jade, fibrolite, amber or jet beads, sometimes from very distant sources, were deposited with the deceased, reflecting their high rank among the first agropastoral societies, or «sacrificed» in the form of deposits. The question of the nature and origin of these Callaïs pearls and pendants has been discussed many times during the last century by mineralogists and prehistorians. Since the first discoveries on this gem, many researches have been carried out both in the field and in the laboratory to elucidate what some had called ‘the mysteries of the callaïs’.

This volume, prefaced by Yves Coppens, Honorary Professor of the Collège de France, brings together the contributions of the best European specialists in callaïs, variscite and turquoise, who spoke at a symposium on this ancient gemstone held in April 2015 in Carnac. The objective of this book is to disclose the results of the latest research relating to these jewels by scanning multiple fields: variscite geology, gemmology, Neolithic but also Roman exploitations, chemical characterization, production of objects and their diffusion, inventory, dating, place of these jewels within agropastoral societies that occupied part of Europe from the 5th to the 3rd millennium.

French Description:
La callaïs désigne les pierres vertes dont sont faites les remarquables parures découvertes dans plusieurs sites néolithiques d’Europe occidentale. Terme utilisé au début de notre ère par Pline l’Ancien et repris par les premiers archéologues du début du XXème siècle lors des premières fouilles des grands tumulus de la région de Carnac (Morbihan), la callaïs regroupe plusieurs espèces minérales, surtout la variscite et la turquoise, tous deux des phosphates d’aluminium hydratés de couleur verte à bleue. Les perles et pendeloques en cette matière précieuse, associées à d’autres objets tels que haches en jade alpin, en fibrolite, perles en ambre ou en jais, provenant de sources parfois très éloignées, étaient déposés auprès des défunts, témoignant de leur haut rang au sein des premières sociétés agropastorales, ou « sacrifiées » sous forme de dépôts. La question de la nature et de l’origine de ces perles et pendeloques en callaïs a été maintes fois abordée durant le siècle dernier par les minéralogistes et les préhistoriens. Depuis les premières découvertes sur cette gemme, de nombreuses recherches ont été menées tant sur le terrain qu’en laboratoire afin d’élucider ce que certains avaient baptisé « les mystères de la callaïs ».

Ce volume, préfacé par Yves Coppens, Professeur honoraire du Collège de France, regroupe les contributions des meilleurs spécialistes européens de la callaïs, variscite et turquoise, qui sont intervenus lors d’un colloque consacré à cette gemme ancienne qui s’est tenu en avril 2015 à Carnac. L’objectif de cet ouvrage est de divulguer le fruit des dernières recherches relatives à ces bijoux en balayant de multiples domaines : géologie de la variscite, gemmologie, exploitations néolithiques mais aussi romaines, caractérisation chimique, production des objets et leur diffusion, inventaire, datation, place de ces bijoux au sein de sociétés agropastorales qui occupaient une partie de l’Europe du 5ème au 3ème millénaire.
The Archaeology of Medieval Villages Currently Inhabited in Europe edited by Jesús Fernández Fernández and Margarita Fernández Mier. Paperback; 205x290mm; viii+120 pages; 40 figures, 7 tables (19 colour pages). (Print RRP £30.00). 566 2019. Available both in printed and e-versions. Printed ISBN 9781789693003. £30.00 (No VAT). Epublication ISBN 9781789693010. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

The study of deserted villages abandoned during the last millennium in Europe has been the primary focus of archaeological interventions in rural settlements over recent decades. However, most of the hamlets and villages of medieval origin remain inhabited today and excavations in these small and medium-sized settlements are more unusual. The Archaeology of Medieval Villages Currently Inhabited in Europe focuses on these locations, giving examples of sites excavated in the United Kingdom, the Netherlands, France, Scandinavia and Spain. The case studies highlight the diversity of problems and debates around this subject such as the meaning of the term ‘village’, the chronology beyond the last millennium with continuities, discontinuities and ruptures, the integration of research into residential and working areas, the role of local communities in research programmes and the need for multidisciplinary approaches to address all these issues. Deserted villages research along with currently-inhabited settlement excavation has the important potential to achieve long-lasting historical syntheses on medieval settlement networks in Europe. These five chapters offer challenging approaches to the above issues and proposals for future research in the field from Spain to the North Sea.

About the Editors
Jesús Fernández Fernández’s lines of research and interests focus on Medieval Archaeology, Historical Archaeology, Landscape Archaeology, GIS and Heritage studies. His recent research interests and publications focus on the landscape and settlement transformations in the Asturian area, particularly in the early medieval period. Jesús has been the director of several archaeological fieldwork projects and a member of research projects in various universities. Currently he is co-director with Gabriel Moshenska and Margarita Fernández Mier of the Villanueva de Santu Adrianu medieval settlement excavation project. Currently he is teaching and researching at Oviedo University within the programme Marie-Curie COFUND. Fernández is also a social entrepreneur and director of La Ponte-Ecomuseum, an archaeological-museological community project in Asturias, founded in 2012 and an award winner in 2016 (Leading Culture Destination Awards) and 2019 (Hispania Nostra Awards for Good Practices in Cultural Heritage).

Margarita Fernández Mier is Professor of Medieval History at the University of Oviedo (Spain). Her principal interest is the study of early medieval societies in the north-western Iberian Peninsula, as well as the settlement analysis and the organisation of agrarian landscapes research. Margarita’s work is based on written and archaeological records and a long term analysis, from Roman times to Middle Ages. She is PI of the ‘Local spaces and social complexity: the medieval roots of a twentieth-century debate (ELCOS)’ project: a interdisciplinary research group funded by the Spanish Government which aims to situate the present-day rural communities of Southern Europe as inheritors of a centuries-long experience of collective organisation from medieval times. Margarita is the lead investigator of the LLABOR research group working on Agrarian and Public Archaeology in Spain and Latin America.
Conflict Landscapes: An Archaeology of the International Brigades in the Spanish Civil War by Salvatore Garfi. Paperback; 205x290mm; 156 pages; illustrated throughout in colour and black & white. 530 2019. Available both in printed and e-versions. Printed ISBN 9781789691344. £35.00 (No VAT). Epublication ISBN 9781789691351. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

This book is an archaeological exploration of a conflict landscape encountered by the volunteers of the International Brigades in the Spanish Civil War of 1936-39. A great deal is known about the Brigades in terms of inter-world war geopolitics, their history and make-up, but less is known about the materiality of the landscapes in which they lived, fought, and died.

The Spanish Civil War was a relatively static conflict. As in the First World War, it consisted of entrenched Republican government lines facing similarly entrenched Nationalist (rebel) lines, and these ran north to south across Spain. Fighting was intermittent, so the front line soldiers had to settle in, and make what was an attritional war-scape, a place to live in and survive. This research examines one such war-scape as a place of ‘settlement’, where soldiers lived their daily lives as well as confronting the rigours of war – and these were the volunteers of the International Brigades, both foreign and Spanish, who occupied a section of lines southeast of Zaragoza in Aragón in 1937 and 1938.

This research draws, not only on the techniques of landscape archaeology, but also on the writings of international volunteers in Spain – in particular, George Orwell – and it incorporates historical photography as a uniquely analytical, archaeological resource.

About the Author
Salvatore Garfi has been a professional archaeologist since 1974, working on a range of projects from the prehistoric to the contemporary. Besides working in Britain, he has worked in Egypt, Southern Arabia, and elsewhere in the Middle East. Since 2010, he has specialised in the archaeology of modern conflict, and his doctoral research was on the late 20th Century conflict in Western Sahara. He was a post-doctoral Leverhulme Fellow in the School of Cultures, Languages and Area Studies, University of Nottingham (2015-2018), and co-founder of the International Brigades Archaeological Project (IBAP), which ran from 2014 to 2015.
Culture and Society at Lullingstone Roman Villa by Caroline K. Mackenzie. Paperback; 205x255 pages; viii+50 pages; 40 figures (colour throughout). 563 . Available both in printed and e-versions. Printed ISBN 9781789692907. £14.99 (No VAT). Epublication ISBN 9781789692914. £9.99 (Exc. VAT) Institutional Price £14.99 (Exc. UK VAT) Book contents pageBuy Now

Culture and Society at Lullingstone Roman Villa paints a picture of what life might have been like for the inhabitants of the villa in the late third and fourth centuries AD. The villa today, in the Darent Valley, Kent, has an unusual amount of well-preserved evidence for its interior decoration and architecture. Seventy years on from the commencement of the excavation of the site, this study draws on the original reports but also embraces innovative approaches to examining the archaeological evidence and sheds new light on our understanding of the villa’s use. For the first time, the site of Lullingstone Roman Villa is surveyed holistically, developing a plausible argument that the inhabitants used domestic space to assert their status and cultural identity.

An exploration of the landscape setting asks whether property location was as important a factor in the time of Roman Britain as it is today and probes the motives of the villa’s architects and their client. Lullingstone’s celebrated mosaics are also investigated from a fresh perspective. Why were these scenes chosen and what impact did they have on various visitors to the villa? Comparison with some contemporary Romano-British villas allows us to assess whether Lullingstone is what we would expect, or whether it is exceptional. Examples from the wider Roman world are also introduced to enquire how Lullingstone’s residents adopted Roman architecture and potentially the social customs which accompanied it.

About the Author
Caroline K. Mackenzie read Classics at Pembroke College, Cambridge. As an undergraduate she gained a place to study for a month at the British School at Athens. After Cambridge, she continued her studies at law school where she was awarded a distinction and then practised as a Private Client solicitor in London for over a decade. Caroline subsequently pursued a teaching career, first as a law lecturer and then as Head of Classics at a preparatory school in Sevenoaks, Kent. In 2018 Caroline was awarded a Master of Arts with distinction in Classical Art and Archaeology at King’s College London.

Caroline’s current work includes private tutoring in Latin and Greek, providing workshops for schools and leading short courses in Classical Art and Archaeology as well as Classical literature. She also teaches on the annual Summer School in Homer at University College London. Caroline writes regularly for Argo, a journal of the Hellenic Society, and various other Classical publications. She has lectured for English Heritage who invited her to deliver a study day including a private tour of Lullingstone Roman Villa. Her website is: www.carolinetutor.co.uk

Reviews
'This book offers a unique interpretation of the Lullingstone Roman Villa in the Darent Valley of Kent, exploring how its inhabitants used space to assert their position in society, as well as their cultural identity. The first section of the book looks at the position of the villa and its ancillary buildings in the wider landscape, focusing on how the hills and views of the river valley might have been used to impress visitors. The second section turns to the interior of the building, particularly the central room and apse, exploring how the position and use of certain mosaics and inscriptions were used to highlight the villa owner's wealth and education, perhaps in an attempt to emulate Roman aristocrats. Richly illustrated with photographs of mosaics and wall-paintings from the villa, as well as reconstruction drawings of how both the interior and exterior may have looked during the Roman period, it takes the reader on an in-depth, but not remote, tour of the villa.' — Kathryn Krakowka, Current Archaeology, November 2019
Glass, Wax and Metal: Lighting Technologies in Late Antique, Byzantine and Medieval Times edited by Ioannis Motsianos and Karen S. Garnett. Paperback; 205x290mm; xii+250 pages; illustrated throughout in colour and black & white. 550 2019. Available both in printed and e-versions. Printed ISBN 9781789692167. £60.00 (No VAT). Epublication ISBN 9781789692174. £16.00 (Exc. VAT) Institutional Price £60.00 (Exc. UK VAT) Book contents pageBuy Now

Presenting papers from two International Lychnological Association (ILA) Round Tables, Glass, Wax and Metal: Lighting technologies in Late Antique, Byzantine and medieval times provides an extensive look at the technological development of lighting and lighting devices during Late Antiquity and the Middle Ages in Western Europe and Byzantium. At a time of major economic, geopolitical and social changes, there are also radical modifications in lighting devices, as terracotta mold-made lamps, very common throughout the earlier days of the Roman Empire, are replaced by devices which use glass containers to hold oil, candles made of beeswax, and metals to create a wide variety of holders for the newer glass lamp vessels and candles. Discussions include such diverse subjects as lighting devices used in medieval times in Scandinavian mines, the Byzantine use of light for longdistance signaling, castle illumination, polykandela designs and the spiritual significance of light. The scholars have used as their source material not only artifacts from museums and excavated contexts, but also have studied written sources and depictions of lighting devices on mosaics, frescos, icons, textiles and manuscripts to help complete their notions about lighting in these eras.

About the Editors
Ioannis Motsianos, a native of Thessaloniki, has been an archaeologist at the Museum of Byzantine Culture, Thessaloniki, since 1995. He holds degrees from Aristotle University of Thessaloniki, and the University of Thessaly. His PhD dissertation at the University of Thessaly, ‘Joyful light: the artificial lighting in Byzantium’ (in Greek), Volos 2011, treats the evolution of artificial lighting during the Byzantine and Post Byzantine periods. Motsianos has written extensively on the evolution of artificial lighting during these periods, authoring more than ten papers in scientific journals. He was the lead organizer of both the ‘Lighting in Byzantium’, 4th International ILA Round-Table, 11-14 October 2011 in Thessaloniki and the Exhibition ‘Light on Light: an Illuminating Story’, Thessaloniki, Folklife & Ethnological Museum of Macedonia-Thrace, 31 October 2011-11 June 2012. He is also the co-editor of the exhibition catalogue Light on light: an illuminating story, Thessaloniki 2011. Since 2003 he has been an active member of the ‘International Lychnological Association’ and from 2009 a member of its governing Committee.

Karen Garnett was raised in Pennsylvania and California and received her degrees from Ohio State University in Columbus, Ohio and the University of Texas, Austin, Texas, USA. Her archaeological research focuses on the Late Roman terracotta lamps from the Gymnasium and Fountain of the Lamps excavations in Ancient Corinth, Greece about which she has published preliminary findings and is preparing a larger volume dealing with over 2000 intact lamps from those deposits. She is also interested in and researching capacity and capability measurements for various ancient lighting methods in Peloponnesian Greece. Having a variety of careers outside academia, she currently manages the writing of technical documentation for the Intellectual Property Division of VeriSilicon Holdings, a fabless semiconductor company. Since 2009 she has been an active member of the ‘In
Objects of the Past in the Past: Investigating the Significance of Earlier Artefacts in Later Contexts edited by Matthew G. Knight, Dot Boughton and Rachel E. Wilkinson. Paperback; 203x276mm; 77 figures, 11 tables (43 pages in colour). 89 2019. Available both in print and Open Access. Printed ISBN 9781789692488. £40.00 (No VAT). Epublication ISBN 9781789692495. Book contents pageDownload

How did past communities view, understand and communicate their pasts? And how can we, as archaeologists, understand this? In recent years these questions have been approached through studies of the extended occupation and use of landscapes, monuments and artefacts to explore concepts of time and memory. But what of objects that were already old in the past? Interpretations for these items have ranged from the discard of scrap to objects of veneration. Evidence from a range of periods would suggest objects of the past were an important part of many later societies that encountered them, either as heirlooms with remembered histories or rediscovered curiosities from a more distant past.

For the first time, this volume brings together a range of case studies in which objects of the past were encountered and reappropriated. It follows a conference session at the Theoretical Archaeological Group in Cardiff 2017, in which historians, archaeologists, heritage professionals and commercial archaeologists gathered to discuss this topic on a broad (pre)historical scale, highlighting similarities and contrast in depositional practices and reactions to relics of the past in different periods. Through case studies spanning the Bronze Age through to the 18th century AD, this volume presents new research demonstrating that the reappropriation of these already old objects was not anomalous, but instead represents a practice that recurs throughout (pre)history.

About the Editors
Matthew G. Knight is the curator of the Chalcolithic and Bronze Age collections at National Museums Scotland and Chair of the Later Prehistoric Finds Group. He specialises in the production, use and deposition of Bronze Age metalwork and completed his PhD on the deliberate destruction of metalwork in south-west England in 2018. He continues to be fascinated by destructive practices across Europe and is currently preparing a monograph on the subject. Matt’s MA thesis concerned out-of-time Bronze Age metalwork and he is frequently distracted by the relationship people in the past held with their own pasts and their treatment of already old material culture in the Bronze Age, or indeed any other time period.

Dot Boughton originates from Germany and is a prehistoric metalwork specialist who now works as a freelancer and translator in Cumbria. Dot did her undergraduate degree at the Freie Universität Berlin and moved to England in 1999, where she completed an MSt (2000) and MPhil (2001) in Anglo-Saxon Archaeology at the University of Oxford. In 2015 she completed her PhD dissertation on Early Iron Age socketed axes in Britain at the University of Central Lancashire. Dot was the Portable Antiquities Scheme’s Finds Liaison Officer for Lancashire and Cumbria from 2005–2017 and the Curator of Archaeology for Lancashire Museums 2017–2018. She worked for Oxford Archaeology (North) as their Finds, Archives and Environmental Officer from 2018–2019. Dot is now a freelance small finds specialist, writing metalwork reports for units and museums. She also translates historical German documents into English and vice versa.

Rachel E. Wilkinson is an archaeologist and numismatist and her AHRC-funded PhD examined the Iron Age metalwork object hoards from Britain (800 BC – AD 100), creating a national database for Iron Age object hoards which examined their contents, regional distribution and interaction with coin hoards. Previous positions during her PhD include Documentation Assistant and Project Curator: Romano-British collections at the British Museum, she currently freelances as a small finds specialist, editor and historical consultant.
El Mesolítico en Cantabria centro-oriental by Mercedes Pérez Bartolomé. Paperback; 203x276mm; Tomo I: 402 pages; Tomo II (online): 770 pages; full colour throughout. Spanish text. 90 2019. Available both in print and Open Access. Printed ISBN 9781789692464. £95.00 (No VAT). Epublication ISBN 9781789692471. Book contents pageDownload

This book explores the Mesolithic period in the central-eastern area of Cantabria (Spain) as a manifestation of sociocultural evolution and change of the societies that lived in the area between the ninth and sixth millennia cal BC, until the introduction of farming. It analyses the subsistence and sociocultural transformations made by hunter-gatherer societies in their adaptation to the environment that emerged from the climate change seen during the Holocene. It also considers the evolutionary processes undergone by social groups based on their experiences and cognitive processes.

Mercedes Pérez Bartolomé holds a degree in Geography and History and a PhD in Archeology and Prehistory from the Universidad Nacional de Educación a Distancia (UNED) Madrid (Spain).

Spanish Description
En esta libro se aborda el estudio del Mesolítico en la zona centro-oriental de Cantabria como una manifestación de evolución y cambio sociocultural de las sociedades que habitaron la región entre el IX y VI milenios cal BC, hasta la instauración de la economía productiva. Se analizan las trasformaciones económicas y socioculturales que efectuaron las sociedades de cazadores-recolectores, en su adaptación al medioambiente surgido del cambio climático del Holoceno, sin olvidar los procesos evolutivos que experimentan los grupos sociales basados en sus experiencias y procesos cognitivos.

Desde el descubrimiento de yacimientos de conchero en la región cantábrica, la investigación se ha centrado en el oriente de Asturias, donde se definió una cultura local, el Asturiense, que se extendió como ámbito cultural a toda la región cantábrica. De tal modo que, la investigación en Cantabria ha consistido en un reducido número de excavaciones de yacimientos, que en parte se encuentran en proceso de estudio.

Este vacío en la investigación del Mesolítico en Cantabria, es por lo que nos planteamos abordar el estudio de este poblamiento en un marco geográfico que se extiende desde la ría de Suances por el oeste, que planteamos como límite geográfico del Mesolítico Asturiense, y la de Ontón por el este, límite geográfico con el País Vasco Atlántico.

La investigación se ha basado en la realización de Proyectos de arqueología espacial con los objetivos de localizar nuevos yacimientos, verificar el estado de conservación y, la recopilación de datos arqueológicos de cada uno de los yacimientos reconocidos, que se recoge en el registro arqueológico, que debido a su mala conservación y exposición a procesos erosivos, están en peligro de desaparecer. Proyectos de excavaciones arqueológicas en yacimientos situados en diferentes contextos (costa, llanura litoral y montaña), en los que se han realizado estudios multidisciplinares que aportan información sobre paleoambiente, el patrón económico, las industrias, el pensamiento simbólico y el patrón de asentamiento. Se han obtenido fechas de radiocarbono en cada uno de los valles que forman el territorio y en diferentes entornos geográficos. Se aportan 18 nuevas dataciones para el Mesolítico en la región cantábrica.

Mercedes Pérez Bartolomé es licenciada en Geografía e Historia y doctora en Arqueología y Prehistoria por la Universidad Nacional de Educación a Distancia (UNED) Madrid (España).
Hadrian’s Wall: A study in archaeological exploration and interpretation by David J. Breeze. Paperback; 175x245mm; vi+190 pages; 125 figures, 4 tables (79 plates in colour). (Print RRP £19.99). 543 2019. Available both in printed and e-versions. Printed ISBN 9781789691672. £19.99 (No VAT). Epublication ISBN 9781789691689. £16.00 (Exc. VAT) Institutional Price £19.99 (Exc. UK VAT) Book contents pageBuy Now

The lectures on which this publication is based were delivered as the Rhind Lectures to the Society of Antiquaries of Scotland in May 2019. The annual Rhind Lectures commemorate Alexander Henry Rhind (1833-1863), a Fellow of the Society renowned for his excavations (finds from which are now in the National Museum of Scotland) and publications. The 2019 lectures were generously sponsored by AOC Archaeology Group.

The first two lectures – chapters in this book – provide the historiographical background to our present understanding of Hadrian’s Wall. They start with John Collingwood Bruce, the leading authority on the Wall, from 1848 until his death in 1892, who gave the Rhind lectures in 1883 and whose influence continues to this day. Research on the Wall in the field and in the study from 1892 to the present day are covered in the second lecture. The third and fourth lectures consider the purpose(s) and operation of Hadrian’s Wall from the first plan drawn up soon after Hadrian became emperor in 117 through to the final days of its existence as a frontier shortly after 400. Five distinct ‘plans’ for the Wall are promulgated. The fifth lecture examines the impact of the frontier on the people living in its shadow and beyond. The last lecture reviews the processes which have brought us to an understanding of Hadrian’s Wall and considers the value of research strategies, with some suggestions for the way forward. The chapters in this book reflect closely the lectures themselves with the main change being the addition of references.

About the Author
DAVID J. BREEZE has been a trustee of the Senhouse Museum Trust since its inception in 1985 and chair of the trust since 2013. He has served as President of the Cumberland and Westmorland Antiquarian and Archaeological Society and as Chairman of the International Congress of Roman Frontier. He was Chief Inspector of Ancient Monuments for Scotland from 1989 to 2005, and subsequently led the team which successfully nominated the Antonine Wall as a World Heritage Site in 2008. David has excavated on both Hadrian’s Wall and the Antonine Wall and written several books on these frontiers, on frontiers elsewhere in the Roman Empire and on the Roman army.
Excavation of Later Prehistoric and Roman Sites along the Route of the Newquay Strategic Road Corridor, Cornwall by Andy M. Jones. Paperback; 205x290mm; 144pp; illustrated throughout in colour and black & white. 526 2019. Available both in printed and e-versions. Printed ISBN 9781789691528. £30.00 (No VAT). Epublication ISBN 9781789691535. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

With contributions by Ryan S Smith, Dana Challinor, Julie Jones, Graeme Kirkham, Anna Lawson-Jones, Henrietta Quinnell and Roger Taylor.

During November and December 2014, the Cornwall Archaeological Unit undertook a programme of archaeological excavation in advance of construction of a road corridor to the south of Newquay. Evidence for Middle Bronze Age occupation took the form of a hollow-set roundhouse; however, the majority of the excavated features have been dated to the Iron Age and Roman periods. The area was enclosed as fields associated with extensive settlement activity throughout the last centuries cal BC into the third century AD.

The excavations revealed the character of settlement-related activity during the later prehistoric and Roman periods. The evidence strongly suggests growing intensification of agriculture, with ditched fields and enclosures appearing in the landscape from the later Iron Age and into the Roman period.

The results shed light on later prehistoric and Roman practices involving the division of the landscape with ditched fields and enclosed buildings. Many of the structures and pits were found to be set within their own ring-ditched enclosures or hollows, and the field system ditches were in some instances marked by ‘special’ deposits. As has previously been demonstrated for Middle Bronze Age roundhouses, structures could be subject to formal abandonment processes. Gullies and hollows were deliberately infilled, so that they were no longer visible at surface. However, unlike the abandoned Bronze Age roundhouses, the later structures appear to have been flattened and not monumentalized. In other words, buildings could be both etched into and subsequently erased from the landscape and thereby forgotten.

This volume takes the opportunity presented by investigations on the Newquay Strategic Road to discuss the complexity of the archaeology, review the evidence for ‘special’ deposits and explore evidence for the deliberate closure of buildings especially in later prehistoric and Roman period Cornwall. Finally, the possible motives which underlie these practices are considered.

About the Author
ANDY M. JONES is Principal Archaeologist with the Cornwall Archaeological Unit. His research interests include the Neolithic, Bronze Age periods, as well as the archaeology of the uplands and coastal areas of western Britain. His recent research includes the log coffin dating project and the publication of the Whitehorse Hill cist, Preserved in the Peat: An Extraordinary Bronze Age Burial on Whitehorse Hill (2016). In 2017 he co-edited An Intellectual Adventurer in Archaeology: Reflections on the work of Charles Thomas. Other recent publications include Settlement and Metalworking in the Middle Bronze Age and Beyond: New evidence from Tremough, Cornwall (2015) and Archaeology and Landscape at the Land’s End, Cornwall (2016).
La defensa de la ciudad de Valencia 1936-1939 Una arqueología de la Guerra Civil Española by José Peinado Cucarella. Paperback; 203x276mm; 236 pages; illustrated throughout in colour and black & white (51 colour pages). Spanish text. 87 2019. Available both in print and Open Access. Printed ISBN 9781789692020. £44.00 (No VAT). Epublication ISBN 9781789692037. Book contents pageDownload

This publication presents the defense of the city of Valencia during the years 1936-1939 under two premises; whether Valencia was strategically bombed and which were the targets. The second premise is whether the city was efficiently organized to protect its civilians.

The methodological proposal is based on the use of the classical parameters of the archaeological intervention, with the possibility of elaborating catalogs of goods, thematic, temporary, etc. Those derived in tools for urban planning, archaeological charts, and other documents.

It also carries out a comparative analysis of the current legislative framework at national and regional level (Murcia, Valencia and Catalonia). A classification is made of the elements that make up the different heritages and their main characteristics.

It Analyzes the documentation from 1936 to 1939 collected in the different archives: the Municipal of Valencia, the Diputación, the Historical Military of Ávila, the Intermediate Military of Valencia, the Military Library "Center of Cultures", the Hemeroteca Municipal and The Library of the City of Valencia.

All this is done through extensive prospecting and GPS, with planimetric surveys of the localized remains and the digitalization of the entire planimetry of the time. A planimetric map of all shelters in the city is elaborated and the village of Puig. Moreover, a glossary of military terminology is added with the purpose of helping the reader, in addition to a daily list of the bombings that the city suffered during the years 1937 to 1939.

Esta publicación nos muestra la defensa de la ciudad de Valencia durante los años de 1936-1939 bajo dos premisas; una que es saber cuales fueron los más sensibles y bombardeados y si responden a la idea de un bombardeo estratégico. La segunda premisa es si la ciudad dispuso de una organización eficiente para proteger a su población civil. La propuesta metodológica se basa en la utilización de los parámetros clásicos de la intervención arqueológica, con la posibilidad de elaborar catálogos de bienes, temáticos, temporales, etc... que puedan derivar en herramientas para el planeamiento urbanístico, en cartas arqueológicas, y demás documentos.

En ella también se realiza una análisis comparativo del marco legislativo actual tanto a nivel nacional como autonómico (Murcia, Valencia y Cataluña). Se realiza una clasificación de los elementos que conforman los distintos patrimonios y sus principales características con el fin de disponer de una base teórica donde situar los restos arqueológicos y documentales localizados, distinguiendo su naturaleza en activa (militar) centros de Resistencias, Defensa de Costa y aeródromos, y por otra la pasiva (civil) como los refugios.

Se han analizado la documentación referente a 1936 a 1939, recogida en los diferentes archivos, el Municipal de Valencia, el de la Diputación, el Histórico Militar de Ávila, el Militar Intermedio de Valencia, La Biblioteca Militar ‘Centro de Culturas’, la Hemeroteca Municipal y La Biblioteca Valenciana.

Todo ello se realiza mediante la prospección extensiva y mediante GPS, con levantamientos planimétricos de los restos localizados y la digitalización de toda la planimetría de la época. Se establece como unidad gestora de la documentación el GvSIG, un software libre, que permite combinar datos geográficos, bases de datos con datos vectoriales y raster. Y se elabora una cartoteca planimétrica de todos los refugios conocidos en la ciudad de Valencia, y de los elementos más esenciales de la defensa activa del municipio del Puig. Así como un glosario de terminología militar con el objeto que ayude al lector y un listado diario de los bombardeos que sufrió la ciudad durante los años 1937 a 1939.

About the Author
JOSÉ PEINADO is a PHD in archaeology in the University of Valencia and with a degree in History and an extensive experience i
The Poole Iron Age Logboat edited by Jessica Berry, David Parham and Catrina Appleby. Paperback; 205x290mm; x+122 pages; 82 Figures, 10 tables (48 colour pages). 531 2019. Available both in printed and e-versions. Printed ISBN 9781789691443. £30.00 (No VAT). Epublication ISBN 9781789691450. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

The Poole Iron Age logboat, one of the largest surviving prehistoric watercraft in Britain, is today imposingly displayed in the entrance to Poole Museum in Dorset. However, the vessel faced a difficult journey from its first discovery to the amazing artefact we can now see.

Recovered from Poole Harbour in 1964, it is impossible to overestimate the international significance of this vessel. But until now it had never been fully recorded and apart from its impressive size, very little was known about it. Its dimensions made it inherently unstable and suggest it was designed for use solely in Poole Harbour.

This book is the culmination of significant multi-disciplinary work carried out by a variety of specialists, from conservators to woodworking and boatbuilding experts, exploring not only the craft’s history but also its functionality – or lack of – as a vessel. Digital recording, using the latest technology, has made it possible to test its capabilities. For the first time, prehistorians, nautical archaeologists and lay people alike can understand the story of one of Britain’s oldest boats – the archaeological and historical background, the environmental context, the timber and ship science, and the challenges of conserving such an important vessel.

About the Editors
JESSICA BERRY is an award-winning maritime archaeologist, a diver, and founder and CEO of MAST. She is a maritime archaeologist MA (Hons) MA ACIfA and a former journalist with UK broadsheets. Since completing her Masters at Flinders University in Australia, she has worked on a number of major maritime archaeological projects both in the UK and internationally whilst growing and developing MAST into an internationally respected organisation that is changing the ways in which underwater cultural heritage is perceived and how it can be better protected.

DAVID PARHAM is a Professor in Maritime Archaeology at Bournemouth University. He is an experienced archaeologist and diver / diving supervisor who has directed maritime archaeological projects that range in date from the Bronze Age to the Second World War and in scope from strategic studies to extensive field investigations. He has worked extensively throughout the British Isles as well as the Baltic, Mediterranean, Indian Ocean, South China Sea and Arabian Sea. His research interests focus on the archaeology of seafaring and ship construction of all periods but can extend into underwater cultural heritage management on occasions.

CATRINA APPLEBY has been working in archaeology for 40 years. She studied at Durham and Birmingham universities and has wide experience in many types of archaeology, from excavation and field survey to HERs and planning. She has worked for a variety of organisations in England and Scotland. She is a Fellow of the Society of Antiquaries and a Member of the Chartered Institute for Archaeologists. For the past 20 years her work has focused on editing archaeological and heritage publications, including nine years as the Publications Manager for the Council for British Archaeology, during which time CBA titles won several awards. She now works as a freelance editor for a number of publishers.
RACTA 2018: Ricerche di Archeologia Cristiana, Tardantichità e Altomedioevo edited by Chiara Cecalupo, Giovanna Assunta Lanzetta and Priscilla Ralli. Paperback; 203x276; 248 pages; illustrated throughout in black & white with 20 plates in colour. Papers in Italian, English, French and German. Introduction and abstracts in English. (Print RRP £45.00). 84 2019. Available both in print and Open Access. Printed ISBN 9781789691740. £45.00 (No VAT). Epublication ISBN 9781789691757. Book contents pageDownload

RACTA (Ricerche di Archeologia Cristiana, Tardantichità e Altomedioevo) was the first international conference for PhD students of Christian Archaeology. It took place in Rome in February 2018, hosted by Pontificio Istituto di Archeologia Cristiana and gathered more than 50 multidisciplinary talks and posters from PhD students from Europe, America and Russia. The engagement shown at the well-attended event, and the interest of several institutions, proved that Christian archaeology continues to be important to new generations of archaeologists, art historians, and researchers of the ancient world.

About the Editors
CHIARA CECALUPO has a PhD in History of Christian Archaeology from the Pontificio Istituto di Archeologia Cristiana (‘La Roma Sotterranea di Antonio Bosio e i primi collezionisti di antichità cristiane’), and is a researcher and teaching assistant at the University of Pisa. Her work concerns the history of archaeology and collections.

GIOVANNA ASSUNTA LANZETTA is a PhD student at The Pontificio Istituto di Archeologia Cristiana (‘La basilica di Santa Eufemia a Grado’). Her research focusses on early Christian architecture with the support of new technologies (such as 3D reconstructions) and on Christian and medieval topography.

PRISCILLA RALLI is a PhD student at the Pontificio Istituto di Archeologia Cristiana (thesis “L’architettura paleocristiana del Peloponneso”) in agreement with the Scuola Archeologica Italiana di Atene (SAIA-IASA) and with a scholarship (related to the study of Argos and the Argolid during the Late Antiquity) from the Ecole Française d’Athènes (EFA).
De la provincia Celtiberia a la Qūrā de Santabariyya: Arqueología de la Antigüedad tardía en la provincia de Cuenca (siglos V-VIII d.C.) by Rafael Barroso Cabrera. Paperback; 205x290mm; xii+560 pages; 174 figures, 5 tables, 2 maps, 80 plates (45 plates in colour). Spanish text with extended English summary. 498 2019. Available both in printed and e-versions. Printed ISBN 9781789690644. £75.00 (No VAT). Epublication ISBN 9781789690651. £16.00 (Exc. VAT) Institutional Price £75.00 (Exc. UK VAT) Book contents pageBuy Now

The central position of the province of Cuenca, Spain, was a decisive factor in its relationship with Toledo, the capital of the Visigothic kingdom. Also, its location meant that, from the middle of the 6th Century, it was directly affected by some of the most relevant historical episodes of those times: the foundation of the royal city of Reccopoli, the establishment of the Servitanus monastery, the transformation of Toledo as the metropolitan seat of the Carthaginian province and the military campaigns against the imperial forces. Parallel to this, archaeological excavations document a process of disrupting the old urban centres in favour of small populations within their municipal territory. This process was resolved with a shift of power centres towards other cities supported by the political power of Toledo: Toledo itself in the case of Segobriga, Reccopoli in the Arcavica’s case and Illunum to the detriment of Valeria. In this way, the ancient Roman cities were reduced to serve as a symbolic reference of the small villages that developed in the shadow of the old urban centres. This volume presents a historical and archaeological study of the province of Cuenca in Late Antiquity. The study concludes with an examination of the archaeological collection from the province, which has been divided into three large groups: monumental sculpture and epigraphic items, ceramic productions and metalwork arts. The first group is mainly constituted by the findings made in the excavations of Cabeza de Griego (Segobriga). Most of the pottery productions correspond to vessels placed as funerary deposits. Due to the absence of excavations, the ceramics for kitchen and storage use are hardly represented, whereas there is an overrepresentation of types destined for use as libations or offerings. Finally, most of the elements of industrial arts correspond to elements of the Latin-Mediterranean fashion or Byzantine style of the 7th Century. The almost total absence of materials corresponding to the Pontic-Danubian fashion also should be noted.

La posición central de la provincia de Cuenca ha sido el factor determinante en su relación con Toledo, la capital del reino visigodo. Esta situación fue la causa también de que, desde mediados del siglo VI, se viera directamente afectada por algunos de los episodios históricos más relevantes del momento: la fundación de la ciudad regia de Recópolis, el establecimiento del monasterio Servitano, la transformación de Toledo en sede metropolitana de la provincia cartaginesa y las campañas militares contra los ejércitos imperiales. De forma paralela, las excavaciones arqueológicas documentan un proceso de desestructuración de los antiguos centros urbanos a favor de pequeñas poblaciones de su territorio. Este proceso se resolvió con un cambio de centros de poder hacia otras ciudades apoyadas por el poder político de Toledo: Toledo mismo en el caso de Segóbriga, Recópolis en el caso de Arcávica e Illunum en detrimento de Valeria. De este modo, las ciudades romanas quedaron reducidas servir como referentes simbólicos de las pequeñas poblaciones que se desarrollaron a la sombra de los antiguos centros urbanos. El presente trabajo se completa con el estudio de la colección arqueológica procedente de la provincia, que se ha dividido en tres grandes grupos: escultura monumental y epigrafía, producciones cerámicas y artes industriales. El primer grupo está constituido principalmente por los hallazgos realizados en las excavaciones de Cabeza de Griego (Segóbriga). Por otro lado, la mayoría de las producciones de cerámica corresponden a vasijas colocadas como depósitos funerarios. Debido a la ausencia de excavaciones, la cerámica de cocina y de almacenamiento apenas aparece representada, mientras que hay una sobrerrepresentación de tipos destinados a libaciones u ofrendas. Finalmente, la mayoría de los materiales de las artes industriales corresponden a elementos de la moda latino-mediterránea o del estilo
Anglo-Saxon Crops and Weeds: A Case Study in Quantitative Archaeobotany by Mark McKerracher. Paperback; 203x276mm; viii+204 pages; 53 figures, 33 tables (4 plates in colour). (Print RRP £35.00). 85 2019. Available both in print and Open Access. Printed ISBN 9781789691924. £35.00 (No VAT). Epublication ISBN 9781789691931. Book contents pageDownload

There is a growing recognition within Anglo-Saxon archaeology that farming practices underwent momentous transformations in the Mid Saxon period, between the seventh and ninth centuries AD: transformations which underpinned the growth of the Anglo-Saxon kingdoms and, arguably, set the trajectory for English agricultural development for centuries to come. Meanwhile, in the field of archaeobotany, a growing set of quantitative methods has been developed to facilitate the systematic investigation of agricultural change through the study of charred plant remains. This study applies a standardised set of repeatable quantitative analyses to the charred remains of Anglo-Saxon crops and weeds, to shed light on crucial developments in crop husbandry between the seventh and ninth centuries. The analyses demonstrate the significance of the Anglo-Saxon archaeobotanical record in elucidating how greater crop surpluses were attained through ecologically-sensitive diversification and specialisation strategies in this period. At the same time, assumptions, variables and key parameters are presented fully and explicitly to facilitate repetition of the work, thus also enabling the book to be used as a source of comparative data and a methodological handbook for similar research in other periods and places. It constitutes a specialist, data-driven companion volume to the author’s more general narrative account published as Farming Transformed in Anglo-Saxon England (Windgather, 2018).

About the Author
MARK MCKERRACHER is a Postdoctoral Researcher in the School of Archaeology at the University of Oxford, where he completed his DPhil – studying Mid Saxon agriculture – in 2014. After working in museum archiving, software development and freelance archaeobotany, he is currently researching medieval farming practices as part of the ERC-funded Feeding Anglo-Saxon England project (FeedSax). His interests include archaeobotany, database development, agricultural production and Anglo-Saxon archaeology, and he writes a popular blog – The Corn Lore – which explores the science, culture, economy, history and archaeology of cereals (www.mjmckerracher.co.uk).