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NEW: Estudios para la configuración de las facies cerámicas altoimperiales en el Sur de la Península Ibérica edited by P. Ruiz Montes, Ma. V. Peinado Espinosa and Ma. I. Fernández García. Paperback; 210x297mm; ii+284 pages; illustrated throughout in colour and black & white (68 colour plates). Spanish text throughout. 403 2018 Roman and Late Antique Mediterranean Pottery 11. Available both in printed and e-versions. Printed ISBN 9781784918118. £39.00 (No VAT). Epublication ISBN 9781784918125. £16.00 (Exc. VAT) Institutional Price £39.00 (Exc. UK VAT) Book contents pageBuy Now

Estudios para la configuración de las facies cerámicas altoimperiales en el Sur de la Península Ibérica explores economy and trade in the south of the Iberian peninsula during the High Roman Empire. Different methodologies, techniques and approaches to archaeological research are applied in the analysis and study of ceramic contexts in several marketplaces or consumption centres in the area. Special attention is given to ceramic facies predominantly characterised by the presence of fine pottery. In addition, the examination of local ceramics points towards a complexity whose interpretation has been biased until a few decades ago by the presence of wares imported from other Mediterranean regions as a result of the intensity of Roman trade. Furthermore, exploration beyond traditional analytical parameters highlights, for example, the relevance of the phenomenon of pottery vessel imitation.

About the Editors
DR PABLO RUIZ MONTES has a doctorate in History from the University of Granada and is a postdoctoral researcher linked to the Department of Prehistory and Archaeology at the University of Granada. His research focuses on the analysis of ceramic facies of Roman times in the Baetica province, and on the study of technology traditions and production processes, particularly in Red Slip wares, in the Western Roman world. Also, in past years, he has developed his research in Italy, at the University of Siena and in archaeological sites such as the Roman colony of Cosa (Ansedonia).

DR Mª VICTORIA PEINADO ESPINOSA has a doctorate in History from the University of Granada. She has worked as associate researcher for both the University of Granada and the University of Perugia. Her line of research has focused on the analysis of the material culture in Roman times, especially common ware pottery. Her works have contributed to better understand these ceramics both in the South of the Iberian Peninsula and in Central Italy. Currently, she combines teaching with archaeological research, and she is involved in several projects studying the Roman Baetica.

DR Mª ISABEL FERNÁNDEZ GARCÍA is Professor of Archeology at the Department of Prehistory and Archeology at the University of Granada. One of her main areas of expertise and focus of her research is the analysis of the production and marketing structures in pottery workshops from Roman times, with special emphasis in the Baetica province. She is a specialist in pottery productions in Hispanic terra sigillata.
NEW: Atlas of Ceramic Fabrics 1 Italy: North-East, Adriatic, Ionian. Bronze Age: Impasto by Valentina Cannavò and Sara Tiziana Levi. Paperback; 175x245mm; viii+142 pages; 25 figures, 16 tables and 16 colour plate section containing 167 illustrations. 427 2018. Available both in printed and e-versions. Printed ISBN 9781784918590. £29.00 (No VAT). Epublication ISBN 9781784918606. £16.00 (Exc. VAT) Institutional Price £29.00 (Exc. UK VAT) Book contents pageBuy Now

Atlas Of Ceramic Fabrics 1. Italy: North-East, Adriatic, Ionian. Bronze Age: Impasto presents and interprets the petrographic composition of Bronze Age Impasto pottery (23rd-10th centuries BCE) found in the eastern part of Italy. This is the first of a series of Atlases organised according to geographical areas, chronology and types of wares. In this book 935 samples from 63 sites are included, which comprise material obtained as a result of almost 30 years of interdisciplinary archaeological, technological and archaeometric research by the authors’ team. 73 petrographic fabrics (the potters’ ‘recipes’) are defined and presented, on their lithological character – a tool that can be used to compare the different components of the ceramic pastes and to check provenance of non-local pots.

The volume is organised in chapters focused on methodology, fabric description and distribution, followed by the archaeological implications and the database, with contributions by Daniele Brunelli and Andrea Di Renzoni. Illustrations and descriptions of the fabrics and a complete list of the samples are included in order to provide a rigorous and transparent presentation of the data. The archaeological implications are discussed within the topics such as technology, variability, standardisation, chronology, function, social organisation, circulation, style, typology and cultural identity. It is hoped that this work will be considered as another stepping-stone in demostrating that, in archaeology, technological variability is as important as morphological and stylistic distinctions.

About the Authors
VALENTINA CANNAVÓ’S research focuses on the archaeometric investigation of ancient pottery. She is a research fellow at the University of Modena and Reggio Emilia where she obtained a PhD in archaeological science (2010). Valentina teaches pottery technology (Ferrara University) and applied geoarchaeology (Modena and Reggio Emilia University) to the graduate students. She is in charge of the database of prehistoric pottery and since 2009 she has been the director of the field laboratory of the excavation at San Vincenzo Stromboli (Aeolian Islands).

SARA T. LEVI’S research focuses on the ancient pottery through an integrated archaeological, technological and archaeometric approach, and on the Bronze Age of central Mediterranean. She obtained a PhD in archaeology at Sapienza University in Rome (1996). Her findings have been published in several scientific journals and books, including a volume on the Italo- Mycenaean pottery (2014). Since 2015 she has been teaching archaeology at Hunter College in New York, after spending eight years at the University of Modena and Reggio Emilia as professor of archaeological methodology. Since 2009 she leads the interdisciplinary archaeological investigations at San Vincenzo Stromboli (Aeolian Islands) and at Cannatello (Agrigento). Both projects hold international field schools for students as well.
NEW: Buildings in Society: International Studies in the Historic Era edited by Liz Thomas and Jill Campbell. Paperback; 205x290mm; vi+150 pages; illustrated throughout in colour and black & white (36 colour plates). 426 2018. Available both in printed and e-versions. Printed ISBN 9781784918316. £32.00 (No VAT). Epublication ISBN 9781784918323. £16.00 (Exc. VAT) Institutional Price £32.00 (Exc. UK VAT) Book contents pageBuy Now

Buildings in Society: International Studies in the Historic Era presents a series of papers reflecting the latest approaches to the study of buildings from the historic period. This volume does not examine buildings as architecture, but adopts an archaeological perspective to consider them as artefacts, reflecting the needs of those who commissioned them. Studies have often failed to consider the historical contexts in which the buildings were constructed and how they were subsequently used and interpreted. The papers in this volume situate their interpretation in their social context. Buildings can inform us about past cultures as they are responsive and evolve to meet people’s needs over time.

The buildings examined in this volume range from the twelfth to the twenty-first century and cross continents including case-studies from America, Australia and Europe, the United Kingdom, Ireland, Scandinavia and the Mediterranean. Themes include: Approaches to the study of buildings, Buildings of Power, Buildings in Identity, Domestic Space and Urban and Village Spaces. The essays consider building design, role, and how the buildings were altered as their function changed to coincide with the needs and aspirations of those who owned or used the buildings. This collection of papers emphasizes the need for further international multidisciplinary approaches including archaeology, architectural history and art history in order to understand how ideas, styles, approaches and designs spread over time and space. Together, these papers generate valuable new insights into the study of buildings in the historic period.

About the Editors
LIZ THOMAS is a historical-archaeologist and heritage and cultural researcher based at the School of Natural and Built Environment, The Queen’s University of Belfast. She recently completed her British Academy Postdoctoral Fellowship, a multidisciplinary study that focused on the docklands of Belfast, Northern Ireland. She specialises in the study of institutions, in particular won policymaking, political environments and human agency. Thomas’ current research is based on Public Heritage.

JILL CAMPBELL is a skilled buildings archaeologist. She has conducted fieldwork in Northern Ireland, England and Scotland and has produced architectural histories for the Northern Ireland Environment Agency. Dr Campbell has several published papers, and has contributed a chapter on medieval manor houses to the Oxford Handbook of Later Medieval Archaeology.
NEW: Identified skeletal collections: the testing ground of anthropology? by Charlotte Yvette Henderson and Francisca Alves Cardoso. 428 2018. Available both in printed and e-versions. Printed ISBN 9781784918057. £30.00 (No VAT). Epublication ISBN 9781784918064. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

Human skeletons are widely studied in archaeological, anthropological and forensic settings to learn about the deceased. Methods used to identify individuals in forensic contexts and to determine age and sex in archaeological settings are normally tested on identified skeletal collections: collections of skeletons with known age-at-death, sex, often occupation and cause of death. These collections often represent individuals dying within the last century, but this is variable and often depends on the purpose for creating the collection. Many were developed in attempts to understand local population biology whereas those collected recently are for forensic purposes: to improve identification in legal contexts. Some of these collections were developed from body donation programmes, while others have come from cemeteries: cemeteries which were either no longer viable or needed clearing. All these factors impact on who curates these collections: archaeology or anthropology departments and museums. However, unlike many other skeletons curated in these locations, these are individuals with names. All this raises ethical questions about their creation, curation and their use for research.

This book focusses on identified skeletal collections in the UK, Portugal, South Africa, USA and Canada. The chapters discuss how and why collections were amassed including the local legislation governing them. Alongside this run the ethical issues associated with their collection, curation and access to them. The demographics of the collections: who is included and why, along with such biases and how they can impact on research are also discussed, as are limitations in the documentary data associated with these individuals. The importance of these collections is also focussed on: particularly their role in developing and testing methods for age determination in adults. This shows why these collections are so vital to improve methods and interpretations for archaeological and forensic research. The importance of communicating this to the wider public is also addressed.

About the Editors CHARLOTTE HENDERSON is a researcher in CIAS – Research Centre for Anthropology and Health based in the Department of Life Sciences, Coimbra (Portugal). She completed her PhD at the University of Durham in the Department of Archaeology. Her research focusses on methods for identifying activity in past populations. She has a long-standing interest in ethics which she studied as part of her undergraduate degree in Philosophy.

FRANCISCA ALVES CARDOSO is a research fellow at CRIA – Centre for Research in Anthropology (Portugal). In 2008 she was awarded a PhD in Biological Anthropology/Paleopathology by the University of Durham (UK). Her research focuses on the significance of socio-economic and cultural variables in the interpretation of human skeletons. In 2014 she was awarded a grant to develop the project - Portuguese Human Identified Skeletal Collections (HISC): Shaping their ethical and legal framework, which aims to build a bridge between science and society on the importance of HISC, whilst considering their scientific value, social and cultural, as well as ethical implications.
NEW: From the Archaeological Record to Virtual Reconstruction The Application of Information Technologies at an Iron Age Fortified Settlement (San Chuis Hillfort, Allande, Asturias, Spain) by Juana Molina Salido. x+190 pages; illustrated throughout in colour and black & white (126 colour plates). 425 2018. Available both in printed and e-versions. Printed ISBN 9781784918750. £40.00 (No VAT). Epublication ISBN 9781784918767. £16.00 (Exc. VAT) Institutional Price £40.00 (Exc. UK VAT) Book contents pageBuy Now

From the Archaeological Record to Virtual Reconstruction describes the use of New Information Technologies (IT) for the analyses and interpretation of archaeological record of the San Chuis Hillfort (San Martín de Beduledo, Allande, Asturias, Spain). The data gathered during the eight excavation campaigns conducted by Francisco Jordá Cerdá in the sixties and eighties of the 20th century was mechanised and digitalised. Spatial Data Infrastructure (SDI) of the hillfort was performed, followed by a creation of spatial analysis through the establishment of relations between the elements of the archaeological record. At the end, having studied and investigated the site’s urban evolution throughout its occupation period (890 cal. BP – 530 cal. AD), a virtual reconstruction of the hillfort in its different settlement phases, presenting various evolution scenarios is presented.

In the process a work methodology and a set of computer applications adapted for each step of this research have been established, such as the system for the insertion of records in a database, for planimetry drawings, hillfort virtualisation, and others.

About the Author Juana Molina Salido obtained a PhD in prehistory and archaeology. She has a long experience as an archaeologist, specialising in the application of New Information Technologies in the development of archaeological work, both in the field and in the cabinet. In addition, she is a technical specialist in heritage virtualisation. She is currently collaborating on several research projects at the UNED, the Middle Palaeolithic site of Jarama VI and on the hillfort that is the subject of this book.
NEW: London’s Waterfront 1100–1666: excavations in Thames Street, London, 1974–84 by John Schofield, Lyn Blackmore and Jacqui Pearce, with Tony Dyson. Hardback; 210x297mm; xxiv+514 pages; illustrated throughout in colour and black & white (132 colour plates). English text with summaries in French and German. 422 2018. Available both in print and Open Access. Printed ISBN 9781784918378. £90.00 (No VAT). Epublication ISBN 9781784918385. Book contents pageDownload

London’s Waterfront 1100–1666: excavations in Thames Street, London, 1974–84 presents and celebrates the mile-long Thames Street in the City of London and the land south of it to the River Thames as an archaeological asset. The argument is based on the reporting of four excavations of 1974–84 by the Museum of London near the north end of London Bridge: Swan Lane, Seal House, New Fresh Wharf and Billingsgate Lorry Park. Here the findings of the period 1100–1666 are presented.

Buildings and property development on sixteen properties south of Thames Street, on land reclaimed in many stages since the opening of the 12th century, include part of the parish church of St Botolph Billingsgate. The many units of land reclamation are dated by dendrochronology, coins and documents. They have produced thousands of artefacts and several hundred kilos of native and foreign pottery. Much of this artefactual material has been published, but in catalogue form (shoes, knives, horse fittings, dress accessories, textiles, household equipment). Now the context of these finds, their deposition in groups, is laid out for the first time. Highlights of the publication include the first academic analysis and assessment of a 13th- or 14th-century trumpet from Billingsgate, the earliest surviving straight trumpet in Europe; many pilgrim souvenirs; analysis of two drains of the 17th century from which suggestions can be made about use of rooms and spaces within documented buildings; and the proposal that one of the skeletons excavated from St Botolph’s church is John Reynewell, mayor of London in 1426–7 and a notable figure in London’s medieval history.

The whole publication encourages students and other researchers of all kinds to conduct further research on any aspect of the sites and their very rich artefactual material, which is held at the Museum of London’s Archaeological Archive. This is a significantly large and varied dataset for the archaeology and history of London in the period 1100 to 1666 which can be continuously interrogated for generations to come.

About the Authors
JOHN SCHOFIELD was an archaeologist at the Museum of London from 1974 to 2008. He has written several well-received books on the archaeology of London and of British medieval towns; and as Cathedral Archaeologist for St Paul’s Cathedral, archaeological accounts of the medieval and Wren buildings.

LYN BLACKMORE is a Senior Ceramics and Finds Specialist who has worked for MOLA and its predecessors since 1986. During this time she has established the Anglo-Saxon fabric type series for London, has contributed to the Type-Series of London Medieval Pottery and has published widely on aspects of post- Roman pottery. Her special research interests are the development of London and the role of local, regional and imported pottery and finds in trade and exchange. In 2009–14 she was Assistant Treasurer of the Medieval Pottery Research Group and in 2017 was elected co-editor of its journal Medieval Ceramics, a role she first held in 1989–94.

JACQUI PEARCE is a Senior Ceramics Specialist with MOLA, focusing especially on medieval and later pottery, on which she has published widely. She joined the Museum of London’s Department of Urban Archaeology in 1977 and has played a major role in the development and publication of the Type-Series of London Medieval Pottery. She has served as Joint Editor of Medieval Ceramics, as well as of Post-Medieval Archaeology and is currently Joint Editor of English Ceramic Circle Transactions. In 2017 she was elected President of the Society for Post-Medieval Archaeology.

TONY DYSON was the principal documentary historian and general editor at the Department of Urban Archaeology of the Museum of London from 1974 to 1998.
NEW: Gifts, Goods and Money: Comparing currency and circulation systems in past societies edited by Dirk Brandherm, Elon Heymans and Daniela Hofmann. vi+228 pages; 73 figures (30 colour plates). 416 2018. Available both in print and Open Access. Printed ISBN 9781784918354. £34.00 (No VAT). Epublication ISBN 9781784918361. Book contents pageDownload

The papers gathered in this volume explore the economic and social roles of exchange systems in past societies from a variety of different perspectives. Based on a broad range of individual case studies, the authors tackle problems surrounding the identification of (pre-monetary) currencies in the archaeological record. These concern the part played by weight measurement systems in their development, the changing role of objects as they shift between different spheres of exchange, e.g. from gifts to commodities, as well as wider issues regarding the role of exchange networks as agents of social and economic change. Among the specific questions the papers address is what happens when new objects of value are introduced into a system, or when existing objects go out of use, as well as how exchange systems react to events such as crises or the emergence of new polities and social constellations. One theme that unites most of the papers is the tension between what is introduced from the outside and changes that are driven by social transformations within a given group.

About the Editors
DIRK BRANDHERM studied Archaeology, Classics and Social Anthropology at the universities of Münster, Edinburgh and Freiburg. Most of his work has been in European Bronze and Iron Age archaeology, with one focus on metalwork production and depositional practices. He currently holds a position of Lecturer at Queen’s University Belfast, Northern Ireland.

ELON HEYMANS studied archaeology at the University of Amsterdam and at Tel Aviv University. He completed his PhD in Tel Aviv on the early history of money in the eastern Mediterranean Iron Age, and is currently a postdoctoral researcher at Utrecht University. His focus lies on the archaeology of Greece and the southern Levant, and he is particularly interested in the social, political and historical context of early money use.

DANIELA HOFMANN has obtained her PhD from Cardiff University and is currently Junior Professor at Hamburg University, Germany. She has published extensively on funerary archaeology, as well as the figurines and domestic architecture of the central European Neolithic, but she is also interested in instances of structured deposition and in spheres of exchange.
NEW: Commemorating Conflict: Greek Monuments of the Persian Wars by Xavier Duffy. viii+210 pages; illustrated throughout in black & white with 10 plates in colour. 412 2018. Available both in printed and e-versions. Printed ISBN 9781784918392. £26.00 (No VAT). Epublication ISBN 9781784918408. £16.00 (Exc. VAT) Institutional Price £26.00 (Exc. UK VAT) Book contents pageBuy Now

This study is concerned with how the Greek peoples, of primarily the classical period, collectively commemorated the Persian Wars. The data presented here are public monuments, which include both physical and behavioural commemorations. The aim of this work is to reveal and present the methods by which Greeks of the fifth century BC commemorated the Persian Wars. Several trends have drawn attention away from studies presenting commemorative practices in their entirety: the focus on singular monument types, individual commemorative places, a particular commemorating group or specific battle, and an overemphasis on Athenian commemorations. This project works towards rectifying this issue by highlighting the variations in commemorative traditions. This holistic approach to the data, which is inclusive in its remit of commemorative objects, places, and groups, allows for a more complete representation of the commemorative tradition. What emerges from this study is the compilation of all known ancient Greek monuments to commemorate the battles of Marathon, Salamis, Artemisium, Thermopylae and Plataea.

About the Author
XAVIER DUFFY graduated with a PhD in the commemoration of ancient Greek warfare in 2016 from the University of Birmingham’s School of Classics, Ancient History and Archaeology. Xavier has taught Classical Archaeology at the University of London and University of Winchester and has a keen interest in material culture. This interest was nurtured while working as Assistant Collections Manager at the British Museum from 2009-2017. This book is the result of Xavier’s postgraduate research on the commemorations of the Persian Wars specifically.

Table of Contents
PREFACE; 1: INTRODUCTION; 2: CONTEXTUALISING THE COMMEMORATIONS OF THE PERSIAN WARS; 3: COMMEMORATIVE GROUPS AND COMMEMORATIVE PLACES; 4: MONUMENTS BY TYPE; 5: THE MONUMENTS AND THE EVIDENCE; BIBLIOGRAPHY
NEW: Life on the Edge: The Neolithic and Bronze Age of Iain Crawford’s Udal, North Uist edited by Beverley Ballin Smith. Hardback; xxxii+270 pages; highly illustrated in full colour throughout. 408 2018. Available both in print and Open Access. Printed ISBN 9781784917708. £25.00 (No VAT). Epublication ISBN 9781784917715. Book contents pageDownload

The discovery of archaeological structures in North Uist in 1974 after storm damage led to the identification by Iain Crawford of a kerb cairn complex, with a cist and human remains. Six years later he went back, and over the next three years excavated another cist with human remains in its kerbed cairn, many bowl pits dug into the blown sand, and down to two late Neolithic structures and a ritual complex. He intensively studied the environmental conditions affecting the site and was among the first archaeologists in Scotland to understand the climate changes taking place at the transition between late Neolithic and the early Bronze Age. The deposition of blown sand and the start of the machair in the Western Isles, including the rise in sea-level and inundations into inhabited and farmed landscapes, are all part of the complex story of natural events and human activities.

Radiocarbon dating and modern scientific analyses provide the detail of the story of periods of starvation suffered by the people that were buried on the site, of the movement away of the community, of their attempts of bringing the ‘new’ land back into cultivation, of a temporary tent-like structure, and of marking their territory by the construction of enduring monuments to the dead.

About the Editor
BEVERLEY BALLIN SMITH took up the mantle left by Iain Crawford and has brought this first monograph on his Udal project area to publication. She has extensive experience of working on, and publishing, other large multi-period sites. She is an archaeologist who lived and worked on Orkney for many years and has first-hand experience of the archaeology of Shetland, the UK, Faroes, Denmark, Norway and Sweden, and is now based in Scotland. Beverley is the Publications Manager at GUARD Archaeology Ltd and editor of ARO (Archaeology Reports Online), with the aim of disseminating information to relevant audiences. She undertakes specialist analysis of prehistoric pottery and coarse stone tools. She has been a member of the Chartered Institute for Archaeologists for nearly all her professional life; she served on the former IfA Council, was Vice Chair for Outreach, a member of the Validation Committee and was a CIfA Board director. She is a member of the Society of Antiquaries of London and also a member of the Society of Antiquaries of Scotland, where she has been Vice President. She is currently President of Archaeology Scotland and a Research Associate at National Museums Scotland.
NEW: Maryport: A Roman Fort and Its Community by David J. Breeze. vi+116 pages; illustrated throughout in colour and black & white (63 plates in colour). 402 2018. Available both in printed and e-versions. Printed ISBN 9781784918019. £14.99 (No VAT). Epublication ISBN 9781784918026. £10.00 (Exc. VAT) Institutional Price £14.99 (Exc. UK VAT) Book contents pageBuy Now

The collection of Roman inscribed stones and sculpture, together with other Roman objects found at Maryport in Cumbria, is the oldest archaeological collection in Britain still in private hands. Today, it is housed in the Senhouse Roman Museum on Sea Brows to the north of the modern town of Maryport. Beside the museum the earthworks of the Roman fort may still be seen, and beyond it, though not visible, lies a large civil settlement revealed through geophysical survey and the scene of two recent excavations. Maryport: A Roman Fort and its community places the collection in context and describes the history of research at the site. Maryport, although at the north-western edge of the Roman Empire, provides material of international importance for our understanding of the Roman state.

About the Author
DAVID BREEZE has been a trustee of the Senhouse Museum Trust since its inception in 1985 and chair of the trust since 2013. He has served as President of the Cumberland and Westmorland Antiquarian and Archaeological Society and as Chairman of the International Congress of Roman Frontier. He was Chief Inspector of Ancient Monuments for Scotland from 1989 to 2005, and subsequently led the team which successfully nominated the Antonine Wall as a World Heritage Site in 2008. David has excavated on both Hadrian’s Wall and the Antonine Wall and written several books on these frontiers, on frontiers elsewhere in the Roman Empire and on the Roman army.
NEW: Axe-heads and Identity An investigation into the roles of imported axe-heads in identity formation in Neolithic Britain by Katharine Walker. xiv+318 pages; illustrated throughout in colour and black & white (86 colour plates). 386 2017. Available both in printed and e-versions. Printed ISBN 9781784917449. £40.00 (No VAT). Epublication ISBN 9781784917456. £16.00 (Exc. VAT) Institutional Price £40.00 (Exc. UK VAT) Book contents pageBuy Now

The significant body of stone and flint axe-heads imported into Britain from the Continent has been poorly understood, overlooked and undervalued in Neolithic studies, particularly over the past half century. It is proposed, in this study, that the cause is a bias of British Neolithic scholarship against the invasion hypothesis and diffusionist model, and it is sought therefore to re-assess the significance accorded to these objects. The aim is to redress the imbalance by re-focusing on the material, establishing a secure evidence base, and exploring the probable conditions in which these often distinctive items made their way to Britain. The narrative presented here rests upon the argument that imported axe-heads came into what is today called Britain as objects of considerable significance. Specifically, they were items of high symbolic value that played a crucial role in fostering particular ways of thinking about, and addressing, social identity in the Neolithic period. These issues are the context for the study, whose main objectives are the close and detailed cataloguing of relevant material, and a documentation of the investigative work needed to establish the credentials of each artefact.

About the Author
Katharine Walker is a prehistorian who specialises in the Neolithic of northwest Europe. She is Visiting Research Fellow at Bournemouth University, 'Ecademy' Project Officer at the New Forest Centre in Lyndhurst, and a freelance lithics and stone axe specialist. She studied at the Universities of Bristol, Cardiff, and Southampton where she completed a PhD in 2015. Her current research interests focus on materials and material culture, and she has also published on the first metalwork and the origins of social power in The Oxford Handbook of Neolithic Europe (2015). She is an active Committee Member of the Implement Petrology Group, as well as Editor of their newsletter Stonechat.
NEW: KYMISSALA: Archaeology – Education – Sustainability by Manolis I. Stefanakis. xii+192 pages; illustrated throughout in colour and black & white. Papers in English and Greek.. 52 2018. Available both in print and Open Access. Printed ISBN 9781784917685. £42.00 (No VAT). Epublication ISBN 9781784917692. Book contents pageDownload

The area of Kymissala on the southwest coast of Rhodes is of great archaeological interest, as it conceals a large number of important archaeological sites belonging to the lesser known ancient deme of the Rhodian countryside, the deme of Kymissaleis. The region is also of exceptional environmental and ecological importance, as it has a particular biodiversity and is protected by the European ‘Natura 2000’ network of nature protection areas.

Kymissala has systematically been researched during the past 10 years by the Kymissala Archaeological Research Project (KARP) inaugurated by the Department of Mediterranean Studies and the Ephorate of Antiquities of the Dodecanese in 2006.

The research, escaping from its narrow academic and archaeological context and exploiting the comparative advantage of the region, may –and should– inter alia, intervene in a mild and sustainable manner in the promotion of the archaeological site of Kymissala. Its ultimate goal is to promote the antiquities of the area, its educational value and its historical and cultural continuity within a protected natural environment, in the context of an ecological-archaeological park.

Under the title Kymissala: Archaeology – Education – Sustainability, fourteen original studies have been published, constituting the first complete presentation of the area of Kymissala and the work in progress, after ten years of systematic research, in terms of Archaeology, Education and Sustainable Development.

About the Author
Manolis I. Stefanakis is an Associate Professor in Classical Archaeology and Numismatics in the Department of Mediterranean Studies, University of the Aegean. Director of Postgraduate Studies in ‘Archaeology of the Eastern Mediterranean from the Prehistoric Era to the Late Antiquity: Greece, Egypt, Near East’.

Director of the University of the Aegean Archaeological Research in Kymissala, Rhodes (held in collaboration with the Ephorate of Antiquities of the Dodecanese) since 2006. Co-director (with Professor Nikolaos Stampolidis) of the University of the Aegean excavation (held in collaboration with the Ephorate of Antiquities of Rethymno) of the fortified citadel of Orne in Retymno, Crete, since 2016.

Co-founder and Publishing Director (with Dr. Nikos Litinas) of the annual scientific journal Eulimene: Studies in Classical Archaeology, Epigraphy, Numismatics and Papyrology, Rethymno: Mediterranean Archaeological Society (ISSN 1108-5800) and of Eulimene Series of Independent Publications, Rethymno: Mediterranean Archaeological Society. Co-founder and Publishing Director (with Assistant Professor Sotiris Ntalis) of the annual scientific journal Yearbook of Mediterranean Studies, Rhodes.

His research interests focus on Field Archaeology, Classical Archaeology, Ancient Greek Numismatics, Archaeology and Sustainability.
NEW: Colecciones, arqueólogos, instituciones y yacimientos en la España de los siglos XVIII al XX edited by Sergio España-Chamorro, Rebeca Arranz Santos, Alberto Romero Molero. xii+246 pages; illustrated throughout in color and black & white (71 colour plates). 50 2018. Available both in print and Open Access. Printed ISBN 9781784918637. £50.00 (No VAT). Epublication ISBN 9781784918644. Book contents pageDownload

The History of archaeological research has only recently become a research topic of interest within Spain. A congress, Colecciones, arqueólogos, instituciones y yacimientos en la España de los Siglos XVIII al XX, was held at the Universidad Complutense de Madrid in 2016 designed to bring this topic to the fore. Eleven papers are presented in this proceedings volume. They address several aspects from different perspectives that collectively enrich the historiography of Spanish archaeological research.

La Historia de las investigaciones arqueológicas es un campo de estudio muy reciente en el caso español. No obstante, las últimas décadas han sido muy fructíferas en esta línea de investigación. Colecciones, arqueólogos, instituciones y yacimientos en la España de los Siglos XVIII al XX es un volumen que recoge ese testigo con once trabajos originales que traen a la primera línea la historiografía de la Arqueología española. Estos trabajos, fruto de un congreso homónimo realizado en la Universidad Complutense de Madrid en 2016, abordan diferentes temas y perspectivas que abarcan importantes aspectos de la temática tratada con una variedad geográfica que atiende la diversidad y riqueza de la historiografía arqueológica española.

EDITORES
SERGIO ESPAÑA-CHAMORRO es doctor en Estudios del Mundo Antiguo por la Universidad Complutense de Madrid. Actualmente es investigador posdoctoral en la Escuela Española de Historia y Arqueología en Roma (CSIC) y profesor adjunto en la Universidad Isabel I. Sus líneas de investigación versan sobre Arqueología del Paisaje centrándose en la Bética y en Italia, además de su participación en proyectos de investigación sobre el espacio doméstico en Pompeya y la escultura romana en Cartago. Ha realizado estancias de investigación en el Departamento de Arqueología de la University of Southampton, en el centro CIL de la Berlin-Brandenburgischen Akademie der Wissenschaften, en la Università degli Studi di Bari ‘Aldo Moro’ y en el Musei dei Fori Imperiali-Mercati di Traiano (Roma).

Rebeca Arranz Santos es graduada en Historia del Arte por la Universidad Complutense de Madrid, y posee un máster en Arqueología del Mediterráneo en la Antigüedad clásica por la misma universidad. Compagina su doctorando en Historia y Arqueología con su colaboración como profesora en el Centro de Estudios Artísticos Elba, donde imparte cursos de Arqueología de Grecia, Arqueología de Roma y Arte de Mesopotamia y del Mediterráneo Oriental. Es miembro del grupo de trabajo del Proyecto I+D+I de la Real Academia de Bellas Artes de San Fernando. Además, ha realizado una estancia de doctorado en Escuela Española de Historia y Arqueología en Roma.

Alberto Romero Molero es doctor en Prehistoria, Arqueología y Patrimonio por la Universidad Autónoma de Madrid. Actualmente es director del Grado en Historia y Geografía de la Universidad Isabel I. Ha formado parte de numerosos proyectos de investigación, tanto nacionales como en el extranjero, lo que le ha permitido asistir y organizar numerosos seminarios, congresos, cursos y eventos de difusión científica. Sus líneas de investigación se centran en la arquitectura romana, el estudio de las técnicas constructivas, el análisis arqueológico de los espacios domésticos y la historia de las investigaciones arqueológicas. Ha desarrollado trabajos de campo, tanto de excavación como de documentación, en Carteia (San Roque, Cádiz), Baelo Claudia (Tarifa, Cádiz), Banasa (Marruecos), Veio y Pompeya (Italia).
NEW: SOMA 2015: Time, Space and People Proceedings of the 19th Symposium on Mediterranean Archaeology edited by Murat Arslan. iv+190 pages; illustrated throughout in colour and black & white (69 colour plates). 49 2018. Available both in print and Open Access. Printed ISBN 9781784918514. £44.00 (No VAT). Epublication ISBN 9781784918521. Book contents pageDownload

The 19th annual meeting of the Symposium on Mediterranean Archaeology (SOMA) was held in Kemer/Antalya (Turkey) from the 12th to the 14th of November, 2015. As has been the case in the past, this symposium continues to provide an important opportunity for scholars and researchers to come together and discuss their academic studies in a friendly and supportive atmosphere. The proceedings of SOMA 2015 contain eighteen interdisciplinary articles on themes from underwater archaeology to history, archaeometry and art history, and chronologically, the subjects of these articles range from the Bronze Age to the 20th century.

About the Editor
Murat Arslan is the editor of SOMA 2015. He is professor of Ancient History at Akdeniz University in Antalya (Turkey). He is interested in Ancient Greek and Ancient History, especially the Classical and Hellenistic periods, and historiography. In addition to his monographs (Galatians, Mithradates VI Eupator, Classical and Hellenistic History of Byzantion), his translations and commentaries on periplus (Arrianus, Ps. Scylax), and Memnon of Heracleia Pontica, he is the current editor in chief of several international journals (Cedrus, MJH, Phaselis, Libri).
NEW: Who Owns the Past? Archaeological Heritage between Idealism and Destruction edited by Maja Gori (editor-in-chief). 123 pages; full colour throughout. 2 2017. Available both in print and Open Access. Printed ISBN 9781784917630. £25.00 (No VAT). Institutional Price £30.00 (No VAT). Epublication ISBN 2531-8810-2-2017. Book contents pageDownload

The second issue of Ex Novo hosts papers exploring the various ways in which the past is remembered, recovered, created and used. In particular, contributions discuss the role of archaeology in present-day conflict areas and its function as peacekeeping tool or as trigger point for military action.

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FORTHCOMING: Visualizing cityscapes of Classical antiquity: from early modern reconstruction drawings to digital 3D models With a case study from the ancient town of Koroneia in Boeotia, Greece by Chiara Piccoli. Paperback; 203x276mm; xiv+314 pages; illustrated throughout in colour and black & white (100 colour plates). 53 2018. ISBN 9781784918897. Book contents pageBuy Now

The amount of 3D modelling applications in archaeology has increased enormously over the last decade. 3D recording techniques allow researchers to quickly and accurately document archaeological evidence, and 3D reconstructions have created new possibilities to communicate the results to a larger public. In this latter case, however, numerous scholars have expressed their concern regarding the ethics of such digital representations, since they give prominence to a crystallized image of the past and do not account for the complexity of the archaeological record. The study presented here aims to make a practical contribution to a new understanding and use of 3D reconstructions, namely as ‘laboratories’ to test hypotheses and visualize, evaluate and discuss alternative interpretations.

In order to do so, an analysis of visual reconstructions of the early and late modern period is presented first, followed by a discussion of current applications of 3D digital reconstructions, with a special focus on cityscapes. Lastly, a practical implementation of a research-driven, intellectually transparent and GIS-based 3D reconstruction is proposed for the urban site of Koroneia, in Boeotia, Central Greece. Specifically, the methodology developed in this work uses tools that are employed in geo-design and modern urban planning in an innovative way, integrating GIS with a rule-based modelling approach. With a strong focus on the automation and iteration of the reconstruction process, our 3D visualization provides an intuitive insight into hidden relationships and associations among data, and allows the creation and evaluation of alternative reconstruction hypotheses.

About the Author
CHIARA PICCOLI is an Italian archaeologist currently employed as a staff member of the Digital Archaeology Research group at the Faculty of Archaeology in Leiden, The Netherlands. Her expertise lies in the applications of 3D modelling techniques and 2D-3D GIS to visualize and analyse archaeological evidence. Her research interests include urban studies, visual studies, and the exploitation of digital tools and new technologies for documentation, visualization, analysis and dissemination. She has participated in several excavations and surveys in Italy, Greece and Morocco. Chiara holds a BA in Cultural Heritage (University of Trento), an MA in Greek and Roman Archaeology (University of Siena) and an MA in Book and Digital Media Studies (Leiden University). She received the Tiele-Stichting Thesis Prize 2011 for the best MA dissertation in the field of Book History in the Netherlands.
Le classi ceramiche della “tradizione mista” a Kos nel Tardo Bronzo IA by Salvatore Vitale. 208 pages; illustrations in colour and black & white. Italian text.. 51 2018. ISBN 9781784918859. Download

This volume focuses on the pottery classes of the “Entangled Tradition” recovered at the settlement of the “Serraglio” on Kos during the late Bronze Age and into the Iron Age. The results reveal new information on the chronology, typology, and decoration of Koan Painted Fine (PF) and Koan Painted Medium-Coarse to Coarse (PMC-C), ceramics. Moreover, the fresh analysis of the chaîne opératoire used to manufacture these classes and the assessment of consumption patterns contribute to a wider understanding of the socio-cultural and political implications of the Koan pottery assemblage during the early part of the late Bronze Age.

The data presented in this volume indicate that PF and PMC-C ceramics represent a unique case of fully entangled classes in the Aegean, which merged features of the Koan “Local Tradition” with characteristics of the Minoan and Minoanizing potting traditions of Crete and the Cyclades into a new technological and stylistic language. Contacts between these different cultures are explained based on the theoretical model provided by “human mobility”. The specific Koan cultural synthesis, however, was endorsed and promoted by the local elites at the settlement of the “Serraglio”, which aimed to participate in the “new environment” determined by the economic and cultural expansion of Neopalatial Crete.

In this respect, the manufacture of Koan Entangled classes served a dual scope. On the one hand, using transport containers made in the PMC-C class, Koan products were exported and exchanged throughout the Aegean. In addition, the finer vessels of the Koan “Entangled Tradition” were utilized for promoting Minoan-type social practices at the “Serraglio”. Through these practices, Koan elites aimed to redefine their identity and portray an image of higher status within the local social arena.

About the Author
Dr. Salvatore Vitale completed his MA in Classical Literatures and PhD in Classical Archaeology at the University of Pisa in 2001 and 2007 respectively, under the supervision of Professors M. Benzi and Giampaolo Graziadio. After completion of his PhD, Dr. Vitale held post-doctoral and research fellowships at the Universities of Calabria, Cincinnati, and Pisa and at the Italian Archaeological School at Athens.

Since 2009, he has been the director of the “Serraglio, Eleona, and Langada Archaeological Project” (SELAP), a research endeavor carried out under the auspices of the Italian Archaeological School at Athens. The main goal of SELAP is to provide new information on the island of Kos from the Final Neolithic until the Late Protogeometric period.
Problems of Chronology in Gandhāran Art Proceedings of the First International Workshop of the Gandhāra Connections Project, University of Oxford, 23rd-24th March, 2017 edited by Wannaporn Rienjang and Peter Stewart. iv+166 pages; illustrated throughout in colour and black & white (56 colour plates). 419 2018. Available both in print and Open Access. Printed ISBN 9781784918552. £32.00 (No VAT). Epublication ISBN 9781784918569. Book contents pageDownload

Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent.

Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address.

Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. It presents the proceedings of the first of three international workshops on fundamental questions in the study of Gandhāran art, held at Oxford in March 2017.

About the Editors
WANNAPORN RIENJANG is Project Assistant of the Gandhāra Connections Project at the Classical Art Research Centre, Oxford. She completed her doctoral degree in Archaeology at the University of Cambridge on Buddhist relic cult in Afghanistan and Pakistan. Before starting her PhD, she worked as a research assistant for the Masson Project at the Department of Coins and Medals, the British Museum. Her research interests include the art and archaeology of Greater Gandhāra, Buddhist studies, and working technologies of stone containers and beads.

PETER STEWART is Director of the Classical Art Research Centre and Associate Professor of Classical Art and Archaeology at the University of Oxford. He has worked widely in the field of ancient sculpture. His publications include Statues in Roman Society: Representation and Response (2003) and The Social History of Roman Art (2008). Much of his research concerns the relationship between Gandhāran art and Roman sculpture.
Agia Varvara-Almyras: An Iron Age Copper Smelting Site in Cyprus edited by Christina Peege in collaboration with Philippe Della Casa and Walter Fasnacht. xii+294 pages; illustrated throughout in colour and black & white (100 colour plates). 415 2018. Available both in printed and e-versions. Printed ISBN 9781784918156. £48.00 (No VAT). Epublication ISBN 9781784918163. £16.00 (Exc. VAT) Institutional Price £48.00 (Exc. UK VAT) Book contents pageBuy Now

The Iron Age copper smelting site situated near the Cypriot village Agia Varvara is of particular importance among the ancient copper processing places in the Near East because it has revealed spatial as well as technological aspects of copper production in a hitherto rarely-seen depth of detail. Agia Varvara-Almyras: an Iron Age Copper Smelting Site in Cyprus presents the results of a comprehensive post-excavation analysis of the stratigraphy (part I), also of the geology, metallurgical materials (furnaces, tuyeres), finds (pottery, furnace lining, stone tools), as well as a synthesis of the copper smelting technology at Agia Varvara-Almyras (part II).

The excavation analysis not only focuses on pyrotechnical information from individual furnaces, but also provides a detailed study of the spatial organisation as well as of the living conditions on the smelting site. An elaborate reconstruction of the features in a 3D model allows the visualisation of formerly-dispersed loci of copper production. Based on this virtual rebuilding of the hillock named Almyras, it becomes clear that archaeometallurgy must be unchained, and the idea of an ‘operational chain’ must be replaced by a more multidimensional research strategy labelled as an ‘operational web’. The present volume aims to stimulate future excavations which pay attention to the reasons behind the exploitation of the riches of the island, as well as to the needs of the markets where the final product was very likely to have been appreciated as a strategic commodity, by power players operating on the island as well as by ordinary people in need of a repair to an everyday commodity which had broken.

About the Editors
CHRISTINA PEEGE graduated at the Department of Classical Archaeology at the University of Zurich. She started her academic career as a research assistant at the Chair of Ancient History in Zurich, and as a scientific collaborator at the Mint Cabinet in the City of Winterthur. After having participated in archaeological excavations conducted by cantonal archaeology services in Switzerland, she started as a trench supervisor under the auspices of Walter Fasnacht at the excavation of Agia Varvara-Almyras. She completed her doctoral studies with this comprehensive publication of the excavation results at the University of Zurich in January 2017.

PHILIPPE DELLA CASA graduated in Roman Provincial Archaeology before taking his PhD with a thesis on the Bronze Age necropolis of Velika Gruda, Montenegro in 1994. He then engaged in a series of large Adriatic and Alpine projects on settlement survey and excavation, landscape history, as well as social and economic archaeology including mining archaeology. Since 2002, he has held the Chair of Prehistoric Archaeology at the University of Zurich as a full professor.

WALTER FASNACHT graduated in primary and secondary teaching before the award of his master’s degree in Prehistoric Archaeology and Geology at the University of Zurich. He is the director of the Almyras Excavation Cyprus. He has been lecturer in archaeometallurgy at the Universities of Fribourg and Zurich, curator of archaeology at the Swiss National Museum, researcher at the Swiss Federal Laboratories for Materials Testing and Research as well as a member of the Swiss School of Archaeology in Eretria, Greece. He founded the Swiss Association of Experimental Archaeology and is an active teacher and educator.
Les Néandertaliens du talon Technologie lithique et mobilité au Paléolithique moyen dans le Salento (Pouilles, Italie méridionale) by Enza E. Spinapolice. xii+224 pages; illustrated in black & white throughout with 14 plates in colour. French text.. 409 2018. Available both in printed and e-versions. Printed ISBN 9781784918217. £45.00 (No VAT). Epublication ISBN 9781784918224. £16.00 (Exc. VAT) Institutional Price £45.00 (Exc. UK VAT) Book contents pageBuy Now

Salento is a peninsula in Southern Italy, the heel of the Italian boot, characterised both by an abundance of Middle Palaeolithic sites and a scarcity of raw material suitable for knapping. The research question at the basis of this book concerns the managing of raw materials by Neanderthals, through both the procurement and use of the locally available raw materials and the exploitation of possibly more distant sources.

Le Salento est une péninsule du sud de l’Italie, le talon de la botte italienne, caractérisée à la fois par l’abondance des sites du Paléolithique moyen et par une pénurie des matières premières propres à la taille. La question de recherche à la base de ce livre concerne la gestion des matières premières par les Néandertaliens, à travers l’approvisionnement et l’utilisation des matières premières disponibles localement et l’exploitation éventuelle de sources plus éloignées.

About the Author ENZA E. SPINAPOLICE is a researcher at Sapienza University of Rome. She is a Palaeolithic archaeologist, broadly interested in what makes us human. Her main research focus is on the origins and spread of modern humans and the Neanderthal extinction. She is currently studying MSA lithic industries from North Africa, Ethiopia and Kenya and Mousterian/Uluzzian record from Italy. She is particularly interested in the interactions between culture and biological evolution, as well as in the cultural, social and demographic processes of prehistoric hunter-gatherers from both a synchronic and diachronic perspective.

ENZA E. SPINAPOLICE est chercheur à l’Université La Sapienza, Rome (Italie). Elle est une archéologue du paléolithique, intéressée à la question de «ce qui nous rend humains». Ses principaux intérêts de recherche portent sur les origines et la diffusion des humains modernes et sur l’extinction des Néandertaliens. Elle étudie actuellement les industries lithiques MSA d’Afrique du Nord, d’Éthiopie et du Kenya et la Transition Moustérien/ Uluzzien en Italie. Elle s’intéresse particulièrement aux interactions entre la culture et l’évolution biologique, ainsi qu’aux processus culturels, sociaux et démographiques des chasseurs-cueilleurs préhistoriques, d’un point de vue synchronique et diachronique.
Social Interactions and Status Markers in the Roman World edited by George Cupcea and Rada Varga. xii+168 pages; illustrated throughout in colour and black & white (21 plates in colour). 407 2018 Archaeopress Roman Archaeology 37. Available both in printed and e-versions. Printed ISBN 9781784917487. £30.00 (No VAT). Epublication ISBN 9781784917494. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

In 2016, in Cluj-Napoca, Romania, some forty scholars from around the world attended the People of the Ancient World conference. This was organized within the framework of the Romans 1 by 1 project, and its main focus was on improving knowledge on ancient populations, employing a variety of methodologies, tools and research techniques. The presentations provided the editors with ten papers to be further developed and reunited under these covers. They encompass diverse approaches to Roman provincial populations and the corresponding case-studies highlight the multi-faceted character of Roman society.

The volume takes four main directions: prosopography (from Italy to Spain); ancient professions and professionals (merchants in Noricum, Lower Moesia, general nomenclature and encoding of professions, associations and family life); onomastics and origins, and finally, the military (iconography of funerary monuments and centurions’ social life). The publication is intended, on one hand, to enhance knowledge of the diversity of Roman social standings, of the exhibited social markers and – perhaps most important – stress the variety of forms which express status and place within the community, and on the other, to reiterate a series of fresh, modern views on these matters, resulting from a gathering of mostly junior researchers.

About the Author
GEORGE CUPCEA is a researcher at the National History Museum of Transylvania and Babeș-Bolyai University of Cluj-Napoca, Romania. His interests lie in the field of Latin epigraphy, Roman military history, especially the hierarchy of the Roman army. He also specialises in Roman provincial archaeology, especially non-invasive techniques and he is working on the enlistment process of the Dacian frontier in the UNESCO World Heritage List, as part of the trans-national FRE site.

RADA VARGA is a researcher at Babeș-Bolyai University, Cluj-Napoca, Romania, and specialises on digital epigraphy, ancient population studies, Roman occupations and professions. She is the coordinator of the project that hosted the conference (http://romans1by1.com), and also directs the archaeological excavations in the civil settlement of the auxiliary fort of Războieni (Ad Batavos), Dacia.
The Gwithian Landscape: Molluscs and Archaeology on Cornish Sand Dunes by Thomas M. Walker with contributions from Rowena Y. Banerjea and C. Rob Batchelor. xiv+194 pages; illustrated throughout in colour and black & white (125 colour plates). 406 2018. Available both in printed and e-versions. Printed ISBN 9781784918033. £38.00 (No VAT). Epublication ISBN 9781784918040. £16.00 (Exc. VAT) Institutional Price £38.00 (Exc. UK VAT) Book contents pageBuy Now

Gwithian, on the north coast of Cornwall, is a multiperiod archaeological site. Excavations by Charles Thomas in the mid-twentieth century provided evidence of human activity from the Mesolithic to the post-medieval period. The present work explores the palaeoenvironment of the area around the settlement sites, from the Neolithic, when sand dunes initially developed in the Red River valley, to the present post-industrial landscape. Multiproxy analyses on sediments from coring, a test pit and mollusc columns provide a view of the changing landscape and how it may have influenced, or been influenced by, human presence and settlement. Mollusc studies are used as the principal analytical method. Multiple radiocarbon and optically stimulated luminesce dates permit these changes to be studied on a tighter time frame than was previously possible. Mining activity from the Bronze Age to the present is explored using fine-resolution geochemistry. Dating allows the timing of the extinction and introduction of some mollusc species to be refined.

About the Author
THOMAS WALKER is Visiting Research Fellow in the Department of Archaeology, University of Reading. After a career in medicine he entered the world of archaeology in retirement, initially studying for a BSc at Reading and then progressing to a PhD. This monograph is based on his PhD thesis, which explored the palaeoenvironment of blown sands in Cornwall, principally at Gwithian. Table of Contents
People in the Mountains: Current Approaches to the Archaeology of Mountainous Landscapes edited by Andrzej Pelisiak, Marek Nowak and Ciprian Astaloș. viii+226 pages; illustrated throughout in colour and black & white (45 colour plates). 404 2018. Available both in printed and e-versions. Printed ISBN 9781784918170. £35.00 (No VAT). Epublication ISBN 9781784918187. £16.00 (Exc. VAT) Institutional Price £35.00 (Exc. UK VAT) Book contents pageBuy Now

Mountain landscapes were first exploited by farming populations at the very beginning of the Neolithic. However, there are controversies regarding when and where these specific types of human behaviour developed as a result of adaptation processes to these special environments.

The aim of People in the Mountains: Current Approaches to the Archaeology of Mountainous Landscapes is to present research results from different scientific contexts. To discuss these issues, and to study different aspects of human activity in the mountains and adjacent regions we incorporate archaeological, botanical, zooarchaeological and ethnological information. The chapters explore, among many other themes, several principal areas of research: environmental history and human impact in mountain environments; specificities of different mountain landscape zones; long-term changes of human activity in different mountain regions, and the origins of such changes; seasonal herding, and short and long-distance transhumance; exploitation of different raw materials e.g. siliceous raw material, salt etc.; mountains as borders, roads and zones of contact; creation of new customs, rights and social relations; symbolic and ritual locations in the mountains; dialogue between different methodological perspectives and analytical methods. The book consists of 15 chapters prepared by 27 authors from 10 countries. The chapter topics cover mountains located in Europe, America and Asia.

About the Editors
ANDRZEJ PELISIAK specialises in the Neolithic and Early Bronze Age of Central Europe. He gained his PhD in 1989. In 2001 he joined the University of Rzeszów and from 2005 he has been an associate professor at the UR Institute of Archaeology. He is an author or co-author of seven books and more than 150 papers. His archaeological interests are as follows: the exploitation and distribution of siliceous rocks during the Neolithic and Early Bronze Age; production of lithic tools from Early Neolithic onwards; environmental and climatic changes during the Holocene and their connections with changes of human activity; Neolithic and Bronze Age settlements and economy; the archaeology of mountains. He has directed, co-directed or participated in several Polish and international multidisciplinary projects, i.e. Climate and environment changes recorded in the annually laminated sediment of Lake Gościąż (Central Poland) and Human activity in the High Bieszczady Mountains from the Neolithic onwards.

MAREK NOWAK obtained his PhD degree in Archaeology at Jagiellonian University in Kraków (Poland). Currently he is associate professor at the Institute of Archaeology of the Jagiellonian University. He writes and teaches on the Mesolithic-Neolithic transition and on the Neolithic of Central Europe (particularly on the Funnel Beaker culture). His research interests also include environmental archaeology. He has participated in a number of projects in Poland and abroad and has some 90 publications, including three books. Recent publications include co-editing Early Farmers of the Eastern Slovak Lowland: The Settlement of the Eastern Linear Pottery Culture at Moravany (edited by J. K. Kozłowski, M. Nowak, and M. Vizdal, Kraków 2015). Currently he is working on the book about Polish territories in the 6th, 5th and 4th millennia BC.

CIPRIAN ASTALOȘ obtained his BA degree in History at Babeș-Bolyai University in Cluj, Romania (1998) and a MSc degree in Palaeoanthropology and Palaeolithic Archaeology at University College London (2010). Since 1999, he has been working at the Satu Mare County Museum, Satu Mare, Romania. His main research interests relate to the Palaeolithic and the Neolithic of the Carpathian Basin. Currently, he is working on a doctoral thesis at University College London on ground stones in the Neolithic of Western Romania.
The Roman Bridge between Dolni Vadin (Bulgaria) and Grojdibodu (Romania) by Dorel Bondoc. vi+108 pages; 174 figures (54 colour plates). 401 2018 Archaeopress Roman Archaeology 38. Available both in printed and e-versions. Printed ISBN 9781784918071. £30.00 (No VAT). Epublication ISBN 9781784918088. £16.00 (Exc. VAT) Institutional Price £30.00 (Exc. UK VAT) Book contents pageBuy Now

The Roman Bridge between Dolni Vadin (Bulgaria) and Grojdibodu (Romania) presents all the available data on the Roman bridge over the Danube which connected Dacia and Moesia at this point. The toponyms Vadin and Grojdibodu themselves mean ‘ford’, a crossing over water, in this case over the Danube. There have been no archaeological excavations at the feet of the bridge but the author has been able to propose positioning, scale and full reconstruction on the basis of a survey of existing remains, known road alignments, old maps and drawings as well as comparison with better-known parallels. The book also includes a catalogue of small finds deriving from the area of the bridge.

This bridge has been ignored for centuries primarily due to the absence of any mention of it in ancient sources, literary or otherwise. It was probably eclipsed by the fame of the bridge from Drobeta, which was constructed by Emperor Trajan between the two Dacian wars, and by the bridge from Sucidava-Oescus which was built later, in the time of Emperor Constantine the Great. Additionally, the bridge is located in a rather obscure place, hardly accessible in the modern era. This work restores this river crossing to its proper significance.

About the Author DOREL BONDOC is an expert archaeologist at the Museum of Oltenia, Craiova, Romania. He obtained a PhD in Ancient History (Roman Archaeology) from the University in Bucharest in 2004. Dorel is a director of the archaeological research projects on the sites of Cioroiu Nou, the fortress of Legio VII Claudia, and Racarii de Jos, the Roman auxiliary fort. Over time he has published many articles and studies, as well as several books.
Mosaici funerari tardoantichi in Italia Repertorio e analisi by Luigi Quattrocchi. iv+ 114 pages; illustrated throughout in colour and black & white (19 plates in colour). Italian text with English summary. 400 2018. Available both in printed and e-versions. Printed ISBN 9781784917999. £20.00 (No VAT). Epublication ISBN 9781784918002. £16.00 (Exc. VAT) Institutional Price £20.00 (Exc. UK VAT) Book contents pageBuy Now

The potential of tomb mosaics as an academic resource has often been underestimated and consequently they have only been partially analysed not only in Italy but also throughout the Western Mediterranean. This work is intended to shed a new light on these finds, which are often incomplete, lost, or little studied.

The first part of the book presents the history of previous studies on the subject and briefly explains the structure of the corpus. The corpus, in turn, is organised according to current Italian administrative regions, specifically: Sardegna, Sicilia, Puglia, Campania, Lazio, Marche, and Friuli Venezia Giulia. Every region is then further divided following current provinces and municipalities.

This work does not aim to present merely a compilation of data in a catalogue; thus the second part of the book focuses specifically on tomb mosaics found in the Italic peninsula and major islands, and provides information on their geographic distribution, dating, typology, place of discovery and iconography, and considers the potential identification of individual workshops.

The purpose of the book is to bring tomb mosaics to greater consideration, since they have not survived in academic literature to the same extent as did their rich villa or domus counterparts. This work does not therefore aspire to be a complete analysis of the subject, but rather a starting point which can be both useful and a stimulus for future studies.

Italian Description
Il mosaico funerario è una particolare tipologia musiva spesso sottovalutata e poco studiata. Le origini sono da ricercarsi, probabilmente, nell’antica regione della Bizacena, attuale Tunisia, a partire dagli ultimi decenni del III secolo d.C. Nel IV secolo iniziò l’esportazione dei cartoni musivi funerari nel resto del Mediterraneo occidentale, raggiungendo l’Italia e la Spagna; in entrambi i casi però il mosaico funerario non riscosse particolare successo. La richiesta maggiore di questo nuovo monumento funerario avveniva da parte dei cristiani, e solo in minima parte dai pagani. In questo libro si cerca di fare ordine sui mosaici funerari presenti nell’odierno territorio italiano, catalogando tutte le evidenze musive, sia oggigiorno scomparse che ancora in situ, per cercare di delineare un’analisi sul fenomeno che ha, in maniera seppur ridotta, investito la Penisola italiana e le sue Isole maggiori. Infatti le testimonianze musive si concentrano in zone dove particolari condizioni hanno permesso la loro messa in posa. La prima parte è dedicata al repertorio dei sessanta mosaici funerari dell’attuale Italia, ognuno catalogato secondo una scheda pensata e studiata per rendere più agevole possibile la consultazione. La seconda parte è invece incentrata sullo studio d’insieme del fenomeno dei mosaici funerari in Italia, nella quale si cerca di fare chiarezza e dare dei punti fermi su questa categoria di mosaici. L’analisi conclusiva cerca di spiegare il perché in Italia, pur essendoci condizioni apparentemente favorevoli alla produzione delle coperture tombali musive, non si siano trovati che poche testimonianze musive funerarie se paragonate a quelle ritrovate nel Nord Africa e in special maniera in Bizacena.

LUIGI QUATTROCCHI (1988) ha conseguito la Laurea Triennale in Beni Culturali presso l’università degli Studi di Cagliari, ha proseguito gli studi conseguendo la Laurea Magistrale in Archeologia presso l’Università di Pisa e ha concluso gli stessi con il Dottorato presso l’Universidad Carlos III de Madrid con cotutela presso l’Università degli Studi di Sassari. Le sue linee di ricerca si incentrano sullo studio del fenomeno del mosaici funerario all’interno del bacino del Mediterraneo occidentale e sulla produzione musiva della Sardegna, Spagna e Nord Africa.
My dear Miss Ransom: Letters between Caroline Ransom Williams and James Henry Breasted, 1898-1935 edited by Kathleen L. Sheppard. vi+310 pages; 5 black & white plates, 1 colour plate. 399 2018 Archaeological Lives . Available both in printed and e-versions. Printed ISBN 9781784917821. £24.00 (No VAT). Epublication ISBN 9781784917838. £16.00 (Exc. VAT) Institutional Price £24.00 (Exc. UK VAT) Book contents pageBuy Now

Caroline Louise Ransom Williams (1872-1952) is remembered as the first American university-trained female Egyptologist, but she is not widely-known in the history of science. Her mentor was James Henry Breasted, well-known as the first American Egyptologist and founder of the Oriental Institute at the University of Chicago. As long as they worked together and as much as they depended on each other professionally, Ransom Williams is little more than a footnote in the published history of archaeology. She was a successful scholar, instructor, author, and museum curator. She also had personal struggles with her mother and her husband that affected the choices she could make about her career. This book presents the correspondence between Ransom Williams and Breasted because the letters are crucial in piecing together and allowing an in-depth analysis of her life and career.

The written conversation, comprised of 240 letters between the two, shows that Ransom Williams had a full life and productive career as the first American female Egyptologist. Through these letters, we see part of a life that is unique while at the same time analogous to other professional women in the period. This edition is the first book-length discussion of Ransom Williams’ life and career.

About the Editor DR. KATHLEEN SHEPPARD is Associate Professor in the Department of History and Political Science at Missouri S&T in Rolla, Missouri, USA. She received her PhD in the History of Science from the University of Oklahoma in 2010. Her research focuses on the history of Egyptology in the US and in the UK, and especially women's roles in the discipline. She finds that telling the life stories of women in Egyptology is not only interesting, but it is also crucial to fully understanding the founding and development of the discipline. In her spare time, she is a mom, wife, and Ironman triathlete.
Manx Crosses: A Handbook of Stone Sculpture 500-1040 in the Isle of Man by David M. Wilson. Hardback; iv+182 pages; illustrated throughout in colour and black & white. 388 2018. Available both in printed and e-versions. Printed ISBN 9781784917579. £19.99 (No VAT). Epublication ISBN 9781784917586. £15.00 (Exc. VAT) Institutional Price £19.99 (Exc. UK VAT) Book contents pageBuy Now

The carved stone crosses of the Isle of Man of the late fifth to mid-eleventh century are of national and international importance. They provide the most coherent source for the early history of Christianity in the Island, and for the arrival and conversion of Scandinavian settlers in the last century of the Viking Age – a century which produced some of the earliest recognisable images of the heroes and gods of the North; earlier, indeed, than those found in Scandinavia. This, the first general survey of the material for more than a century, provides a new view of the political and religious connections of the Isle of Man in a period of great turmoil in the Irish Sea region. The book also includes an up-to-date annotated inventory of the monuments.

About the Author:
David M. Wilson, Director of the British Museum from 1977-1992, is a leading authority on the Viking Age and has written a number of studies of the art and archaeology of the Anglo-Saxon period and the Viking Age in their Northern European context. He is a Fellow of the British Academy and lives in the Island.
Considering Creativity: Creativity, Knowledge and Practice in Bronze Age Europe edited by Joanna Sofaer. x+164 pages; illustrated throughout in colour and black & white (33 colour plates). 387 2017. Available both in printed and e-versions. Printed ISBN 9781784917548. £28.00 (No VAT). Epublication ISBN 9781784917555. £16.00 (Exc. VAT) Institutional Price £28.00 (Exc. UK VAT) Book contents pageBuy Now

Creativity is embedded in human history. Indeed, it is impossible to understand material change and the development of the new without invoking creativity. The location, exploration and analysis of creativity should therefore be of particular concern to archaeologists. This volume engages with this challenge by focusing on the outcomes of creativity – material culture – and an exploration of creative practice. The European Bronze Age provides a useful focus for discussions of the outcomes of creativity because in this period we see the development of new and pre-existing materials that we take for granted today, in particular textiles and bronze. We also see new ways of working with existing materials, such as clay, to create novel forms. In both new and existing materials it is frequently possible to see the growth of technical skill, to produce complex forms and elaborate decorated surfaces.

The papers in this volume view Bronze Age objects through the lens of creativity in order to offer fresh insights into the interaction between people and the world, as well as the individual and cultural processes that lie behind creative expression. Many have their origin in the international conference Creativity: An Exploration Through the Bronze Age and Contemporary Responses to the Bronze Age held at Magdalene College, University of Cambridge in 2103 as part of the HERA-funded project Creativity and Craft Production in Middle and Late Bronze Age Europe. Contributions span the early to late Bronze Age, deal with a range of materials including textiles, metal, and ceramics, and reflect on data from across the continent including Iberia, Scandinavia, Central and Eastern Europe. This breadth illustrates the wideranging importance and applicability of creativity as an heuristic concept. The volume further develops a range of theoretical and methodological directions, opening up new avenues for the study of creativity in the past.
Marcadores gráficos y territorios megalíticos en la Cuenca interior del Tajo: Toledo, Madrid y Guadalajara by Mª Ángeles Lancharro Gutiérrez. 346 pages; illustrated throughout in colour and black & white (222 plates in colour). 46 2018. Available both in print and Open Access. Printed ISBN 9781784917975. £80.00 (No VAT). Epublication ISBN 9781784917982. Book contents pageDownload

The aim of this work is to analyze Late Prehistoric graphical markers, comprising paintings, engravings, Megalithic elements, and other portable objects. All of them can be described as post-paleolithic or Schematic Art over various surfaces. The chosen area, the inland region of the Tajo inner basin (Spain), was especially appealing for several reasons, such as the lack of scholarship on the subject, the lack of information on the geographical location of the archaeological sites, and the extended ignorance about the sites’ materials and relationships.

The methodology is based on systematic registration of all archaeological sites. This is studied from an Archaeology Landscape perspective through Geographic Information Systems (GIS) analysis. It tests geographical markers according to their strategic location (pre-eminence and visibility) and their relationship with other funerary, habitable and resources sites. This has allowed parietal surfaces (megaliths, caves, shelters) and mobile pieces to be given coordinate position for the first time in the region, which has demonstrated abundant and complex prehistoric graphical markers. The results achieved allow the extrapolation of settlement models, explained in chapter VI. Generally, shelters divide the territory by geographical units where the settlers have access to a variety of economic resources and transit networks.

About the Author
Dr. María Ángeles Lancharro has a BA in History from the University of Alcalá (Spain) and received her PhD in Prehistory from the same university. Her research interests include landscape archaeology, megalithic territories and their symbolism, Prehistoric Rock Art in the Iberian Peninsula and Late Prehistory in the inner basin of the Tajo river. Additionally, she specialises in databases, Geographic Information Systems (GIS) and spatial analysis. Her work is focused on territorial analysis from rock shelters, habitats, necropoli, areas of exploitation and resources. Dr. Lancharro has an extensive teaching experience and has participated in several excavations in Spain and southern France aimed at the compared study of Megalithic and Schematic Art. Her findings have been published in different peer-reviewed journals and books, and she has participated in a number of archaeological conferences.

Spanish description:
El objetivo de este trabajo es el estudio de los marcadores gráficos de la Prehistoria Reciente, entre los que se incluyen pinturas, grabados, elementos megalíticos y elementos mobiliares que responden a la descripción de Arte Esquemático o Postpaleolítico sobre diferentes soportes. Se eligió como zona de estudio la cuenca interior del Tajo a su paso por las provincias interiores (España), de especial interés por su carencia de valoraciones conjuntas y desde luego, por la escasa información acerca del posicionamiento geográfico de estos yacimientos y el desconocimiento bastante generalizado de sus contenidos y relaciones contextuales. El método de trabajo se ha fundamentado en la recogida sistemática de todos los yacimientos registrados. El estudio se ha llevado a cabo con nuevas tecnologías como los Sistemas de Información Geográfica (SIG), desde una perspectiva de la Arqueología del Paisaje. Se han efectuado diversos análisis establecidos sobre su posición estratégica (preeminencia y visibilidad) y su relación con otros yacimientos de carácter funerario, habitacional y recursos de explotación. Esto ha permitido que los soportes parietales (abrigos, cuevas y megalitos), así como piezas mobiliares, se hayan georreferenciado por primera vez en la región, dando muestras de la abundancia y complejidad de estas grafías prehistóricas.

Los resultados nos han permitido extrapolar modelos de implantación en el territorio, expuestos en el capítulo VI. En general, existe una tendencia a delimitar el territorio en unidades geográficas caracterizadas, en las que las sociedade